The Greek Tragedy in New Translations series is based on the conviction that only translators who write poetry themselves, or who work in collaboration with poets, can properly re-create the celebrated and timeless tragedies of the great Greek writers. These new translations are more than faithful to the original text, going beyond the literal meaning in order to evoke the poetic intensity and rich metaphorical texture of the Greek language.Euripides was one of the most popular and controversial of all the Greek tragedians, and his plays are marked by an independence of thought, ingenious dramatic devices, and a subtle variety of register and mood. Medea, a story of betrayal and vengeance, is also an excellent example of the prominence that Euripides gave his female characters. This new translation does full justice to the lyricism of Euripides original work, while a new introduction provides a guide to the play, complete with interesting details about the traditions and social issues that influenced Euripides's world.

The Greek Tragedy in New Translations series is based on the conviction that only translators who write poetry themselves, or who work in collaboration with poets, can properly re-create the celebrated and timeless tragedies of the great Greek writers. These new translations are more than faithful to the original text, going beyond the literal meaning in order to evoke the poetic intensity and rich metaphorical texture of the Greek language. Euripides was one of the most popular and controversial of all the Greek tragedians, and his plays are marked by an independence of thought, ingenious dramatic devices, and a subtle variety of register and mood. Medea, is a story of betrayal and vengeance. Medea, incensed that her husband Jason would leave her for another after the many sacrifices she has made for him, murders both his new bride and their own children in revenge. It is an excellent example of the prominence and complexity that Euripides gave to female characters. This new translation does full justice to the lyricism of Euripides original work, while a new introduction provides a guide to the play, complete with interesting details about the traditions and social issues that influenced Euripides''s world.

The Greek Tragedy in New Translations series is based on the conviction that only translators who write poetry themselves, or who work in collaboration with poets, can properly re-create the celebrated and timeless tragedies of the great Greek writers. These new translations are more than faithful to the original text, going beyond the literal meaning in order to evoke the poetic intensity and rich metaphorical texture of the Greek language. Euripides was one of the most popular and controversial of all the Greek tragedians, and his plays are marked by an independence of thought, ingenious dramatic devices, and a subtle variety of register and mood. Medea, is a story of betrayal and vengeance. Medea, incensed that her husband Jason would leave her for another after the many sacrifices she has made for him, murders both his new bride and their own children in revenge. It is an excellent example of the prominence and complexity that Euripides gave to female characters. This new translation does full justice to the lyricism of Euripides original work, while a new introduction provides a guide to the play, complete with interesting details about the traditions and social issues that influenced Euripides''s world.

The Neighbor is a book of portraits and portraiture. Like the eccentric and mysteriously heroic citizens of E. A. Robinson's Tilbury Town, Collier's figures haunt a startlingly familiar neighborhood. In clear, rich language, Collier reveals the complexities that emerge from his characters' seemingly uneventful lives.

Think of a time when you've feigned courage to make a friend, feigned forgiveness to keep one, or feigned indifference to simply stay out of it. What does it mean for our intimacies to fail us when we need them most?The poems of this collection explore such everyday dualities-how the human need for attachment is as much a source of pain as of vitality and how our longing for transcendence often leads to sinister complicities. The title poem tells the conflicted and devastating story of the poet's friendship with the now-disgraced Bishop of Phoenix, Arizona, interweaving fragments of his parents' funerals, which the Bishop concelebrated, with memories of his childhood spiritual leanings and how they were disrupted by a pedophilic priest the Bishop failed to protect him from.This meditation on spiritual life, physical death, and betrayal is joined by an array of poised, short lyrics and expansive prose poems exploring how the terror and unpredictability of our era intrudes on our most intimate moments. Whether Collier is writing about an airline disaster, Huey Newton's trial, Thomas Jefferson's bees, a piano in the woods, or his own fraught friendship with the disgraced Catholic Bishop, his syntactic verve, scrupulously observed detail, and flawless ear bring the felt-and sometimes frightening-dimensions of the mundane to life. Throughout, this collection pursues a quiet but ferocious need to get to the bottom of things.

