Charles Baxter – författare

Ever since the publication of The Harmony of the World in 1984, Charles Baxter has slowly gained a reputation as one of America’s finest short-story writers. Each subsequent collection—Through the Safety Net, A Relative Stranger, and Believers—was further confirmation of his mastery: his gift for capturing the immediate moment, for revealing the unexpected in the ordinary, for showing how the smallest shock can pierce the heart of an intimacy. Gryphon brings together the best of Baxter’s previous collections with seven new stories, giving us the most complete portrait of his achievement.  Baxter once described himself as “a Midwestern writer in a postmodern age”: at home in a terrain best known for its blandness, one that does not give up its secrets easily, whose residents don’t always talk about what’s on their mind, and where something out of the quotidian—some stress, the appearance of a stranger, or a knock on the window—may be all that’s needed to force what lies underneath to the surface and to disclose a surprising impulse, frustration, or desire. Whether friends or strangers, the characters in Baxter’s stories share a desire—sometimes muted and sometimes fierce—to break through the fragile glass of convention. In the title story, a substitute teacher walks into a new classroom, draws an outsized tree on the blackboard on a whim, and rewards her students by reading their fortunes using a Tarot deck. In each of the stories we see the delicate tension between what we want to believe and what we need to believe.  By turns compassionate, gently humorous, and haunting, Gryphon proves William Maxwell’s assertion that “nobody can touch Charles Baxter in the field that he has carved out for himself.”

Charles Baxter inaugurates The Art of, a new series on the craft of writing, with the wit and intelligence he brought to his celebrated book Burning Down the House: Essays on Fiction.Fiction writer and essayist Charles Baxter''s The Art of Subtext: Beyond Plot discusses and illustrates the hidden subtextual overtones and undertones in fictional works haunted by the unspoken, the suppressed, and the secreted. Using an array of examples from Melville and Dostoyevsky to contemporary writers Paula Fox, Edward P. Jones, and Lorrie Moore, Baxter explains how fiction writers create those visible and invisible details, how what is displayed evokes what is not displayed.The Art of Subtext is part of The Art of series, a new line of books by important authors on the craft of writing, edited by Charles Baxter. Each book examines a singular, but often assumed or neglected, issue facing the contemporary writer of fiction, nonfiction, or poetry. The Art of series means to restore the art of criticism while illuminating the art of writing.

Searching and erudite new essays on writing from the author of Burning Down the House.Charles Baxter’s new collection of essays, Wonderlands, joins his other works of nonfiction, Burning Down the House and The Art of Subtext. In the mold of those books, Baxter shares years of wisdom and reflection on what makes fiction work, including essays that were first given as craft talks at the Bread Loaf Writers’ Conference.The essays here range from brilliant thinking on the nature of wonderlands in the fiction of Haruki Murakami and other fabulist writers, to how request moments function in a story. Baxter is equally at home tackling a thorny matter such as charisma (which intersects with political figures like the disastrous forty-fifth US president) as he is bringing new interest to subjects such as list-making in fiction.Amid these craft essays, an interlude of two personal essays—the story of a horrifying car crash and an introspective “letter to a young poet”—add to the intimate nature of the book. The final essay reflects on a lifetime of writing, and closes with a memorable image of Baxter as a boy, waiting at the window for a parent who never arrives and filling that absence with stories. Wonderlands will stand alongside his prior work as an insightful and lasting work of criticism.