Cameron Crowe – författare

The long-awaited memoir by Cameron Crowe—one of America’s most iconic journalists and filmmakers—revealing his formative years in rock and roll and bringing to life stories that shaped a generation, in the bestselling tradition of Patti Smith’s Just Kids. If you’ve seen Almost Famous, you may think you know this story, but you don’t. 'Cameron has written a book that feels like music, an intimate souvenir, like a song you can’t stop listening to' STEVIE NICKS‘If you’re a lover of music, or you’ve ever been in love, then you have something to say. Cameron has always been someone who knows just how to say it’ HARRY STYLES'Lyrical and compulsively readable' GUARDIANCameron Crowe was an unlikely rock and roll insider. Born in 1957 to parents who strictly banned the genre from their house, he dove headfirst into the world of music. By the time he graduated high school at fifteen, Crowe was already contributing to Rolling Stone magazine. With his parents uneasily convinced, he went on to interview and tour with icons like Led Zeppelin; Lynyrd Skynyrd; Bob Dylan; Crosby, Stills, Nash, & Young; and Fleetwood Mac.Crowe spends his teens politely turning down the drugs and turning on his tape recorder. He talks his journalism teacher into giving him class credit for his road trip covering Led Zeppelin’s 1975 tour, which lands him – and the band – on the cover of Rolling Stone. He hunkers down with David Bowie as the sequestered genius transforms himself into a new persona: The Thin White Duke. Why did they give him such unprecedented access? 'Because you’re young enough to be honest,' Bowie tells him.At its heart, The Uncool is a surprisingly intimate family drama that charts the path that leads Crowe to writing and directing some of the most beloved films of the past forty years. It's a touching and joyful dispatch from a lost world, a chronicle of the real-life events that became Almost Famous and a coming-of-age journey filled with music legends as you’ve never seen them before.'His clarity of observation and memory, his choice words, his people – Cameron Crowe, wonderfully, continues to serve us' WES ANDERSON‘Crowe comes across as the ideal scholar of modern adolescence … [He] asks us to let all years be formative. If he advocates any stance, it is something like a chosen naivety, a rejection of the steadiness age offers in order to risk pain for feeling’ NEW STATESMAN 'A winning blend of family portrait, rock history, and coming-of-age movies' KIRKUS REVIEWS‘Full of charm and lyricism’ GUARDIAN BEST MEMOIRS OF 2025

The long-awaited memoir by Cameron Crowe—one of America’s most iconic journalists and filmmakers—revealing his formative years in rock and roll and bringing to life stories that shaped a generation, in the bestselling tradition of Patti Smith’s Just Kids. If you’ve seen Almost Famous, you may think you know this story, but you don’t. 'Cameron has written a book that feels like music, an intimate souvenir, like a song you can’t stop listening to' STEVIE NICKS‘If you’re a lover of music, or you’ve ever been in love, then you have something to say. Cameron has always been someone who knows just how to say it’ HARRY STYLES'Lyrical and compulsively readable' GUARDIANCameron Crowe was an unlikely rock and roll insider. Born in 1957 to parents who strictly banned the genre from their house, he dove headfirst into the world of music. By the time he graduated high school at fifteen, Crowe was already contributing to Rolling Stone magazine. With his parents uneasily convinced, he went on to interview and tour with icons like Led Zeppelin; Lynyrd Skynyrd; Bob Dylan; Crosby, Stills, Nash, & Young; and Fleetwood Mac.Crowe spends his teens politely turning down the drugs and turning on his tape recorder. He talks his journalism teacher into giving him class credit for his road trip covering Led Zeppelin’s 1975 tour, which lands him – and the band – on the cover of Rolling Stone. He hunkers down with David Bowie as the sequestered genius transforms himself into a new persona: The Thin White Duke. Why did they give him such unprecedented access? 'Because you’re young enough to be honest,' Bowie tells him.At its heart, The Uncool is a surprisingly intimate family drama that charts the path that leads Crowe to writing and directing some of the most beloved films of the past forty years. It's a touching and joyful dispatch from a lost world, a chronicle of the real-life events that became Almost Famous and a coming-of-age journey filled with music legends as you’ve never seen them before.'His clarity of observation and memory, his choice words, his people – Cameron Crowe, wonderfully, continues to serve us' WES ANDERSON‘Crowe comes across as the ideal scholar of modern adolescence … [He] asks us to let all years be formative. If he advocates any stance, it is something like a chosen naivety, a rejection of the steadiness age offers in order to risk pain for feeling’ NEW STATESMAN 'A winning blend of family portrait, rock history, and coming-of-age movies' KIRKUS REVIEWS‘Full of charm and lyricism’ GUARDIAN BEST MEMOIRS OF 2025

