Charles McLeod - Böcker
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3 produkter
3 produkter
120 kr
Skickas inom 11-20 vardagar
Meet Jim Haskin. He's forty years old. He's worth around thirty-five million. He runs his own San Francisco ad firm, American Weather. AmWe's image is green and forward-looking: if your product is upcycled, or hydro or vegan, they'll make you an ad. However, behind the scenes, Jim supports the old captains of American industry: bleach, beer, guns. One day Jim is asked to come up with something extra-special. The scheme he devises brings together a Death Row inmate, pay-per-view television, and most of America's largest corporations. Everything is set for it to be his greatest achievement yet.
108 kr
Skickas inom 11-20 vardagar
A man puts pieces of his life up for auction. An antique chess set played with a troubled brother ($99.99), number plates from a crashed stolen car ($20), Chuck Taylor trainers worn in a riot in Seattle ($8.99). Along with a short description, he tells their stories, how they fit into the tapestry of his life.In National Treasures men and women measure out their lives in tattoos, sharpened fragments of a moose’s hoof, autumn leaves, scribbled phone numbers, the red eyes of a heron. This is the America we never see – it’s not in the movies, or on the news. National Treasures is about people trying to get by and get on. These can be tough lives of tough love and tough luck but they are full of poignancy and intensity, and Charles McLeod writes about them thrillingly.
251 kr
Skickas inom 7-10 vardagar
In these seven stories spanning the Midwest to California, Charles McLeod brings us characters estranged from their homelands and locked in conflict with their past and present selves. In “How to Start Your Own Midwestern Ghost Town,” an unnamed narrator hatches a plan to capitalize on rural decay. A porn star trying to transition to the mainstream does an interview with a German reporter in “The Subject of Our First Issue Is Art.” In the title story, a closeted heroin dealer follows a ghostly girl into an Oakland graveyard. And in “Rancho Brava,” the conductor of a focus group about corporate salsa keeps getting interrupted by visitors from the Old West. Alternating between the comic, the tragic, and the neurotic—and often all three at once—McLeod’s second collection transports readers from the American mainstream to the dark edges of cities and the heartland’s lost, forgotten towns, into the lives of people trying to decipher if they can escape their pasts, and at what cost.