Bacchylides - Böcker

Discovered in an Egyptian papyrus in 1896, the lyrics of Bacchylides are one of the great treasures of Greek poetry. These exquisite choral odes celebrate victories in the Pythian, Isthmian, Nemean, and Olympic games and chronicle the classical gods and heroes, eloquently revealing to us the spirit and world of Golden Age Greece. The poems are brilliantly translated by Robert Fagles, recently hailed by Garry Wills in the New Yorker as "the best living translator of ancient Greek drama, lyric poetry, and epic into modern English." First published in 1961, the book now includes a new translator's note by Fagles."[Fagles] has produced a work which is at once a faithful translation of Bacchylides in the fullest sense and something which stands and lives in its own right as a work of art."—Sir Maurice Bowra, from the Foreword"Fagles has created . . . a musical and craftsmanly series of verses. As a translator, Fagles has the merits of . . . keeping the lilting rhythms of Bacchylides alive in one's ear . . . and unearthing metaphors behind faded Greek words, of splitting the strings of compound adjectives into pungent clauses which lose nothing in color but make coordinated English."—Emily Vermeule, American Journal of Philology"The beauty, richness, and classic quality of Mr. Fagles's unrhymed verse make this translation a creative work and a valuable contribution to English letters."—Rae Dalven, Poetry

Bacchylides (c. 520-450 BC) was one of the nine Greek lyric poets selected as models of this genre by the Alexandrian scholars who first collected and edited their songs in the 3rd century BC. Bacchylides' songs did not survive the end of antiquity, but substantial portions of at least three books have been recovered from papyri found in Egypt. This 2004 book was the first commentary in English since R. C. Jebb's Bacchylides (1905). It aims to introduce the reader to two important areas of Greek choral lyric poetry in which Bacchylides was pre-eminent: songs in praise of individuals (victory odes 3-6 and 11, and enkomia frr. 20A-D), and songs composed for religious festivals (dithyrambs, procession songs, and paeans). Among the most attractive features of his style are the well-balanced formal structure of his poems, and his vivid narrative which is capable of creating scenes of high drama and deep passion.

Precious snippets of ancient song.Bacchylides, nephew of Simonides and rival of Pindar, wrote choral poetry of many types. We have a number of his victory odes—poems celebrating victories in athletic contests—as well as dithyrambs and other hymns. He was a master of the captivating narrative. Also represented in this volume is the Boeotian Corinna, whose work, versions of local myths, survives in greater quantity than that of any other Greek woman poet except Sappho. Ancient authorities regarded Corinna as an older contemporary and mentor of Pindar; but some modern scholars place her later, in the third century BC. Other women are here too: Myrtis, also from Boeotia; Telesilla of Argos, famous for her military leadership as well as her hymns; the shadowy Charixena; and Praxilla of Sicyon, author of choral poems and drinking songs.David Campbell gives all the extant verse of these poets, along with the ancients’ accounts of their lives and works. This fourth volume of his much-praised edition of Greek lyric poetry also includes Timocreon of Rhodes, pentathlete and writer of invective; Diagoras of Melos, choral poet and alleged atheist; and Ion of Chios. Sophocles is represented by fragments of his paean Asclepius, Euripides by the few surviving lines of his ode for Alcibiades’ dazzling victory in the chariot race at Olympia.This is the fourth in a five-volume edition of Greek lyric poets. Sappho and Alcaeus, the illustrious singers of sixth-century Lesbos, are in the first. Volume II contains the work of Anacreon, composer of solo song; the Anacreontea; and the earliest writers of choral poetry, notably the seventh-century Spartans Alcman and Terpander. Stesichorus, Ibycus, Simonides, and other sixth-century poets are in Volume III. The last volume includes the new school of dithyrambic poets (mid-fifth to mid-fourth century), together with the anonymous poems: drinking songs, children’s songs, cult hymns, and others.