Chris Robinson – författare

A key feature of the New Labour government’s constitutional reform agenda has been the introduction of a number of alternative methods of voting for both existing elections and for those to new political institutions. This book examines the workings of these various systems of elections, looking specifically at how they operate within the United Kingdom and their direct impact on representation and governance. It also considers voting behaviour in the UK, with reference to the context of the electoral system being used. In conclusion there is an attempt to discover the extent to which the introduction and operation of different electoral systems has affected voter behaviour.Key Features:*A lively and up-to-date integration of the theory and the practice of elections in the UK*Recognises the national and regional diversity of the subject matter*Reflects the needs of students studying different parts of the United Kingdom

The Reality of Research with Children and Young People illustrates the process of carrying out research through thirteen `research stories'. Each story includes a piece of published research, accompanied by a commentary from the author of the research explaining:

· the origins of the research

· how research questions were formed

· factors influencing the choice of methodology and data collection techniques

· problems that arose and how these were dealt with

· personal reflections on the project.

The research examples included in this volume have been carefully selected to demonstrate the reality of researching with children from pre-school age to late adolescence. They reflect the different traditions and variety of methods of collecting data, including interview, evaluation, ethnography, experiment, survey, case study, questionnaire, longitudinal, and standardised assessment.

The Reality of Research with Children Young People provides valuable insights into the process of research for students and professionals in a range of fields including education, health, welfare, childhood and youth Studies, psychology and sociology. The book was developed to accompany The Open University Course, Research with Children and Young People (EK310).

The Reality of Research with Children and Young People illustrates the process of carrying out research through thirteen `research stories'. Each story includes a piece of published research, accompanied by a commentary from the author of the research explaining:

· the origins of the research

· how research questions were formed

· factors influencing the choice of methodology and data collection techniques

· problems that arose and how these were dealt with

· personal reflections on the project.

The research examples included in this volume have been carefully selected to demonstrate the reality of researching with children from pre-school age to late adolescence. They reflect the different traditions and variety of methods of collecting data, including interview, evaluation, ethnography, experiment, survey, case study, questionnaire, longitudinal, and standardised assessment.

The Reality of Research with Children Young People provides valuable insights into the process of research for students and professionals in a range of fields including education, health, welfare, childhood and youth Studies, psychology and sociology. The book was developed to accompany The Open University Course, Research with Children and Young People (EK310).

'The author gives an excellent overview and explores how children have been seen as objects and subjects in research as well as increasingly as participants and more recently still as researchers.'

- International Journal of Research and Method in Education

'This book is especially beneficial in terms of its breadth of discussion on the legal, ethical and moral issues of conducting research with children and young people alongside the key methodological challenges that students and practitioners are faced when conducting this type of research' - Research Policy and Planning

Doing Research with Children and Young People introduces researchers to the key considerations involved in working with children and young people.

The book highlights issues which arise at different stages in the process and which all researchers need to take account of as they plan and carry out a study. These include:

· ethical and legal issues

· philosophical underpinnings of research

· age and diversity of the children involved

· evaluation and dissemination of findings.

Doing Research with Children and Young People has been developed to accompany The Open University course Research with Children and Young People (EK310). It is an ideal introduction for all students and practitioners preparing to research in fields such as education, health, welfare, childhood and youth studies, psychology and sociology.

'The author gives an excellent overview and explores how children have been seen as objects and subjects in research as well as increasingly as participants and more recently still as researchers.'

- International Journal of Research and Method in Education

'This book is especially beneficial in terms of its breadth of discussion on the legal, ethical and moral issues of conducting research with children and young people alongside the key methodological challenges that students and practitioners are faced when conducting this type of research' - Research Policy and Planning

Doing Research with Children and Young People introduces researchers to the key considerations involved in working with children and young people.

The book highlights issues which arise at different stages in the process and which all researchers need to take account of as they plan and carry out a study. These include:

· ethical and legal issues

· philosophical underpinnings of research

· age and diversity of the children involved

· evaluation and dissemination of findings.

