Carlo Gébler - Böcker

The intensely moving memoir of Patrick Maguire, one of the ‘Maguire Seven’, wrongly imprisoned as a teenager for making bombs for the IRA.On the night of October 5 1974, an IRA unit left bombs in two Guildford pubs: five people were killed. On the night of December 3 1974, on the strength of fabricated testimony extracted under duress from Paul Hill and Gerard Conlon (whom the police mistakenly believed had planted the Guildford bombs), Anne and Paddy Maguire, two of their four children, Vincent and Patrick, plus other family members and friends, a total of seven in all, were arrested at their home in West London. On 22 October 1975, the Guildford Four were wrongfully convicted of bombing the two pubs in Guildford. On 4 March 1976, the Maguire Seven, as they had become known, were found guilty of possession of the nitro-glycerine used in those bombings.On 19 October 1989, the verdicts on the Guildford Four were quashed. On 26 June 1991, the convictions against the Maguire Seven of handling explosives were quashed and just over a year later, Sir John May, after producing a report on the Maguire Seven case, described it as the worst miscarriage of justice he had ever seen.Behind these dates lie human stories – ‘My Father's Watch’ tells that of Patrick, who was the youngest of the accused, at fourteen years old. He was sentenced to four years and when he came out he had no home and no family, as both of his parents were still in jail. This book takes us through Patrick's entire life, from his working-class childhood in West London to the difficult life he has led since prison, the roots of which go back to the wrongful convictions and the destruction of the family that followed.Patrick Maguire and the novelist Carlo Gébler have written ‘My Father's Watch’ jointly. It is not a ghosted work – told in Patrick's own voice, it is a lucid and inspiring account of one individual's experience of an appalling injustice, as well as a reminder, as the war against terror ratchets up, of just how much harm a state can do to its own innocent citizens in the name of security.

The story spans nearly a hundred years. In Carlo Gebler's early childhood, his relationship with his father, Ernest, was a disaster. A man of the left, Ernest's politics had been 'hammered out in the nineteen thirties'. His early life as the son of a Jewish immigrant was spent working as a rat catcher in a cinema, snatching moments alone to educate himself, but the one with the literary talent was his second wife, Edna O'Brien - Gebler's mother - who left after Ernest claimed authorship of her work. As his father saw it, Carlo and his brother Sasha were over-fed members of the bourgeoisie, and toys and sweets were banned from their lonely childhood, filled with memories of abuse and neglect. Years later, on hearing his estranged father was now senile, Gebler made the journey to southern Ireland and through his past, through diaries that confirmed Ernest's hatred for his sons, yet also revealed the abuse Ernest in turn suffered as a young man, a life of extreme poverty and the abandonment of his first wife. This not a story that ends in hate; by the time Carlo Gebler reached their final years together, he no longer felt the anger that had dogged their relationship.

THE SIEGE OF DERRY is one of the key flash points in the troubled history of Ireland and Britain. In 1688 William of Orange had claimed the English throne, forcing the catholic James II to flee to Ireland. From there he hoped to mount his comeback. In December of that year James' troops attempted to take over the protestant city of Derry. To the now-famous cry of 'No Surrender' the apprentice boys closed the city gates to James' army and the 105-day siege begun. The besiegers effectively used cannon and mortar to shell the defenders - with terrifying results - and conditions became desperate as the city began to run out of food. Carlo Gebler's book thrillingly describes both the events leading up to the siege and the heroic struggles within and outside Derry as the five-month battle waged.

I don’t recall if I saw my first gunman in my childhood nightmares or on my childhood streets.There were plenty in both and they looked very much like each other.So begins Reggie Chamberlain-King’s introduction to The Black Dreams, a thrilling and compelling collection of specially commissioned stories that explore the emotional geography of growing up and living in Northern Ireland.The fourteen stories gathered here criss-cross coast, border and city as they map a ‘strange’ territory of in-between states and unstable realities in which understanding is unreliable. Obsessions, death and rebirth, violence, sexuality, retribution and apocalypse are all part of the rich fabric of The Black Dreams.Bringing together some of Northern Ireland’s finest writers, along with some of the best new talents, The Black Dreams celebrates and extends the rich tradition of the weird, surreal and dream-like in Northern Irish writing. It is also a powerful act of imagining and storytelling – a vibrant, vivid and exhilarating exploration of a world we cannot, or choose not, to see.Contributors: Jo Baker, Jan Carson, Reggie Chamberlain-King, Aislínn Clarke, Emma Devlin, Moyra Donaldson, Michelle Gallen, Carlo Gébler, John Patrick Higgins, Ian McDonald, Gerard McKeown, Bernie McGill, Ian Sansom, Sam Thompson

A witty, scatological illustrated version of the world's most celebrated fables, allegedly written by a slave in the 5th century BC. A book for our times: as Gébler notes, Aesop has two subjects – the exercise of power and the experience of the powerless, who endure life and all that it inflicts on them. This retelling of the Fables makes them relevant and richly enjoyable. Gavin Weston's brilliant images complement Gébler's prose. Large and fierce animals kill and butcher weaker creatures; gods play games with the hopes and fears of lesser species, including men and women; and occasionally the weak turn the tables on the strong, exposing their pretensions. This is a stunning new version of a book that was often bowdlerised and used to teach moral lessons to children. Gébler's Aesop is darker and more realistic, and compulsively readable.

As Ireland’s iconic Edna O’Brien confronts the brutal realities of old age – pain, confusion, hospitals, carers, the battle to keep writing – the world she built through language begins to contract. Her son Carlo tracks every flicker of resilience and every devastating loss, from the comic to the catastrophic, in a narrative that moves with the real rhythm of decline: hope, setback, defiance, collapse, repeat.At once a love story, a document of artistic obsession and a confrontation with mortality, No One Tells You asks what remains when work falters, independence vanishes and the child becomes the witness. An unguarded, deeply humane memoir about the cost of genius, the labour of caretaking and the grief we’re never prepared for.

After her father’s death in exile, Antigone returns to Thebes determined to set the record straight and restore her father’s reputation. Tracing the histories of Oedipus and his parents Laius and Jocasta, as well as the peripheral characters of the plays who had a central role in him fulfilling his destiny, Antigone’s ‘biography’ causes us to re-evaluate the extent to which any of us can be entirely blamed for the actions by which we will be defined. Ending with Antigone making a conscious choice to reclaim her brother’s corpse from the battlefield, an act of defiance which will guarantee her own death, the book ultimately meditates on the illusion of free will, and the warning that context is everything, I, ANTIGONE will be a major contribution to the reclaimed classics.