Bruce Grant – författare

With fresh and provocative insights into the everyday reality of politics in post-Soviet Central Asia, this volume moves beyond commonplaces about strong and weak states to ask critical questions about how democracy, authority, and justice are understood in this important region. In conversation with current theories of state power, the contributions draw on extensive ethnographic research in settings that range from the local to the transnational, the mundane to the spectacular, to provide a unique perspective on how politics is performed in everyday life.

The history of the Pacific Islands is noted for great upheavals, from colonization to tribal warfare, natural disasters to nuclear testing. This work aims to sensitively balance situations applicable across this vast geographical area with data and events relevant to individual nations in Polynesia, Melanesia, and Micronesia.

At the outset of the twentieth century, the Nivkhi of Sakhalin Island were a small population of fishermen under Russian dominion and an Asian cultural sway. The turbulence of the decades that followed would transform them dramatically. While Russian missionaries hounded them for their pagan ways, Lenin praised them; while Stalin routed them in purges, Khrushchev gave them respite; and while Brezhnev organized complex resettlement campaigns, Gorbachev pronounced that they were free to resume a traditional life. But what is tradition after seven decades of building a Soviet world? Based on years of research in the former Soviet Union, Bruce Grant's book draws upon Nivkh interviews, newly opened archives, and rarely translated Soviet ethnographic texts to examine the effects of this remarkable state venture in the construction of identity. With a keen sensitivity, Grant explores the often paradoxical participation by Nivkhi in these shifting waves of Sovietization and poses questions about how cultural identity is constituted and reconstituted, restructured and dismantled.Part chronicle of modernization, part saga of memory and forgetting, In the Soviet House of Culture is an interpretive ethnography of one people's attempts to recapture the past as they look toward the future. This is a book that will appeal to anthropologists and historians alike, as well as to anyone who is interested in the people and politics of the former Soviet Union.

The Caucasus region of Eurasia, wedged in between the Black and Caspian Seas, encompasses the modern territories of Armenia, Azerbaijan, and Georgia, as well as the troubled republic of Chechnya in southern Russia. A site of invasion, conquest, and resistance since the onset of historical record, it has earned a reputation for fearsome violence and isolated mountain redoubts closed to outsiders. Over extended efforts to control the Caucasus area, Russians have long mythologized stories of their countrymen taken captive by bands of mountain brigands.In The Captive and the Gift, the anthropologist Bruce Grant explores the long relationship between Russia and the Caucasus and the means by which sovereignty has been exercised in this contested area. Taking his lead from Aleksandr Pushkin's 1822 poem "Prisoner of the Caucasus," Grant explores the extraordinary resonances of the themes of violence, captivity, and empire in the Caucasus through mythology, poetry, short stories, ballet, opera, and film. Grant argues that while the recurring Russian captivity narrative reflected a wide range of political positions, it most often and compellingly suggested a vision of Caucasus peoples as thankless, lawless subjects of empire who were unwilling to acknowledge and accept the gifts of civilization and protection extended by Russian leaders.Drawing on years of field and archival research, Grant moves beyond myth and mass culture to suggest how real-life Caucasus practices of exchange, by contrast, aimed to control and diminish rather than unleash and increase violence. The result is a historical anthropology of sovereign forms that underscores how enduring popular narratives and close readings of ritual practices can shed light on the management of pluralism in long-fraught world areas.

The Caucasus region of Eurasia, wedged in between the Black and Caspian Seas, encompasses the modern territories of Armenia, Azerbaijan, and Georgia, as well as the troubled republic of Chechnya in southern Russia. A site of invasion, conquest, and resistance since the onset of historical record, it has earned a reputation for fearsome violence and isolated mountain redoubts closed to outsiders. Over extended efforts to control the Caucasus area, Russians have long mythologized stories of their countrymen taken captive by bands of mountain brigands.In The Captive and the Gift, the anthropologist Bruce Grant explores the long relationship between Russia and the Caucasus and the means by which sovereignty has been exercised in this contested area. Taking his lead from Aleksandr Pushkin's 1822 poem "Prisoner of the Caucasus," Grant explores the extraordinary resonances of the themes of violence, captivity, and empire in the Caucasus through mythology, poetry, short stories, ballet, opera, and film. Grant argues that while the recurring Russian captivity narrative reflected a wide range of political positions, it most often and compellingly suggested a vision of Caucasus peoples as thankless, lawless subjects of empire who were unwilling to acknowledge and accept the gifts of civilization and protection extended by Russian leaders.Drawing on years of field and archival research, Grant moves beyond myth and mass culture to suggest how real-life Caucasus practices of exchange, by contrast, aimed to control and diminish rather than unleash and increase violence. The result is a historical anthropology of sovereign forms that underscores how enduring popular narratives and close readings of ritual practices can shed light on the management of pluralism in long-fraught world areas.

