Bill V Mullen – författare

With a new preface Bill V. Mullen updates his dynamic reappraisal of a critical moment in American cultural history. Mullen''s study includes reassessments of the politics of Richard Wright''s critical reputation and a provocative reading of class struggle in Gwendolyn Brooks'' A Street in Bronzeville. He also takes an in-depth look at the institutions that comprised Chicago''s black popular front: the Chicago Defender, the period''s leading black newspaper; Negro Story, the first magazine devoted to publishing short stories by and about African Americans; and the WPA-sponsored South Side Community Art Center.

Afro Asia opens with analyses of historical connections between people of African and of Asian descent. An account of nineteenth-century Chinese laborers who fought against slavery and colonialism in Cuba appears alongside an exploration of African Americans’ reactions to and experiences of the Korean “conflict.” Contributors examine the fertile period of Afro-Asian exchange that began around the time of the 1955 Bandung Conference, the first meeting of leaders from Asian and African nations in the postcolonial era. One assesses the relationship of two important 1960s Asian American activists to Malcolm X and the Black Panthers. Mao Ze Dong’s 1963 and 1968 statements in support of black liberation are juxtaposed with an overview of the influence of Maoism on African American leftists.

Turning to the arts, Ishmael Reed provides a brief account of how he met and helped several Asian American writers. A Vietnamese American spoken-word artist describes the impact of black hip-hop culture on working-class urban Asian American youth. Fred Ho interviews Bill Cole, an African American jazz musician who plays Asian double-reed instruments. This pioneering collection closes with an array of creative writing, including poetry, memoir, and a dialogue about identity and friendship that two writers, one Japanese American and the other African American, have performed around the United States.

Contributors: Betsy Esch, Diane C. Fujino, royal hartigan, Kim Hewitt, Cheryl Higashida, Fred Ho,Everett Hoagland, Robin D. G. Kelley, Bill V. Mullen, David Mura, Ishle Park, Alexs Pate, Thien-bao Thuc Phi, Ishmael Reed, Kalamu Ya Salaam, Maya Almachar Santos, JoYin C. Shih, Ron Wheeler, Daniel Widener, Lisa Yun

''A scrupulous biography'' -- Publishers Weekly

''Fresh, incisive, and uplifting'' -- Kirkus

''If you want to know the real Baldwin, this is the book to read'' -- Robin D.G. Kelley, author of Thelonious Monk

James Baldwin is an icon of liberation who created some of the most important literary works of his time, including the novels Go Tell It on the Mountain and If Beale Street Could Talk. Here, Bill V. Mullen celebrates the life of the great African-American writer and activist.

As a lifelong anti-imperialist, black queer advocate, and feminist, James Baldwin was a passionate chronicler of the rise of the Civil Rights Movement, the US war against Vietnam, the Palestinian liberation struggle, and the rise of LGBTQ+ rights.

Mullen pays homage to Baldwin’s truly radical approach to his life, writing and activism. Constantly in struggle for an anti-racist, emancipated world, Baldwin’s philosophy and politics were ahead of their time, predicting many of today’s movements such as Black Lives Matter.

Bill V. Mullen is Professor of American Studies at Purdue University. He is the author of W.E.B. Du Bois: Revolutionary Across the Color Line, amongst other books.

The story of the fight against fascism across the African diaspora, revealing that Black antifascism has always been vital to global freedom struggles.At once a history for understanding fascism and a handbook for organizing against, The Black Antifascist Tradition is an essential book for understanding our present moment and the challenges ahead.From London to the Caribbean, from Ethiopia to Harlem, from Black Lives Matter to abolition, Black radicals and writers have long understood fascism as a threat to the survival of Black people around the world—and to everyone. In The Black Antifascist Tradition, scholar-activists Jeanelle K. Hope and Bill Mullen show how generations of Black activists and intellectuals—from Ida B. Wells in the fight against lynching, to Angela Y. Davis in the fight against the prison-industrial complex—have stood within a tradition of Black Antifascism. As Davis once observed, pointing to the importance of anti-Black racism in the development of facism as an ideology, Black people have been “the first and most deeply injured victims of fascism.” Indeed, the experience of living under and resisting racial capitalism has often made Black radicals aware of the potential for fascism to take hold long before others understood this danger.The book explores the powerful ideas and activism of Paul Robeson, Mary McLeod Bethune, Claudia Jones, W. E. B. Du Bois, Walter Rodney, Frantz Fanon, Aime Cesaire, and Walter Rodney, as well as that of the Civil Rights Congress, the Black Liberation Army, and the We Charge Genocide movement, among others.In shining a light on fascism and anti-Blackness, Hope and Mullen argue, the writers and organizers featured in this book have also developed urgent tools and strategies for overcoming it.