Brooke Williams – författare

Semiotics is rapidly establishing itself as one of the most fruitful and exciting fields of intellectual inquiry. Literary scholars, philosophers, social scientists, and students of linguistics and communication are all finding something of value in the various insights and approaches to knowledge that are included within the general field of semiotics. This significant new collection contains some of the most important contemporary work by modern pioneers in the field together with a few formative statements from earlier thinkers such as John Locke and Jacques Maritain. The volume covers in five parts the nature of semiotics, semiotic systems, various developing themes, traditional concerns of semiotics, and future directions.

Open Midnight weaves two parallel stories about the great wilderness--Brooke Williams's year alone with his dog ground truthing wilderness maps of southern Utah, and that of his great-great-great-grandfather, who in 1863 made his way with a group of Mormons from England across the wilderness almost to Utah, dying a week short. The book is also about two levels of history--personal, as represented by William Williams, and collective, as represented by Charles Darwin, who lived in Shrewsbury, England, at about the same time as Williams. As Brooke Williams begins researching the story of his oldest known ancestor, he realizes that he has few facts. He wonders if a handful of dates can tell the story of a life, writing, "If those points were stars in the sky, we would connect them to make a constellation, which is what I've made with his life by creating the parts missing from his story." Thus William Williams becomes a kind of spiritual guide, a shamanlike consciousness that accompanies the author on his wilderness and life journeys, and that appears at pivotal points when the author is required to choose a certain course.The mysterious presence of his ancestor inspires the author to create imagined scenes in which Williams meets Darwin in Shrewsbury, sowing something central in the DNA that eventually passes to Brooke Williams, whose life has been devoted to nature and wilderness. Brooke Williams's inventive and vivid prose pushes boundaries and investigates new ways toward knowledge and experience, inviting readers to think unconventionally about how we experience reality, spirituality, and the wild. The author draws on Jungian psychology to relate how our consciousness of the wild is culturally embedded in our psyche, and how a deep connection to the wild can promote emotional and psychological well-being. Williams's narrative goes beyond a call for conservation, but in the vein of writers like Joanna Macy, Bill Plotkin, David Abram, the author argues passionately for the importance of wildness is to the human soul. Reading Williams's inspired prose provides a measure of hope for protecting the beautiful places that we all need to thrive. Open Midnight is grounded in the present by Williams's descriptions of the Utah lands he explores.He beautifully evokes the feeling of being solitary in the wild, at home in the deepest sense, in the presence of the sublime. In doing so, he conveys what Gary Snyder calls "a practice of the wild" more completely than any other work. Williams also relates an insider's view of negotiations about wilderness protection. As an advocate working for the Southern Utah Wilderness Alliance, he represents a minority in meetings designed to open wilderness lands to roads and hunting. He portrays the mindset of the majority of Utah's citizens, who argue passionately for their rights to use their lands however they wish. The phrase "open midnight," as Williams sees it, evokes the time between dusk and dawn, between where we've been and where we're going, and the unconscious where all possibilities are hidden.

"A glittering gem of a book!"—Sy Montgomery, author of The Soul of an OctopusFollowing dragonflies into the territory between nature and the human psycheTwo decades ago, naturalist and environmental writer Brooke Williams had a powerful dream about a dragonfly, a dream that cracked open his world by giving rise to a steady stream of dragonfly encounters in his waking life.In the years since, he has delved deeply into the fascinating biology and natural history of dragonflies and made pilgrimages to see them (he now has 38 species on his life list) while also exploring their symbolic meaning and cross-cultural significance.Encountering Dragonfly is his account—related in a series of odonate encounters—of being drawn into a different kind of relationship with the natural world.  By opening himself to the personal and mytho-poetic meanings of dragonfly, and patiently courting an understanding of these creatures that is built upon, but also transcends, a naturalist’s observation, Brooke has come to believe in the importance of ‘re-enchantment.’Throughout much of human history, we lived in an enchanted world in which myth and magic, ritual, stories, and spirits informed every aspect of our lives, defining the relationships between psyche, Earth and cosmos. The enchantment ended with the Enlightenment and modernity, when reason and scientific discovery explained away the magic, commencing a commodification of nature that has only intensified ever since.Brooke’s personal re-enchantment has required of him a faith that material, biological reality isn’t the only reality; it recognizes symbols and archetypes as remnants of a different understanding, which may—as perhaps they always have—play a role in our long-term survival.In many cultures, the dragonfly carries messages between the inner and outer world. For Brooke Williams the message of the dragonfly is to ask questions about synchronicity, awe and the collective unconscious, and how to engage with a world increasingly out of balance. What are the implications of following a path toward greater enchantment? In a time where the stakes have never been higher, nor the political and biological imperatives of climate change and environmental degradation more urgent, can we afford to choose such a path? Perhaps more to the point, can we afford not to?