The long-awaited memoir by Cameron Crowe—one of America’s most iconic journalists and filmmakers—revealing his formative years in rock and roll and bringing to life stories that shaped a generation, in the bestselling tradition of Patti Smith’s Just Kids. If you’ve seen Almost Famous, you may think you know this story, but you don’t. 'Cameron has written a book that feels like music, an intimate souvenir, like a song you can’t stop listening to' STEVIE NICKS‘If you’re a lover of music, or you’ve ever been in love, then you have something to say. Cameron has always been someone who knows just how to say it’ HARRY STYLES'Lyrical and compulsively readable' GUARDIANCameron Crowe was an unlikely rock and roll insider. Born in 1957 to parents who strictly banned the genre from their house, he dove headfirst into the world of music. By the time he graduated high school at fifteen, Crowe was already contributing to Rolling Stone magazine. With his parents uneasily convinced, he went on to interview and tour with icons like Led Zeppelin; Lynyrd Skynyrd; Bob Dylan; Crosby, Stills, Nash, & Young; and Fleetwood Mac.Crowe spends his teens politely turning down the drugs and turning on his tape recorder. He talks his journalism teacher into giving him class credit for his road trip covering Led Zeppelin’s 1975 tour, which lands him – and the band – on the cover of Rolling Stone. He hunkers down with David Bowie as the sequestered genius transforms himself into a new persona: The Thin White Duke. Why did they give him such unprecedented access? 'Because you’re young enough to be honest,' Bowie tells him.At its heart, The Uncool is a surprisingly intimate family drama that charts the path that leads Crowe to writing and directing some of the most beloved films of the past forty years. It's a touching and joyful dispatch from a lost world, a chronicle of the real-life events that became Almost Famous and a coming-of-age journey filled with music legends as you’ve never seen them before.'His clarity of observation and memory, his choice words, his people – Cameron Crowe, wonderfully, continues to serve us' WES ANDERSON‘Crowe comes across as the ideal scholar of modern adolescence … [He] asks us to let all years be formative. If he advocates any stance, it is something like a chosen naivety, a rejection of the steadiness age offers in order to risk pain for feeling’ NEW STATESMAN 'A winning blend of family portrait, rock history, and coming-of-age movies' KIRKUS REVIEWS‘Full of charm and lyricism’ GUARDIAN BEST MEMOIRS OF 2025

