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Pierre-Auguste Renoir (1841-1919) stands out among the great artists for his willingness to paint pictures that are straightforwardly pretty and charming: he chooses familiar and sympathetic human types as his subjects, and depicts them with an appealing immediacy, using an attractively bright and rosy palette. Not all of his 4,000 or so paintings are equally good; some fall short on formal grounds, and others, not surprisingly, sink into sentimentality. But Renoir's best works are masterpieces, perhaps the most joyous and effervescent ones in the history of art - his great monuments to leisure, Dancing at the Moulin de la Galette and Luncheon of the Boating Party; his delicate portraits of women and children, like the winsome Girl with a Watering Can; and his many frankly sensual nudes. In this highly readable monograph, noted art historian Anne Distel offers an illuminating new account of the life of the man who created such singularly sparkling works. The author deftly narrates Renoir's rise from apprentice porcelain painter to celebrated artist, quoting judiciously from the painter's own vivid letters and offering keen analyses of his style at each stage of his 60-year career. And Distel does not consider that career in isolation, but uses the latest discoveries in the documentary evidence-some of them her own-to re-create the artistic and social milieus in which Renoir worked. She traces his relationships with other artists, both his fellow Impressionists and older contemporaries like Corot and Daubigny as well as the younger Bonnard, Matisse, and Picasso; with writers like Zola, Mallarmé, and Mirbeau; and, in particular, with the dealers and patrons who were so important to his career, like Paul Durand-Ruel, Ambroise Vollard, the Bernheim brothers, the Charpentiers, the Berards, Charles Ephrussi, and Dr. Barnes. Distel's authoritative text is illustrated throughout with some 300 beautiful colour reproductions of the artist's finest and most representative works, ensuring that this will be the Renoir monograph of reference for years to come.
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Drawings, pastels, prints and watercolors: Renoir's works on paper provide crucial insight into his instantly recognizable Impressionist paintingsPublished with RMN-Grand Palais, Musée d'Orsay, and Morgan Library & Museum.The paintings of Pierre-Auguste Renoir have become icons of Impressionism. Although his works on paper are less widely known, drawing remained central to his artistic practice even as his interests and ambitions changed over the course of a long career. This book explores the ways in which Renoir used paper to test ideas, plan compositions and interpret both landscape and the human figure.Renoir Drawings features more than 110 drawings, pastels, watercolors, prints and a small selection of paintings, enabling readers to engage with Renoir's creative process while offering insights into his artistic methods over five decades.Thematic sections cover the full span of the artist's career, ranging from academic studies he made as a student, to on-the-spot impressions of contemporary urban and rural life, to finished, formal portraits, to intimate sketches of friends and family completed late in life. In-depth case studies of favored themes and preparatory work for landmark canvases further illuminate Renoir's drawing practice.Together with Claude Monet, Edgar Degas and Camille Pissarro, Pierre-Auguste Renoir (1841–1919) was a founder of the style that became known as Impressionism, and one of its most prolific exponents. He was described by Herbert Read as "the final representative of a tradition which runs directly from Rubens to Watteau."