Doing Research with Children and Young People has been developed to accompany The Open University course Research with Children and Young People (EK310). It is an ideal introduction for all students and practitioners preparing to research in fields such as education, health, welfare, childhood and youth studies, psychology and sociology.

Ever wonder why Estonian animation features so many carrots or why cows often perform pyramids? Well, neither question is answered in Chris Robinson's new book, Estonian Animation. Robinson's frank, humorous, and thoroughly researched book traces the history of Estonia's acclaimed animation scene from early experiments in the 1930s to the creation of puppet (Nukufilm) and cel (Joonisfilm) animation studios during the Soviet era, as well as Estonia's surprising international success during the post-Soviet era. In addition, Robinson writes about the discovery of films by four 1960s animation pioneers who, until the release of this book, had been unknown to most Estonian and international animation historians.

Collage art and film date back to the early 20th century (the earliest collages have roots in 12th-century Japan). It was rooted in the age of consumerism where artists addressed an array of political and social issues by creating a carefully crafted collision of pre-existing images and sounds to generate new meanings and commentaries on the surrounding world.Collage has also pushed the boundaries of animation, by incorporating other artistic forms (e.g., photography, live action, experimental cinema, literature, found sound) while exploring an array of social, cultural and political issues.In Earmarked for Collision, award-winning writer Chris Robinson (The Animation Pimp, Mad Eyed Misfits, Unsung Heroes of Animation) takes us on a tour of the history of collage animation, cataloguing the collage works of notable artists like Larry Jordan, Harry Smith, Stan Vanderbeek, Terry Gilliam, Janie Geiser, Martha Colburn, Lewis Klahr, Run Wrake, Lei Lei, Kelly Sears, Jodie Mack, and many, many others.

One of the most stylistically original and provocative writers in animation returns with this informal sequel to his previous books on indie animation, Unsung Heroes of Animation and Animators Unearthed.In this collection, award-winning writer Chris Robinson looks at a wide range of films and filmmakers, including cult favourites Don Hertzfeldt, Adam Elliot, Masaaki Yuasa, Wong Ping, Bruce Bickford, Jodie Mack, Rosto, Suzan Pitt, Clyde Henry and Cartoon Saloon.Eclectic, opinionated, passionate and personal, Robinson’s writing will amuse, confuse, infuriate and enlighten while introducing readers to some of the most astonishing and important animation artists from around the world.

One of the most stylistically original and provocative writers in animation returns with this informal sequel to his previous books on indie animation, Unsung Heroes of Animation and Animators Unearthed.In this collection, award-winning writer Chris Robinson looks at a wide range of films and filmmakers, including cult favourites Don Hertzfeldt, Adam Elliot, Masaaki Yuasa, Wong Ping, Bruce Bickford, Jodie Mack, Rosto, Suzan Pitt, Clyde Henry and Cartoon Saloon.Eclectic, opinionated, passionate and personal, Robinson’s writing will amuse, confuse, infuriate and enlighten while introducing readers to some of the most astonishing and important animation artists from around the world.

The Ottawa International Animation Festival (OIAF) began in 1976 and stands today as one of the oldest and largest animation events in the world. One of the unique features of the OIAF is the inclusion of commissioned writings that provide attendees with a more in-depth background into the festival’s special screenings. These writings have not only contextualized the festival presentations but have also contributed significantly to animation education and scholarship.The Corners are Glowing is a selection of the best writings (many unseen for decades) culled from past OIAF catalogues. These wide-ranging texts cover the spectrum of animation from the familiar (Daffy Duck, Pee Wee Herman, Bob Clampett, Joanna Quinn, Hiyao Miyazaki, Frank Tashlin) to the more esoteric (Robert Breer, Emily Pelstring, Taku Furukawa, Michael Sporn, and even the use of furniture in animation!).The Corners are Glowing is a valuable time capsule that celebrates animation’s past and present, and the styles of writing are as diverse, enlightening, and fun as the animation subjects being written about.