Whether Michael Collier is writing about an airline disaster, a friendship with a disgraced Catholic bishop, his father’s encounter with Charles Lindbergh, Lebanese beekeepers, a mother’s sewing machine, or a piano in the woods, he does so with the syntactic verve, scrupulously observed detail, and flawless ear that has made him one of America’s most distinguished poets. These poems cross expanses, connecting the fear of missing love and the bliss of holding it, the ways we speak to ourselves and language we use with others, and deep personal grief and shadows of world history.The Missing Mountain brings together a lifetime of work, chronicling Collier’s long and distinguished career as a poet and teacher. These selections, both of previously published and new poems, chart the development of Collier’s art and the cultivations of is passions and concerns.

William Maxwell, who died in July 2000, was revered as one of the twentieth century's great American writers and a longtime fiction editor at The New Yorker. Now writers who knew Maxwell and were inspired by him—both the man and his work—offer intimate essays, most specifically written for this volume, that "bring him back to life, right there in front of us."Alec Wilkinson writes of Maxwell as mentor; Edward Hirsch remembers him in old age; Charles Baxter illuminates the magnificent novel So Long, See You Tomorrow; Ben Cheever recalls Maxwell and his own father; Donna Tartt vividly describes Maxwell's kindness to herself as a first novelist; and Michael Collier admires him as a supreme literary correspondent. Other appreciations include insightful pieces by Alice Munro, Anthony Hecht, a poem by John Updike, and a brief tribute from Paula Fox. Ending this splendid collection is Maxwell himself, in the unpublished speech "The Writer as Illusionist."

An Individual History describes the fears, anger and guilt—personal, familial, societal, political and historical—that comprise a life. The figure of the speaker’s maternal grandmother who was institutionalised for five decades serves as an overriding metaphor for this haunting, bold new work by an essential American poet.

“Michael Collier’s book is refreshing in its refusal to push for one particular aesthetic. He regards his own preference for realism over abstraction as more a matter of temperament than of considered judgment, and respects poets more skeptical than he is about the ability of poetry to connect with the world. The result is an engaging record of his influences and enthusiasms, which are wide enough to include both Whitman and Larkin, both Jorge Borges and William Maxwell.”—Carl Dennis, Pulitzer Prize–winning author of Unknown Friends and Practical Gods“Michael Collier combines pietas and wildness in these essays on poetry as inheritance, and poetry as struggle. One feels the young man in his ‘rampage of literature,’ and the older writer reflecting on an art that is at once personal and impersonal, deeply matured in the imagination. This is a wise and well-lived book.”—Rosanna Warren, author of Departure and Stained Glass“The essays and remembrances in Make Us Wave Back radiate Michael Collier’s characteristic insight and sagacity on every page. Clear-minded, ardent, brightly illuminating the art of poetry, this is as lucid as writing about writing gets.”—Campbell McGrath, author of Pax Atomica and Florida PoemsNational Book Critics Circle Award finalist Michael Collier explores the influences that have made him one of the most distinguished poets of his generation. Make Us Wave Back includes essays on an expansive list of subjects, among them the literary correspondence of William Maxwell; the meaning of the author’s own role as poet laureate of the state of Maryland; the journals of Louise Bogan and how they reveal Bogan’s struggle with her own personal fears as well as the reconstruction of herself as a writer; and many more.Michael Collier is Professor of English and Codirector of the creative writing program at the University of Maryland. He is also director of the Bread Loaf Writers’ Conference. He is the author of several books of poems, including The Clasp and Other Poems, The Folded Heart, and The Ledge.

The award-winning poet Michael Collier''s elegiac fifth collection is haunted by spectral figures and a strange, vivid chorus of birds: From a cardinal that crashes into a window to a gathering of turkey vultures, Collier engages birds as myth-makers and lively messengers, carrying memories from lost friends. The mystery of death and the vital absence it creates are the real subjects of the book. Collier juxtaposes moments of quotidian revelation, like waking to the laughing sounds of bird song, with the drama of Greek tragedy, taking on voices from Medea. As Vanity Fair praised, his poems "tread nimbly between moments of everyday transcendence and spiritual pining."