The long-awaited memoir by Cameron Crowe—one of America’s most iconic journalists and filmmakers—revealing his formative years in rock and roll and bringing to life stories that shaped a generation, in the bestselling tradition of Patti Smith’s Just Kids. If you’ve seen Almost Famous, you may think you know this story, but you don’t.''Cameron has written a book that feels like music, an intimate souvenir, like a song you can’t stop listening to'' STEVIE NICKS‘If you’re a lover of music, or you’ve ever been in love, then you have something to say. Cameron has always been someone who knows just how to say it’ HARRY STYLES''Lyrical and compulsively readable'' GUARDIANCameron Crowe was an unlikely rock and roll insider. Born in 1957 to parents who strictly banned the genre from their house, he dove headfirst into the world of music. By the time he graduated high school at fifteen, Crowe was already contributing to Rolling Stone magazine. With his parents uneasily convinced, he went on to interview and tour with icons like Led Zeppelin; Lynyrd Skynyrd; Bob Dylan; Crosby, Stills, Nash, & Young; and Fleetwood Mac.Crowe spends his teens politely turning down the drugs and turning on his tape recorder. He talks his journalism teacher into giving him class credit for his road trip covering Led Zeppelin’s 1975 tour, which lands him – and the band – on the cover of Rolling Stone. He hunkers down with David Bowie as the sequestered genius transforms himself into a new persona: The Thin White Duke. Why did they give him such unprecedented access? ''Because you’re young enough to be honest,'' Bowie tells him.At its heart, The Uncool is a surprisingly intimate family drama that charts the path that leads Crowe to writing and directing some of the most beloved films of the past forty years. It''s a touching and joyful dispatch from a lost world, a chronicle of the real-life events that became Almost Famous and a coming-of-age journey filled with music legends as you’ve never seen them before.''His clarity of observation and memory, his choice words, his people – Cameron Crowe, wonderfully, continues to serve us'' WES ANDERSON‘Crowe comes across as the ideal scholar of modern adolescence … [He] asks us to let all years be formative. If he advocates any stance, it is something like a chosen naivety, a rejection of the steadiness age offers in order to risk pain for feeling’ NEW STATESMAN ''A winning blend of family portrait, rock history, and coming-of-age movies'' KIRKUS REVIEWS‘Full of charm and lyricism’ GUARDIAN BEST MEMOIRS OF 2025

The long-awaited memoir by Cameron Crowe—one of America’s most iconic journalists and filmmakers—revealing his formative years in rock and roll and bringing to life stories that shaped a generation, in the bestselling tradition of Patti Smith’s Just Kids. If you’ve seen Almost Famous, you may think you know this story, but you don’t. 'Cameron has written a book that feels like music, an intimate souvenir, like a song you can’t stop listening to' STEVIE NICKS‘If you’re a lover of music, or you’ve ever been in love, then you have something to say. Cameron has always been someone who knows just how to say it’ HARRY STYLES'Lyrical and compulsively readable' GUARDIANCameron Crowe was an unlikely rock and roll insider. Born in 1957 to parents who strictly banned the genre from their house, he dove headfirst into the world of music. By the time he graduated high school at fifteen, Crowe was already contributing to Rolling Stone magazine. With his parents uneasily convinced, he went on to interview and tour with icons like Led Zeppelin; Lynyrd Skynyrd; Bob Dylan; Crosby, Stills, Nash, & Young; and Fleetwood Mac.Crowe spends his teens politely turning down the drugs and turning on his tape recorder. He talks his journalism teacher into giving him class credit for his road trip covering Led Zeppelin’s 1975 tour, which lands him – and the band – on the cover of Rolling Stone. He hunkers down with David Bowie as the sequestered genius transforms himself into a new persona: The Thin White Duke. Why did they give him such unprecedented access? 'Because you’re young enough to be honest,' Bowie tells him.At its heart, The Uncool is a surprisingly intimate family drama that charts the path that leads Crowe to writing and directing some of the most beloved films of the past forty years. It's a touching and joyful dispatch from a lost world, a chronicle of the real-life events that became Almost Famous and a coming-of-age journey filled with music legends as you’ve never seen them before.'His clarity of observation and memory, his choice words, his people – Cameron Crowe, wonderfully, continues to serve us' WES ANDERSON‘Crowe comes across as the ideal scholar of modern adolescence … [He] asks us to let all years be formative. If he advocates any stance, it is something like a chosen naivety, a rejection of the steadiness age offers in order to risk pain for feeling’ NEW STATESMAN 'A winning blend of family portrait, rock history, and coming-of-age movies' KIRKUS REVIEWS‘Full of charm and lyricism’ GUARDIAN BEST MEMOIRS OF 2025

