Babak Rahimi – författare

The result of collaborative research from noteworthy dramatists and scholars, this volume investigates the dynamic relationship between culture, performance and theatre in Iran. The studies gathered here examine how various forms of performances, especially theatre, have and continue to undergo change in response to shifting political and social settings from the antiquity to the present day. The analysis in this book focuses on performance practices, examining drama, texts, rituals, plays, music, cinema and drama technologies. This is done in order to show how Iran has been imagined through enactments and representations, and reproduced through these performative actions. The book uses a wider definition of the concept of 'performance', offering analysis of a wide range of phenomena, including indigenous rituals – such as the naqqali and taziyeh – and online performances by diaspora communities.

The result of collaborative research from noteworthy dramatists and scholars, this volume investigates the dynamic relationship between culture, performance and theatre in Iran. The studies gathered here examine how various forms of performances, especially theatre, have and continue to undergo change in response to shifting political and social settings from the antiquity to the present day. The analysis in this book focuses on performance practices, examining drama, texts, rituals, plays, music, cinema and drama technologies. This is done in order to show how Iran has been imagined through enactments and representations, and reproduced through these performative actions. The book uses a wider definition of the concept of 'performance', offering analysis of a wide range of phenomena, including indigenous rituals – such as the naqqali and taziyeh – and online performances by diaspora communities.

The result of collaborative research from noteworthy dramatists and scholars, this volume investigates the dynamic relationship between culture, performance and theatre in Iran. The studies gathered here examine how various forms of performances, especially theatre, have and continue to undergo change in response to shifting political and social settings from the antiquity to the present day. The analysis in this book focuses on performance practices, examining drama, texts, rituals, plays, music, cinema and drama technologies. This is done in order to show how Iran has been imagined through enactments and representations, and reproduced through these performative actions. The book uses a wider definition of the concept of ‘performance’, offering analysis of a wide range of phenomena, including indigenous rituals – such as the naqqali and taziyeh – and online performances by diaspora communities.

First comprehensive account of how the Internet has impacted life in Iran.Social Media in Iran is the first book to tell the complex story of how and why the Iranian people-including women, homosexuals, dissidents, artists, and even state actors-use social media technology, and in doing so create a contentious environment wherein new identities and realities are constructed. Drawing together emerging and established scholars in communication, culture, and media studies, this volume considers the role of social media in Iranian society, particularly the time during and after the controversial 2009 presidential election, a watershed moment in the postrevolutionary history of Iran. While regional specialists may find studies on specific themes useful, the aim of this volume is to provide broad narratives of actor-based conceptions of media technology, an approach that focuses on the experiential and social networking processes of digital practices in the information era extended beyond cultural specificities. Students and scholars of regional and media studies will find this volume rich with empirical and theoretical insights on the subject of how technologies shape political and everyday life.

Pilgrimage is one of the most significant ritual duties for Muslims, entailing the visitation and veneration of sites associated with the Prophet Muhammad or saintly figures. As demonstrated in this multidisciplinary volume, the lived religion of pilgrimage, defined by embodied devotional practices, is changing in an age characterized by commerce, technology, and new sociocultural and political frameworks. Traveling to and far beyond the Hajj, the most well-known Muslim pilgrimage, the volume's contributors reveal and analyze emerging contemporary Islamic pilgrimage practices around the world, in minority- and majority-Muslim countries as well as in urban and rural settings. What was once a tiny religious attraction in a remote village, for example, may begin to draw increasing numbers of pilgrims to shrines and tombs as the result of new means of travel, thus triggering significant changes in the traditional rituals, and livelihoods, of the local people. Organized around three key themes—history and politics; embodiment, memory, and material religion; and communications—the book reveals how rituals, practices, and institutions are experienced in the context of an inexorable global capitalism. The volume contributors are Sophia Rose Arjana, Rose Aslan, Robert R. Bianchi, Omar Kasmani, Azim Malikov, Lewis Mayo, Julian Millie, Reza Masoudi Nejad, Paulo G. Pinto, Babak Rahimi, Emilio Spadola, Edith Szanto, and Brannon Wheeler.

