Cannon Schmitt - Böcker

Victorian Investments explores the relationship between the financial system in Great Britain and other aspects of Victorian society and culture. Building on the special journal issue of Victorian Studies devoted to Victorian investments, this volume is the first to define an interdisciplinary field of study emerging in the space between Marxist critiques of capitalism and traditional histories of business and economics. The contributors demonstrate how phenomena such as the expansion of colonial and foreign markets, the broadening of the investor base through the advent of limited liability, and the rise of financial journalism gave rise to a "culture of investment" that affected Victorian Britons at every level of society and influenced every kind of cultural production. Drawing together work by prominent historians as well as literary and cultural critics, Victorian Investments both defines the methodologies and perspectives that characterize an existing body of scholarship and pushes that scholarship in new directions, demonstrating the signal role of economic developments in Victorian culture and society.

When the young Charles Darwin landed on the shores of Tierra del Fuego in 1832, he was overwhelmed: nothing had prepared him for the sight of what he called 'an untamed savage'. The shock he felt, repeatedly recalled in later years, definitively shaped his theory of evolution. In this original and wide-ranging study, In this book Cannon Schmitt shows how Darwin and other Victorian naturalists transformed such encounters with South America and its indigenous peoples into influential accounts of biological and historical change. Redefining what it means to be human, they argue that the modern self must be understood in relation to a variety of pasts - personal, historical, and ancestral - conceived of as savage. Schmitt reshapes our understanding of Victorian imperialism, revisits the implications of Darwinian theory, and demonstrates the pertinence of nineteenth-century biological thought to current theorizations of memory.

Rife with sexuality, chaos, confusion, and terror, the Gothic has seemed to many of its recent readers to be a subversive genre, resisting enforced gender constructions or straitened notions of rationality, disinterring that which has been forbidden or repressed. In Alien Nation Cannon Schmitt moves away from these models of the genre to chart, instead, the ways in which Gothic fictions and conventions gave shape to a sense of English nationality during the century in which British imperial power was stretching out its greatest reach.