Chris Hopkins – författare
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5 produkter
5 produkter
Häftad, Engelska, 2009
549 kr
Skickas inom 10-15 vardagar
This successful introductory textbook simultaneously develops advanced skills in reading texts and the ability to think in sophisticated ways about the defining concepts of contemporary English Studies. Fully revised and updated, the second edition now also includes new sections on 'English Language' and 'Creative Writing'.
Inbunden, Engelska, 2006
2 393 kr
Skickas inom 10-15 vardagar
This study approaches the fiction of the 1930s through critical debates about genre, language and history, setting these in their original context, and discussing the generic forms most favoured by novelists at the time. Chris Hopkins uses a series of case studies of texts to draw on, develop or explore the boundaries, contemporary usefulness and complexities of particular prose genres. Generic debates and the political-aesthetic effects of different kinds of representation were live issues as discursive struggles and negotiations took place between modernist and realist modes, between high, middle and lowbrow categorisations of culture, between literature and mass culture, and between different conceptions of the role of the writer, politics and nationality, sexuality and gender identities. Chris Hopkins draws both on well-known texts and on novels which have only recently begun to be discussed by critics of the thirties - particularly those by women writers whose work has still not been related very clearly to the literary and political debates of the period.Organised in five sections each focusing on major genres, he takes a wide range of novels as case studies and discusses their uses of generic forms, relating them to other examples and to their historical, political and cultural contexts.
E-bok
Engelska, 20062 603 kr
Läs direkt efter köp
This study approaches the fiction of the 1930s through critical debates about genre, language and history, setting these in their original context, and discussing the generic forms most favoured by novelists at the time. Chris Hopkins uses a series of case studies of texts to draw on, develop or explore the boundaries, contemporary usefulness and complexities of particular prose genres. Generic debates and the political-aesthetic effects of different kinds of representation were live issues as discursive struggles and negotiations took place between modernist and realist modes, between high, middle and lowbrow categorisations of culture, between literature and mass culture, and between different conceptions of the role of the writer, politics and nationality, sexuality and gender identities. Chris Hopkins draws both on well-known texts and on novels which have only recently begun to be discussed by critics of the thirties - particularly those by women writers whose work has still not been related very clearly to the literary and political debates of the period. Organised in five sections each focusing on major genres, he takes a wide range of novels as case studies and discusses their uses of generic forms, relating them to other examples and to their historical, political and cultural contexts.
E-bok
PDF, Engelska, 20062 603 kr
Läs direkt efter köp
This study approaches the fiction of the 1930s through critical debates about genre, language and history, setting these in their original context, and discussing the generic forms most favoured by novelists at the time. Chris Hopkins uses a series of case studies of texts to draw on, develop or explore the boundaries, contemporary usefulness and complexities of particular prose genres. Generic debates and the political-aesthetic effects of different kinds of representation were live issues as discursive struggles and negotiations took place between modernist and realist modes, between high, middle and lowbrow categorisations of culture, between literature and mass culture, and between different conceptions of the role of the writer, politics and nationality, sexuality and gender identities. Chris Hopkins draws both on well-known texts and on novels which have only recently begun to be discussed by critics of the thirties - particularly those by women writers whose work has still not been related very clearly to the literary and political debates of the period. Organised in five sections each focusing on major genres, he takes a wide range of novels as case studies and discusses their uses of generic forms, relating them to other examples and to their historical, political and cultural contexts.
Del 71 - Liverpool English Texts and Studies
Walter Greenwood’s 'Love on the Dole'
Novel, Play, Film
Häftad, Engelska, 2018
422 kr
Skickas inom 5-8 vardagar
Love on the Dole (1933), the iconic novel about 1930s British working-class life, has a significant place in British cultural history. Its author, Walter Greenwood, went from unemployed Salford man to best-selling writer, and the novel has never been out of print. The 1935 stage adaptation was said to have been seen by three million people by 1940, including the King and Queen. Greenwood proposed a film adaption in 1936, but the story was pronounced too ‘sordid’ and depressing’ by the British Board of Film Censors. However, in 1940 the Ministry of Information decided that this story of pre-war economic and social failure should be filmed as a contribution to the ‘people’s war’. It was widely regarded as one of the best British wartime productions – and all three versions of Love on the Dole were frequently referenced during wartime debate about how a reconstructed post-war society should make a repetition of the 1930s impossible.This study explores in detail what made this important text so influential, analyses the considerable differences between the novel, play and film versions and places the public response to Love on the Dole in its full historical context. It examines Greenwood’s whole literary career and his continuing success until the 1960s: casting new light on his subsequent novels, plays and non-fiction works, few of which have received critical attention.