Pilgrimage is one of the most significant ritual duties for Muslims, entailing the visitation and veneration of sites associated with the Prophet Muhammad or saintly figures. As demonstrated in this multidisciplinary volume, the lived religion of pilgrimage, defined by embodied devotional practices, is changing in an age characterized by commerce, technology, and new sociocultural and political frameworks. Traveling to and far beyond the Hajj, the most well-known Muslim pilgrimage, the volume's contributors reveal and analyze emerging contemporary Islamic pilgrimage practices around the world, in minority- and majority-Muslim countries as well as in urban and rural settings. What was once a tiny religious attraction in a remote village, for example, may begin to draw increasing numbers of pilgrims to shrines and tombs as the result of new means of travel, thus triggering significant changes in the traditional rituals, and livelihoods, of the local people. Organized around three key themes—history and politics; embodiment, memory, and material religion; and communications—the book reveals how rituals, practices, and institutions are experienced in the context of an inexorable global capitalism. The volume contributors are Sophia Rose Arjana, Rose Aslan, Robert R. Bianchi, Omar Kasmani, Azim Malikov, Lewis Mayo, Julian Millie, Reza Masoudi Nejad, Paulo G. Pinto, Babak Rahimi, Emilio Spadola, Edith Szanto, and Brannon Wheeler.

A multisensory approach to the study of Shiʿi Iran that examines how devotional Moharram performances changed over time The mourning traditions of Moharram comprise a body of Shiʿi Muslim devotional performances commemorating the martyrdom of Hosayn ibn ʿAli, the grandson of the Prophet Muhammad and the Third Imam of the Shiʿi, in 680 CE. These traditional rites are performed during a period of communal mourning when Shiʿis remember Hosayn's sacrifice and affirm their allegiance to him and to the Prophet's family. Through remembering the martyrs of Karbala, Shiʿi Muslims reflect on their own afflictions and aspirations, and how these bear consequences for everyday ethical and devotional conduct.Babak Rahimi analyzes Moharram in Iran through the five senses—sight, sound, touch, smell, and taste—with an emphasis on the relationship between religious practices as embodied experiences and how these performances—and practitioners' experiences of them—have changed over time. Rahimi begins his investigation in the nineteenth-century Qajar period, when Moharram became a pervasive urban communal practice across most of Iran. He covers the Qajar-era dramatic performances of taʿziyeh, their transformation into cultural spectacles during the Pahlavi era, the public processions in the form of urban street protests in 1978, the tent-burning rituals in the southern city of Bushehr in 2006, and, lastly, the votive performances during Moharram in the digital sphere during the pandemic in 2020.Through the study of mourning in terms of the senses in a specific historical and social context, Senses of Mourning not only shows the changing embodied dimensions of religious practices that have played an integral role in the complex lifeworld of Shiʿi Iranians but also details the transformation of Moharram within the broader history of Shiʿi Iran in an increasingly interconnected global era. The book's multisensory approach sheds new light on the performativity of embodied practices, in which spiritualities, materialities, and the politics of the sacred are articulated through lived performances over time.