Michael Collier''s much acclaimed fourth collection of poetry poises experience on the ledge between the everyday and the unknown. In THE LEDGE, the poems are narrative and colloquial, musical and crystalline, at once intimate and sharp-edged. The world is rendered beautifully mysterious as the poems slide into unexpected emotional territory. The artistry and directness of THE LEDGE confirm Collier''s place among the most significant poets of his generation.

Born in 1939, Stanley Plumly wrote poems that explored the deep interiors of the human heart and mind against a wide backdrop of cultural and historical events. Profoundly personal yet socially astute, his work is both descriptively exact and allusive, engaging nature and art as well as family and friendship. Drawing on his existing work and including nine brilliant new poems, Collected Poems gathers the full range of Plumly’s talent as it charts the development of his enduring contribution to the American lyric. The volume stands as a tribute to Plumly’s artistic vision and will be welcomed by his many readers now and in the generations to come.Stanley Plumley’s Posthumous Keats was praised as:“[A] tour de force…"—Joyce Carol Oates, Times Literary Supplement“[A] remarkable book… The Guardian"Plumly’s luminous biography."—The Independent

The Neighbor is a book of portraits and portraiture. Like the eccentric and mysteriously heroic citizens of E. A. Robinson's Tilbury Town, Collier's figures haunt a startlingly familiar neighborhood. In clear, rich language, Collier reveals the complexities that emerge from his characters' seemingly uneventful lives.

An Individual History describes the fears, anger, and guilt—personal, familial, societal, political, and historical—that comprise a life. The figure of the speaker’s maternal grandmother who was institutionalized for five decades serves as an overriding metaphor for this haunting, bold new work by an essential American poet.from “An Individual History”This was before the time of lithium and Zoloftbefore mood stabilizers and anxiolyticsand almost all the psychotropic drugs, but not beforethorazine,which the suicide O’Laughlin called “handcuffs for themind.”It was before, during, and after the time of atomicfallout,Auschwitz, the Nakba, DDT, and you could take watercures,find solace in quarantines, participate in shunnings,or stand at Lourdes among the canes and crutches.

The Greek Tragedy in New Translations series is based on the conviction that only translators who write poetry themselves, or who work in collaboration with poets, can properly re-create the celebrated and timeless tragedies of the great Greek writers. These new translations are more than faithful to the original text, going beyond the literal meaning in order to evoke the poetic intensity and rich metaphorical texture of the Greek language.Euripides was one of the most popular and controversial of all the Greek tragedians, and his plays are marked by an independence of thought, ingenious dramatic devices, and a subtle variety of register and mood. Medea, a story of betrayal and vengeance, is also an excellent example of the prominence that Euripides gave his female characters. This new translation does full justice to the lyricism of Euripides original work, while a new introduction provides a guide to the play, complete with interesting details about the traditions and social issues that influenced Euripides's world.

The Greek Tragedy in New Translations series is based on the conviction that only translators who write poetry themselves, or who work in collaboration with poets, can properly re-create the celebrated and timeless tragedies of the great Greek writers. These new translations are more than faithful to the original text, going beyond the literal meaning in order to evoke the poetic intensity and rich metaphorical texture of the Greek language. Euripides was one of the most popular and controversial of all the Greek tragedians, and his plays are marked by an independence of thought, ingenious dramatic devices, and a subtle variety of register and mood. Medea, is a story of betrayal and vengeance. Medea, incensed that her husband Jason would leave her for another after the many sacrifices she has made for him, murders both his new bride and their own children in revenge. It is an excellent example of the prominence and complexity that Euripides gave to female characters. This new translation does full justice to the lyricism of Euripides original work, while a new introduction provides a guide to the play, complete with interesting details about the traditions and social issues that influenced Euripides''s world.