The Ottawa International Animation Festival (OIAF) began in 1976 and stands today as one of the oldest and largest animation events in the world. One of the unique features of the OIAF is the inclusion of commissioned writings that provide attendees with a more in-depth background into the festival’s special screenings. These writings have not only contextualized the festival presentations but have also contributed significantly to animation education and scholarship.The Corners are Glowing is a selection of the best writings (many unseen for decades) culled from past OIAF catalogues. These wide-ranging texts cover the spectrum of animation from the familiar (Daffy Duck, Pee Wee Herman, Bob Clampett, Joanna Quinn, Hiyao Miyazaki, Frank Tashlin) to the more esoteric (Robert Breer, Emily Pelstring, Taku Furukawa, Michael Sporn, and even the use of furniture in animation!).The Corners are Glowing is a valuable time capsule that celebrates animation’s past and present, and the styles of writing are as diverse, enlightening, and fun as the animation subjects being written about.

Collage art and film date back to the early 20th century (the earliest collages have roots in 12th-century Japan). It was rooted in the age of consumerism where artists addressed an array of political and social issues by creating a carefully crafted collision of pre-existing images and sounds to generate new meanings and commentaries on the surrounding world.Collage has also pushed the boundaries of animation, by incorporating other artistic forms (e.g., photography, live action, experimental cinema, literature, found sound) while exploring an array of social, cultural and political issues.In Earmarked for Collision, award-winning writer Chris Robinson (The Animation Pimp, Mad Eyed Misfits, Unsung Heroes of Animation) takes us on a tour of the history of collage animation, cataloguing the collage works of notable artists like Larry Jordan, Harry Smith, Stan Vanderbeek, Terry Gilliam, Janie Geiser, Martha Colburn, Lewis Klahr, Run Wrake, Lei Lei, Kelly Sears, Jodie Mack, and many, many others.

Since his debut in the 1980s, Lewis Klahr has built a mesmerizing and influential body of work, establishing himself as one of the foremost collage animators—or, as he prefers, a “re-animator.” His films explore themes of identity (Altair), childhood (The Pharaoh’s Belt), sexuality (Pony Glass, Downs Are Feminine), memory (False Aging, Daylight Moon, Engram Sepals), Greek mythology (Lethe, Helen of T, 66), and capitalism (Circumstantial Pleasures). These philosophical explorations are often veiled behind the familiar veneer of mid-20th-century American pop culture—drawing inspiration from film noir, melodrama, crime films, popular music, and comic books.Working with an eclectic mix of found imagery—including magazine ads, home movies, contact sheets, pornography, and comic books—along with layered soundscapes, Klahr’s characters drift through fragmented times and spaces, searching for connection and an elusive sense of self.Despite the allure of vivid pop culture references, Klahr’s films resist easy interpretation. His elliptical, dream-like narratives challenge viewers, creating spaces where meaning remains fluid and unresolved. Yet this ambiguity is intentional—Klahr embraces the uncertainty between his work and its audience, inviting exploration over resolution.In Dreaming a Way (of) Life: The Films of Lewis Klahr, award-winning writer Chris Robinson (The Animation Pimp, Unsung Heroes of Animation, Earmarked for Collision) offers the first full-length study of this prolific and influential collage animator. Through insightful analysis, Robinson unveils the depth and complexity of Klahr’s artistic vision, guiding readers into the magic and mystery of his cinematic universe.Key Features: First in-depth study of the work of American collage artist, Lewis KlahrMixed biography with philosophical influenced approach to the major themes of his workIntroduction of important experimental and independent animation figure that shows readers animation beyond typical industry fare.