NEW YORK TIMES BESTSELLER *; ';Cameron has written a book that feels like music, an intimate souvenir, like a song you can't stop listening to.' Stevie Nicks *; ';A delicious tale of a devotee who worships at the altar of rock and roll.It's a love letter to fandom, sealed with Cameron's trademark sincerity and heart.' Maggie Rogers *; ';Such a joy and so well writtenMy favorite book in a long, long time.' Anderson Cooper The long-awaited memoir by Cameron Croweone of America's most iconic journalists and filmmakersThe Uncool is a joyful dispatch from a lost world, a chronicle of the real-life events that became Almost Famous, and a coming-of-age journey filled with music legends as you've never seen them before.Cameron Crowe was an unlikely rock and roll insider. Born in 1957 to parents who strictly banned the genre from their house, he dove headfirst into the world of music. By the time he graduated high school at fifteen, Crowe was contributing to Rolling Stone. His parents became believers, uneasily allowing him to interview and tour with legends like Led Zeppelin; Lynyrd Skynyrd; Bob Dylan; Crosby, Stills, Nash and Fleetwood Mac. The Uncool offers a front-row ticket to the 1970s, a golden era for music and art when rock was young. There's no such thing as a media junketjust the rare chance a young writer might be invited along for an adventure. Crowe spends his teens politely turning down the drugs and turning on his tape recorder. He talks his journalism teacher into giving him class credit for his road trip covering Led Zeppelin's 1975 tour, which lands himand the bandon the cover of Rolling Stone. He embeds with David Bowie as the sequestered genius transforms himself into a new persona: the Thin White Duke. Why did Bowie give Crowe such unprecedented access? ';Because you're young enough to be honest,' Bowie tells him. Youth and humility are Crowe's ticket into the Eagles' dressing room in 1972, where Glenn Frey vows to keep the band together forever; to his first major interview with Kris Kristofferson; to earning the trust of icons like Gregg Allman and Joni Mitchell, who had sworn to never again speak to Rolling Stone. It's a magical odyssey, the journey of a teenage writer waved through the door to find his fellow dreamers, music geeks, and lifelong community. It's a path that leads him to writing and directing some of the most beloved films of the past forty years, from Fast Times at Ridgemont High and Say Anything... to Jerry Maguire and Almost Famous. His movies often resonate with the music of the artists he first met as a journalist, including Tom Petty and the Heartbreakers, the Who, and Pearl Jam. The Uncool is also a surprisingly intimate family drama. If you've seen Almost Famous, you may think you know this storybut you don't. For the first time, Crowe opens up about his formative years in Palm Springs and pays tribute to his father, a decorated Army officer who taught him the irreplaceable value of the human voice. Crowe also offers a full portrait of his mother, whose singular spirit helped shape him into an unconventional visionary. With its vivid snapshots of a bygone era and a celebration of creativity and connection, this memoir is an essential read for music lovers or anyone chasing their wildest dreams. At the end of that roller-coaster journey, you might just find what you were looking for: your place in the world.

Deals with Bob Marley's career and the history of reggae and dub music. This title features portraits, performance and personal photography of Marley and many of his contemporaries.

Nach den drei wichtigsten Regeln des Filmemachens gefragt, antwortete Billy Wilder bekanntlich: »Du sollst nicht langweilen, du sollst nicht langweilen, du sollst nicht langweilen.« Und daran hält er sich auch als 93-Jähriger im Gespräch mit dem Regisseur Cameron Crowe. Niemand ist vor Wilders bissigem Humor sicher, ob Marlene Dietrich, »Mutter Teresa mit schöneren Beinen«, Erich von Stroheim, dem er eine Vorliebe für Dessous nachsagt, oder Marilyn Monroe, »ein endloses Puzzle ohne jede Lösung«. Cameron Crowe ist ein fordernder Gesprächspartner, immer wieder entlockt er Wilder erhellende Bekenntnisse, über seine Vorliebe für Schwarzweiß oder seinen Sinn für Ausstattung zum Beispiel. Und Wilder erinnert sich: An seine Jugendjahre in Wien, seine Zeit als Journalist in Berlin und die Emigration in die USA, wo er sich als bettelarmer Drehbuchautor zunächst ein winziges Hotelzimmer und Dosensuppen mit einem gewissen Peter Lorre teilte - immerhin im Chateau Marmont.