The Greek Tragedy in New Translations series is based on the conviction that only translators who write poetry themselves, or who work in collaboration with poets, can properly re-create the celebrated and timeless tragedies of the great Greek writers. These new translations are more than faithful to the original text, going beyond the literal meaning in order to evoke the poetic intensity and rich metaphorical texture of the Greek language. Euripides was one of the most popular and controversial of all the Greek tragedians, and his plays are marked by an independence of thought, ingenious dramatic devices, and a subtle variety of register and mood. Medea, is a story of betrayal and vengeance. Medea, incensed that her husband Jason would leave her for another after the many sacrifices she has made for him, murders both his new bride and their own children in revenge. It is an excellent example of the prominence and complexity that Euripides gave to female characters. This new translation does full justice to the lyricism of Euripides original work, while a new introduction provides a guide to the play, complete with interesting details about the traditions and social issues that influenced Euripides''s world.

The Neighbor is a book of portraits and portraiture. Like the eccentric and mysteriously heroic citizens of E. A. Robinson's Tilbury Town, Collier's figures haunt a startlingly familiar neighborhood. In clear, rich language, Collier reveals the complexities that emerge from his characters' seemingly uneventful lives.

Think of a time when you've feigned courage to make a friend, feigned forgiveness to keep one, or feigned indifference to simply stay out of it. What does it mean for our intimacies to fail us when we need them most?The poems of this collection explore such everyday dualities-how the human need for attachment is as much a source of pain as of vitality and how our longing for transcendence often leads to sinister complicities. The title poem tells the conflicted and devastating story of the poet's friendship with the now-disgraced Bishop of Phoenix, Arizona, interweaving fragments of his parents' funerals, which the Bishop concelebrated, with memories of his childhood spiritual leanings and how they were disrupted by a pedophilic priest the Bishop failed to protect him from.This meditation on spiritual life, physical death, and betrayal is joined by an array of poised, short lyrics and expansive prose poems exploring how the terror and unpredictability of our era intrudes on our most intimate moments. Whether Collier is writing about an airline disaster, Huey Newton's trial, Thomas Jefferson's bees, a piano in the woods, or his own fraught friendship with the disgraced Catholic Bishop, his syntactic verve, scrupulously observed detail, and flawless ear bring the felt-and sometimes frightening-dimensions of the mundane to life. Throughout, this collection pursues a quiet but ferocious need to get to the bottom of things.

Whether Michael Collier is writing about an airline disaster, a friendship with a disgraced Catholic bishop, his father’s encounter with Charles Lindbergh, Lebanese beekeepers, a mother’s sewing machine, or a piano in the woods, he does so with the syntactic verve, scrupulously observed detail, and flawless ear that has made him one of America’s most distinguished poets. These poems cross expanses, connecting the fear of missing love and the bliss of holding it, the ways we speak to ourselves and language we use with others, and deep personal grief and shadows of world history.The Missing Mountain brings together a lifetime of work, chronicling Collier’s long and distinguished career as a poet and teacher. These selections, both of previously published and new poems, chart the development of Collier’s art and the cultivations of is passions and concerns.

William Maxwell, who died in July 2000, was revered as one of the twentieth century's great American writers and a longtime fiction editor at The New Yorker. Now writers who knew Maxwell and were inspired by him—both the man and his work—offer intimate essays, most specifically written for this volume, that "bring him back to life, right there in front of us."Alec Wilkinson writes of Maxwell as mentor; Edward Hirsch remembers him in old age; Charles Baxter illuminates the magnificent novel So Long, See You Tomorrow; Ben Cheever recalls Maxwell and his own father; Donna Tartt vividly describes Maxwell's kindness to herself as a first novelist; and Michael Collier admires him as a supreme literary correspondent. Other appreciations include insightful pieces by Alice Munro, Anthony Hecht, a poem by John Updike, and a brief tribute from Paula Fox. Ending this splendid collection is Maxwell himself, in the unpublished speech "The Writer as Illusionist."

An Individual History describes the fears, anger and guilt—personal, familial, societal, political and historical—that comprise a life. The figure of the speaker’s maternal grandmother who was institutionalised for five decades serves as an overriding metaphor for this haunting, bold new work by an essential American poet.

