Arthur Pierce – författare

This bibliography presents an in-depth profile of Jean Arthur--an important, and much neglected figure of the American film industry. Along with basic biographical information, the book gives a detailed examination of her career and contribution to the entertainment field. Jean Arthur contributed to several branches of the entertainment media--film, radio, stage, television, yet surprisingly, she has been greatly overlooked by many historians. This book fills that void. As this bio-biography reveals, after many years of struggle Jean Arthur found herself a major star during the 1930s. Arthur exhibited a unique combination of girlish appeal and ladylike competence. Her evident joy at performing before the camera would turn into neurotic fear between scenes. Her popularity among peers, directors, and fellow performers, was contradicted by her near paranoia in demanding privacy and remoteness in her private life.The book's bibliography includes dozens of references to reviews in film periodicals, as well as excerpts from reviews of nearly all her films. This section also includes reviews of her stage and television careers, as well as a detailed listing of her radio contributions. The authors have compiled the book's filmography from a number of sources in an attempt to make both the cast and production credits as complete as possible. The book also includes a number of illustrations drawn from the authors' private collection, such as lobby cards, posters, and photographs. The appendix contains three articles, reprinted verbatim, from typical fan magazines. The articles by Romayne and John Wayne provide excellent pictures of what it was like to work with Jean Arthur. The third article, by Miss Arthur herself, presents her feelings on a subject dear to her, namely the independence of women and how film has contributed to her emancipation. This book should appeal to both scholar and film historian as well as the casual reader and movie lover. With its unequalled filmography and annotated listing of media contributions, this book will be invaluable as a reference in any film library.

Arthur Pierce tells the vivid story of smugglers turned privateers after the Revolutionary War broke out. He recounts from many sources tales of ships and men who fought and, although outnumbered and outgunned, still played havoc with British shipping. He tells also of the profiteering that went hand in hand with the privateering of the war years. From the Mullica River to Cape May stretched the woodlands and the inlets that harbored smugglers. Stealthy and dangerous though their activities were, the smugglers were not outcasts. They were looked upon with indulgence by many respectable citizens of the day. As bitterness toward the mother country mounted, smugglers were encouraged and actively supported in their operation agains the Crown. The Jersey inns and taverns emerged as the "cradles of revolt" in the years immediately preceding the Revolution. In them were planned and fostered many intrigues and acts of violence that played important parts behind the scenes of military and official action. A number of these inns and taverns are still in active use today and are depicted in the illustrations. Smugglers' Woods deals with smugglers, privateers, patriots, and loyalists to give an exciting account of the tensions and conflicts that gripped pre-Revolutionary and Revolutionary New Jersey.

Deep in the heart of southern New Jersey lies an area of some 96,000 acres of sprawling wilderness. It is the famous Wharton Tract which the state of New Jersey purchased in 1954 for a watershed, game preserve, and park. Many people know and love these wooded acres. Each year, people by the thousands visit Batsto Village, once the center of the iron industry that thrived on the tract more than a century ago. With warmth and accuracy, Arthur D. Pierce tells the story of the years when iron was king, and around it rose a rustic feudal economy. There were glass factories, paper mills, cotton mills, and brickmaking establishments. Here, too, were men who made those years exciting: Benedict Arnold and his first step toward treason; Charles Read, who dreamed of an empire and died in exile; Revolutionary heroes and heroines, privateers, and rogues. The author's vivid pictures of day-to-day life in the old iron communities are based upon careful research. This book proves that the human drama of documented history belies any notion that fiction is stranger than truth.