Letters recording the reactions of ordinary Russians to the Revolution as events unfolded in 1917, an account of the day-to-day scramble to make a living after the end of the Soviet Union, and excerpts from a sixteenth-century manual instructing elite Muscovites on proper household management-The Russia Reader brings these and many other selections together in this introduction to the history, culture, and politics of the world’s largest country, from the earliest written accounts of the Russian people to today. Conveying the texture of everyday life alongside experiences of epic historical events, the book is filled with the voices of men and women, rulers and revolutionaries, peasants, soldiers, literary figures, ÉmigrÉs, journalists, and scholars. Most of the selections are by Russians, and thirty are translated into English for the first time. Illustrated with maps, paintings, photographs, posters, and cartoons, The Russia Reader incorporates song lyrics, jokes, anecdotes, and folktales, as well as poems, essays, and fiction by writers including Akhmatova, Dostoyevsky, Pushkin, and Tolstoi. Transcripts from the show trials of major Party figures and an account of how staff at the Lenin Library in Moscow were instructed to interact with foreigners are among the many selections based on personal memoirs and archival materials only recently made available to the public. From a tenth-century emissary’s description of his encounters in Kyivan Rus’, to a scientist’s recollections of her life in a new research city built from scratch in Siberia during the 1950s, to a novelist’s depiction of the decadence of the “New Russians” in the 2000s, The Russia Reader is an extraordinary introduction to a vast and varied country.

For over four decades, Leather Braiding has reigned as the authoritative book in its realm. Grant’s meticulously crafted manual unveils the intricate world of leather braiding with unparalleled clarity, offering an abundance of richly detailed illustrations, meticulous step-by-step instructions, and a treasure trove of captivating insights. Embracing both practical and leisurely pursuits, this literary masterpiece demystifies leather craftsmanship, empowering even the most-inexperienced enthusiasts to fashion an array of utilitarian and ornamental wonders. From the ingenious braided button to the awe-inspiring masterpieces of thong appliqué, the book showcases a vast array of techniques suitable for novices and experts alike. Delving deeper, it presents a captivating historical panorama of leather’s enduring significance in society, explores the indispensable tools of the trade in a dedicated chapter, and provides an indispensable glossary of terms to ensure a comprehensive understanding of the subject matter. With its profound depth and comprehensive scope, Leather Braiding remains an indispensable companion for anyone seeking mastery in this age-old art form.

The Encyclopedia of Rawhide and Leather Braiding is the definitive work on the subject and results from the late Bruce Grant’s many years of interest and experience as a braider and writer on the subject. It combines most of the material published in Leather Braiding and How to Make Cowboy Horse Gear with a mass of completely new material. The book’s more than 350 illustrations are arranged so that the step-by-step instructions face the picture being described, making it very easy to follow. While the book is primarily for those interested in leathercraft, in nearly all cases the methods of braiding are applicable to many other materials, such as silk, cotton, plastic, catgut, or horsehair. Braidwork takes many forms, and its applications are practical as well as decorative. The combination of beauty and utility lends itself to an array of items—personal gear or clothing, working or show gear for a horse, decoration of plain, carved, or tooled leather work. Truly a book to be used as well as read, Encyclopedia of Rawhide and Leather Braiding provides all the information needed for this satisfying pastime.

The history of the Pacific Islands is noted for great upheavals, from colonization to tribal warfare, natural disasters to nuclear testing. More recently, political change, increasing technology and urbanization, and conflict between traditional and Western cultures have led to considerable social problems in the region. Substance and alcohol abuse, violence, cultural displacement, and suicide bring uncertainty to day-to-day life and stretch already overextended social resources. Social Change and Psychosocial Adaptation in the Pacific Islands sensitively balances situations applicable across this vast geographical area with data and events relevant to individual nations in Polynesia, Melanesia, and Micronesia.Chapters are written by native clinicians, cultural anthropologists, cross-cultural psychologists, and other professionals serving the region, specifically focusing on: - Hawaii- Aboriginal Australia - The Solomon Islands - Fiji - Guam - The Marshall Islands - The Federated States of Micronesia Each provides historical background, details the country's ethnic makeup, summarizes major cultural identity/survival issues, and examines its existing health care and mental health care systems. The tasks ahead are large. Practitioners, researchers, and other professionals working with the peoples of the Pacific need culturally attuned resources to better collaborate on interventions, prevention programs, and policy. Social Change and Psychosocial Adaptation in the Pacific Islands rises to this complex challenge.