“Michael Collier’s book is refreshing in its refusal to push for one particular aesthetic. He regards his own preference for realism over abstraction as more a matter of temperament than of considered judgment, and respects poets more skeptical than he is about the ability of poetry to connect with the world. The result is an engaging record of his influences and enthusiasms, which are wide enough to include both Whitman and Larkin, both Jorge Borges and William Maxwell.”—Carl Dennis, Pulitzer Prize–winning author of Unknown Friends and Practical Gods“Michael Collier combines pietas and wildness in these essays on poetry as inheritance, and poetry as struggle. One feels the young man in his ‘rampage of literature,’ and the older writer reflecting on an art that is at once personal and impersonal, deeply matured in the imagination. This is a wise and well-lived book.”—Rosanna Warren, author of Departure and Stained Glass“The essays and remembrances in Make Us Wave Back radiate Michael Collier’s characteristic insight and sagacity on every page. Clear-minded, ardent, brightly illuminating the art of poetry, this is as lucid as writing about writing gets.”—Campbell McGrath, author of Pax Atomica and Florida PoemsNational Book Critics Circle Award finalist Michael Collier explores the influences that have made him one of the most distinguished poets of his generation. Make Us Wave Back includes essays on an expansive list of subjects, among them the literary correspondence of William Maxwell; the meaning of the author’s own role as poet laureate of the state of Maryland; the journals of Louise Bogan and how they reveal Bogan’s struggle with her own personal fears as well as the reconstruction of herself as a writer; and many more.Michael Collier is Professor of English and Codirector of the creative writing program at the University of Maryland. He is also director of the Bread Loaf Writers’ Conference. He is the author of several books of poems, including The Clasp and Other Poems, The Folded Heart, and The Ledge.

The award-winning poet Michael Collier''s elegiac fifth collection is haunted by spectral figures and a strange, vivid chorus of birds: From a cardinal that crashes into a window to a gathering of turkey vultures, Collier engages birds as myth-makers and lively messengers, carrying memories from lost friends. The mystery of death and the vital absence it creates are the real subjects of the book. Collier juxtaposes moments of quotidian revelation, like waking to the laughing sounds of bird song, with the drama of Greek tragedy, taking on voices from Medea. As Vanity Fair praised, his poems "tread nimbly between moments of everyday transcendence and spiritual pining."

Michael Collier''s much acclaimed fourth collection of poetry poises experience on the ledge between the everyday and the unknown. In THE LEDGE, the poems are narrative and colloquial, musical and crystalline, at once intimate and sharp-edged. The world is rendered beautifully mysterious as the poems slide into unexpected emotional territory. The artistry and directness of THE LEDGE confirm Collier''s place among the most significant poets of his generation.

Born in 1939, Stanley Plumly wrote poems that explored the deep interiors of the human heart and mind against a wide backdrop of cultural and historical events. Profoundly personal yet socially astute, his work is both descriptively exact and allusive, engaging nature and art as well as family and friendship. Drawing on his existing work and including nine brilliant new poems, Collected Poems gathers the full range of Plumly’s talent as it charts the development of his enduring contribution to the American lyric. The volume stands as a tribute to Plumly’s artistic vision and will be welcomed by his many readers now and in the generations to come.Stanley Plumley’s Posthumous Keats was praised as:“[A] tour de force…"—Joyce Carol Oates, Times Literary Supplement“[A] remarkable book… The Guardian"Plumly’s luminous biography."—The Independent

The Neighbor is a book of portraits and portraiture. Like the eccentric and mysteriously heroic citizens of E. A. Robinson's Tilbury Town, Collier's figures haunt a startlingly familiar neighborhood. In clear, rich language, Collier reveals the complexities that emerge from his characters' seemingly uneventful lives.

An Individual History describes the fears, anger, and guilt—personal, familial, societal, political, and historical—that comprise a life. The figure of the speaker’s maternal grandmother who was institutionalized for five decades serves as an overriding metaphor for this haunting, bold new work by an essential American poet.from “An Individual History”This was before the time of lithium and Zoloftbefore mood stabilizers and anxiolyticsand almost all the psychotropic drugs, but not beforethorazine,which the suicide O’Laughlin called “handcuffs for themind.”It was before, during, and after the time of atomicfallout,Auschwitz, the Nakba, DDT, and you could take watercures,find solace in quarantines, participate in shunnings,or stand at Lourdes among the canes and crutches.