Beth S. Gersh-Nesic – författare
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2 produkter
2 produkter
Inbunden, Engelska, 2005
672 kr
Skickas inom 7-10 vardagar
André Salmon was one of the premier art critics of his day and the author of two important eyewitness accounts of early twentieth century art in France, La jeune peinture française and La jeune sculpture française. These works capture the revolutionary spirit of the period and include references and jokes of a small coterie of artists and poets that included Picasso, Guillaume Apollinare, Max Jacob, Georges Braque, and Salmon himself. This is the first English-language translation of Salmon's first two books, which serve as the primary sources on the Fauves, the Cubists, and their avant-garde contemporaries. Gersh-Ne∫ic's translation includes annotations that expand upon the period, most notably the literary references that came so naturally to Salmon. His rapport with his peers becomes transparent, providing insight into the studio banter that gave rise to some of the art work of that era, particularly Picasso's collages. The introduction calls attention to Salmon's main criteria as a critic and offers an understanding of his personal aesthetics through which we gain a better sense of his ideas and prejudices.
Häftad, Engelska, 2015
333 kr
Tillfälligt slut
The catalogue of a 2015 exhibit at the Fleming Museum. Picasso's major 1907 painting, Les Demoiselles d'Avignon, created an uproar in the Paris art world and laid the foundation for the development of Cubism. The Fleming Museum's exhibition explored Picasso's extraordinary process in creating the painting, through innovative installations and advanced technologies that transformed the museum experience. The painting's ongoing legacy is examined through the work of a diverse group of American, African, and European contemporary artists. Picasso found inspiration for Demoiselles in art history and contemporary visual culture. Through a variety of new visual technologies, visitors to the exhibit could understand how he synthesized and transformed these diverse sources - from Iberian, African, Oceanic, and Egyptian art to Baroque painting, Cezanne's and Gauguin's work, and colonial photographers' images of African women - to launch a radically new artistic vocabulary. The largest section of the exhibition highlighted the continuing pull of the painting - over 100 years after its creation - as evidenced in the work of international artists, including Leonce Raphael Agbodjelou, Gerri Davis, Damian Elwes, Julian Friedler, Kathleen Gilje, Carlo Maria Mariani, Sophie Matisse, Stas Orlovski, and Jackson Tupper.