Carole Gerson – författare

The stories in this collection present the experience of living in Vancouver as filtered through the imagination of some of Canada's most famous writers.

E. Pauline Johnson (Tekahionwake) was a Native advocate of part-Mohawk ancestry, an independent woman during the period of first-wave feminism, a Canadian nationalist who also advocated strengthening the link to imperial England, a popular and versatile prose writer, and one of modern Canada's best-selling poets. Johnson longed to see the publication of a complete collection of her verse, but that wish remained unfulfilled during her life. Nine decades after her death, the first complete collection of all of Pauline Johnson's known poems, many painstakingly culled from newspapers, magazines, and archives, is now available. In response to the current recognition of Johnson's historical position as an immensely popular and influential figure of the late nineteenth and early twentieth centuries, this volume also presents a representative selection of her prose, including fiction about native-settler relations, journalism about women and recreation, and discussions of gender roles and racial stereotypes. Edited by Carole Gerson and Veronica Strong-Boag, authors of the enthusiastically received Paddling Her Own Canoe: Times and Texts of E. Pauline Johnson (Tekahionwake), this collection exhibits the same impeccable scholarship and is essential to a full understanding of Johnson as a major Canadian writer and cultural figure.

Frequently dismissed as a 'nature poet' and an 'Indian Princess' E. Pauline Johnson (1861-1913) was not only an accomplished thinker and writer but a contentious and passionate personality who 'talked back' to Euro-Canadian culture. Paddling Her Own Canoe is the only major scholarly study that examines Johnson's diverse roles as a First Nations champion, New Woman, serious writer and performer, and Canadian nationalist.A Native advocate of part-Mohawk ancestry, Johnson was also an independent, self-supporting, unmarried woman during the period of first-wave feminism. Her versatile writings range from extraordinarily erotic poetry to polemical statements about the rights of First Nations. Based on thorough research into archival and published sources, this volume probes the meaning of Johnson's energetic career and addresses the complexities of her social, racial, and cultural position. While situating Johnson in the context of turn-of-the-century Canada, the authors also use current feminist and post-colonial perspectives to reframe her contribution. Included is the first full chronology ever compiled of Johnson's writing.Pauline Johnson was an extraordinary woman who crossed the racial and gendered lines of her time, and thereby confounded Canadian society. This study reclaims both her writings and her larger significance.

E. Pauline Johnson (Tekahionwake) was a Native advocate of part-Mohawk ancestry, an independent woman during the period of first-wave feminism, a Canadian nationalist who also advocated strengthening the link to imperial England, a popular and versatile prose writer, and one of modern Canada's best-selling poets. Johnson longed to see the publication of a complete collection of her verse, but that wish remained unfulfilled during her life. Nine decades after her death, the first complete collection of all of Pauline Johnson's known poems, many painstakingly culled from newspapers, magazines, and archives, is now available. In response to the current recognition of Johnson's historical position as an immensely popular and influential figure of the late nineteenth and early twentieth centuries, this volume also presents a representative selection of her prose, including fiction about native-settler relations, journalism about women and recreation, and discussions of gender roles and racial stereotypes. Edited by Carole Gerson and Veronica Strong-Boag, authors of the enthusiastically received Paddling Her Own Canoe: Times and Texts of E. Pauline Johnson (Tekahionwake), this collection exhibits the same impeccable scholarship and is essential to a full understanding of Johnson as a major Canadian writer and cultural figure.

The History of the Book in Canada is one of this country's great scholarly achievements, with three volumes spanning topics from Aboriginal communication systems established prior to European contact to the arrival of multinational publishing companies. Each volume observes developments in the realms of writing, publishing, dissemination, and reading, illustrating the process of a fledgling nation coming into its own. The third and final volume follows book history and print culture from the end of the First World War to 1980, discussing the influences on them of the twentieth century, including the country's growing demographic complexity and the rise of multiculturalism.Crucial to creating a sense of identity during this period was the Royal Commission on National Development in the Arts, Letters and Sciences, whose report of 1951 led to the establishment of influential cultural institutions such as the Canada Council for the Arts and the National Library of Canada. Other key developments included the initiation and growth of library systems, the expansion of film, radio, and television, the burgeoning of children's literature, enhanced opportunities for writers, the Quiet Revolution in Quebec, and the rise of Canadian studies and Canadian literature as respected fields for teaching and research. In English Canada, mainstream book publishing flourished during the 1920s, suffered severely during the Depression, went through a period of renewal and advance after the Second World War, but became imperilled by the 1970s. Small literary presses and allophone publishers, in turn, grew increasingly significant during the 1960s, a decade in which Quebec's new cultural policies began to foster ongoing support for francophone book culture.In addition to telling the stories of Canada's recent book history, this volume pays due attention to multifarious developments in print culture, including book prizes, sports writing, pulp magazines, the alternative press, Coles Notes, the international success of Harlequin, and the unprecedented influence of Les insolences du Frère Untel, the famous cry for education reform in 1960s Quebec. Volume three of the History of the Book in Canada marks the successful completion of an extraordinary project that documents the country's achievements for generations of scholars and readers to come.

Canadian Women in Print, 1750 - 1918 is the first historical examination of women's engagement with multiple aspects of print over some two hundred years, from the settlers who wrote diaries and letters to the New Women who argued for ballots and equal rights. Considering women's published writing as an intervention in the public sphere of national and material print culture, this book uses approaches from book history to address the working and living conditions of women who wrote in many genres and for many reasons. This study situates English Canadian authors within an extensive framework that includes francophone writers as well as women's work as compositors, bookbinders, and interveners in public access to print. Literary authorship is shown to be one point on a spectrum that ranges from missionary writing, temperance advocacy, and educational texts to journalism and travel accounts by New Woman adventurers. Familiar figures such as Susanna Moodie, L.M. Montgomery, Nellie McClung, Pauline Johnson, and Sara Jeannette Duncan are contextualized by writers whose names are less well known (such as Madge Macbeth and Agnes Laut) and by many others whose writings and biographies have vanished into the recesses of history. Readers will learn of the surprising range of writing and publishing performed by early Canadian women under various ideological, biographical, and cultural motivations and circumstances. Some expressed reluctance while others eagerly sought literary careers. Together they did much more to shape Canada's cultural history than has heretofore been recognized.