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Frequently dismissed as a ''nature poet'' and an ''Indian Princess'' E. Pauline Johnson (1861-1913) was not only an accomplished thinker and writer but a contentious and passionate personality who ''talked back'' to Euro-Canadian culture. Paddling Her Own Canoe is the only major scholarly study that examines Johnson''s diverse roles as a First Nations champion, New Woman, serious writer and performer, and Canadian nationalist.
A Native advocate of part-Mohawk ancestry, Johnson was also an independent, self-supporting, unmarried woman during the period of first-wave feminism. Her versatile writings range from extraordinarily erotic poetry to polemical statements about the rights of First Nations. Based on thorough research into archival and published sources, this volume probes the meaning of Johnson''s energetic career and addresses the complexities of her social, racial, and cultural position. While situating Johnson in the context of turn-of-the-century Canada, the authors also use current feminist and post-colonial perspectives to reframe her contribution. Included is the first full chronology ever compiled of Johnson''s writing.
Pauline Johnson was an extraordinary woman who crossed the racial and gendered lines of her time, and thereby confounded Canadian society. This study reclaims both her writings and her larger significance.
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Commemorations of deceased writers can often take on a life of their own—from the stately and serious to the kitschy and commercial. In Literary Life After Death, Carole Gerson categorizes and analyzes the ways in which writers have been commemorated in Canada to show how tributes have changed over time and in response to evolving national and social concerns.
First focusing on officially sanctioned commemorations by governments in objects such as coins, stamps, and plaques, as well as historic sites and place names, the book then turns to commemorations driven by local communities and non-profit organizations in various house museums, literary tourist sites, statues, parks, and other markers. The material culture and online tributes of amateurs and hobbyists are discussed as well as literary commemorations, when later authors incorporate or revisit deceased authors as characters in new works of literature. In doing so, this work identifies commonalities among commemorations as well as the under-representation of groups such as women authors, racialized authors, queer writers, and Indigenous writers in Canada.
Brimming with examples and discussions of dozens of writers, Literary Life After Death takes an expansive and often-amusing approach to literary studies and cultural history.
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