A multisensory approach to the study of Shiʿi Iran that examines how devotional Moharram performances changed over time The mourning traditions of Moharram comprise a body of Shiʿi Muslim devotional performances commemorating the martyrdom of Hosayn ibn ʿAli, the grandson of the Prophet Muhammad and the Third Imam of the Shiʿi, in 680 CE. These traditional rites are performed during a period of communal mourning when Shiʿis remember Hosayn's sacrifice and affirm their allegiance to him and to the Prophet's family. Through remembering the martyrs of Karbala, Shiʿi Muslims reflect on their own afflictions and aspirations, and how these bear consequences for everyday ethical and devotional conduct.Babak Rahimi analyzes Moharram in Iran through the five senses—sight, sound, touch, smell, and taste—with an emphasis on the relationship between religious practices as embodied experiences and how these performances—and practitioners' experiences of them—have changed over time. Rahimi begins his investigation in the nineteenth-century Qajar period, when Moharram became a pervasive urban communal practice across most of Iran. He covers the Qajar-era dramatic performances of taʿziyeh, their transformation into cultural spectacles during the Pahlavi era, the public processions in the form of urban street protests in 1978, the tent-burning rituals in the southern city of Bushehr in 2006, and, lastly, the votive performances during Moharram in the digital sphere during the pandemic in 2020.Through the study of mourning in terms of the senses in a specific historical and social context, Senses of Mourning not only shows the changing embodied dimensions of religious practices that have played an integral role in the complex lifeworld of Shiʿi Iranians but also details the transformation of Moharram within the broader history of Shiʿi Iran in an increasingly interconnected global era. The book's multisensory approach sheds new light on the performativity of embodied practices, in which spiritualities, materialities, and the politics of the sacred are articulated through lived performances over time.

The result of collaborative research from noteworthy dramatists and scholars, this volume investigates the dynamic relationship between culture, performance and theatre in Iran. The studies gathered here examine how various forms of performances, especially theatre, have and continue to undergo change in response to shifting political and social settings from the antiquity to the present day. The analysis in this book focuses on performance practices, examining drama, texts, rituals, plays, music, cinema and drama technologies. This is done in order to show how Iran has been imagined through enactments and representations, and reproduced through these performative actions. The book uses a wider definition of the concept of ‘performance’, offering analysis of a wide range of phenomena, including indigenous rituals – such as the naqqali and taziyeh – and online performances by diaspora communities.

The collected essays from noteworthy dramatists and scholars in this book represent new ways of understanding theater in the Middle East not as geographical but transcultural spaces of performance. What distinguishes this book from previous works is that it offers new analysis on a range of theatrical practices across a region, by and large, ignored for the history of its dramatic traditions and cultures, and it does so by emphasizing diverse performances in changing contexts. Topics include Arab, Iranian, Israeli, diasporic theatres from pedagogical perspectives to reinvention of traditions, from translation practices to political resistance expressed in various performances from the nineteenth century to the present.

During the Safavid period, the Shi'i Muharram commemorative rites which had been publically practiced since the 7th century, became a manifestation of state power. Already during the reign of Shah 'Abbas I (1587-1629) the Muharram rituals had transformed into an extraordinary rich repertoire of ceremonies and ceremonial spaces that can be defined as 'theater state'. Under Shah Safi I (1629-1642) these ceremonies ultimately led to carnivalesque celebrations of misrule and transgression.This first systematic study of a wide range of Persian and European archival and primary sources, analyzes how the Muharram rites changed from being an originally devotional practice to an ambiguous ritualization that in combination with other public arenas, such as the bazaar, coffeehouses or travel lodges, created distinct spaces of communication whereby the widening gap between state and society gave way to the formation of the early Iranian public sphere. Ultimately, the Muharram public spaces allowed for a shift in individual and collective identities, opening the way to multifaceted living fields of interaction, as well as being sites of contestation where innovative expressions of politics were made. In particular, the construction of the new Isfahan in 1590 is linked with the widespread proliferation of the Muharram mortuary rites by discussing rituals performed in major urban spaces.

First comprehensive account of how the Internet has impacted life in Iran.Social Media in Iran is the first book to tell the complex story of how and why the Iranian people-including women, homosexuals, dissidents, artists, and even state actors-use social media technology, and in doing so create a contentious environment wherein new identities and realities are constructed. Drawing together emerging and established scholars in communication, culture, and media studies, this volume considers the role of social media in Iranian society, particularly the time during and after the controversial 2009 presidential election, a watershed moment in the postrevolutionary history of Iran. While regional specialists may find studies on specific themes useful, the aim of this volume is to provide broad narratives of actor-based conceptions of media technology, an approach that focuses on the experiential and social networking processes of digital practices in the information era extended beyond cultural specificities. Students and scholars of regional and media studies will find this volume rich with empirical and theoretical insights on the subject of how technologies shape political and everyday life.