Since his debut in the 1980s, Lewis Klahr has built a mesmerizing and influential body of work, establishing himself as one of the foremost collage animators—or, as he prefers, a “re-animator.” His films explore themes of identity (Altair), childhood (The Pharaoh’s Belt), sexuality (Pony Glass, Downs Are Feminine), memory (False Aging, Daylight Moon, Engram Sepals), Greek mythology (Lethe, Helen of T, 66), and capitalism (Circumstantial Pleasures). These philosophical explorations are often veiled behind the familiar veneer of mid-20th-century American pop culture—drawing inspiration from film noir, melodrama, crime films, popular music, and comic books.Working with an eclectic mix of found imagery—including magazine ads, home movies, contact sheets, pornography, and comic books—along with layered soundscapes, Klahr’s characters drift through fragmented times and spaces, searching for connection and an elusive sense of self.Despite the allure of vivid pop culture references, Klahr’s films resist easy interpretation. His elliptical, dream-like narratives challenge viewers, creating spaces where meaning remains fluid and unresolved. Yet this ambiguity is intentional—Klahr embraces the uncertainty between his work and its audience, inviting exploration over resolution.In Dreaming a Way (of) Life: The Films of Lewis Klahr, award-winning writer Chris Robinson (The Animation Pimp, Unsung Heroes of Animation, Earmarked for Collision) offers the first full-length study of this prolific and influential collage animator. Through insightful analysis, Robinson unveils the depth and complexity of Klahr’s artistic vision, guiding readers into the magic and mystery of his cinematic universe.Key Features: First in-depth study of the work of American collage artist, Lewis KlahrMixed biography with philosophical influenced approach to the major themes of his workIntroduction of important experimental and independent animation figure that shows readers animation beyond typical industry fare.

One of the most acclaimed writers in animation returns with this informal sequel to his previous books on indie animation, Unsung Heroes of Animation, Animators Unearthed, and Mad Eyed Misfits.In this collection, award-winning writer, Chris Robinson, looks at a wide range of films, topics (sex, censorship, cultural politics, programming, felt, gifs, VR, dogs) and filmmakers (Masaaki Yuasa, Xi Chen, Gil Alkabetz, Jacques Drouin, Bordo, Rosto, Joaquín Cociña, Cristóbal León, George Schwizgebel, Lizzy Hobbs, Andreas Hykade, Leah Shore, and many others).Eclectic, brief, fiery, and opinionated, Robinson’s gonzo-tinged writing will amuse, confuse, annoy, and maybe even inspire while, hopefully introducing readers to the wonders of independently-produced animation.

One of the most acclaimed writers in animation returns with this informal sequel to his previous books on indie animation, Unsung Heroes of Animation, Animators Unearthed, and Mad Eyed Misfits.In this collection, award-winning writer, Chris Robinson, looks at a wide range of films, topics (sex, censorship, cultural politics, programming, felt, gifs, VR, dogs) and filmmakers (Masaaki Yuasa, Xi Chen, Gil Alkabetz, Jacques Drouin, Bordo, Rosto, Joaquín Cociña, Cristóbal León, George Schwizgebel, Lizzy Hobbs, Andreas Hykade, Leah Shore, and many others).Eclectic, brief, fiery, and opinionated, Robinson’s gonzo-tinged writing will amuse, confuse, annoy, and maybe even inspire while, hopefully introducing readers to the wonders of independently-produced animation.

Phil Mulloy is the punk bluesman of animation. His films are raw, minimalist, and ferociously satirical—short bursts of crude brilliance that confront the hypocrisies of religion, nationalism, masculinity, and class with uncompromising rage. If Disney represents the heart of animation, then Mulloy is its bowels—unafraid to reveal the grotesque underbelly of human nature.With thick black lines, stick figures, and penis‑nosed characters, Mulloy’s deceptively primitive style delivers scathing critiques of modern society. He broke onto the scene in the 1990s with the blistering Cowboys series, followed by subversive classics like The Sound of Music and The Ten Commandments. In the 2000s, he pushed further with the sci‑fi‑influenced trilogy Intolerance and the deeply polarizing, yet groundbreaking, feature and short series The Christies.This book traces Mulloy’s singular career—his shocking early shorts, experimental features, and recent return with potent works like Endgame and Once Upon a Time on Earth. Part biography, part critical reflection, and part personal journey, Raw Outrage explores how Mulloy’s work remains urgent in an age where animation often plays it safe.Award‑winning writer Chris Robinson guides readers through Mulloy’s world with his usual passion, insight, and irreverent humor. What emerges is a portrait of an artist who refuses to be polite—whose films challenge, provoke, and endure.

Watch Me Jumpstart is a love letter and a jab to the ribs—part memoir, part field guide—from the Artistic Director who spent three decades peering behind the curtain of the Ottawa International Animation Festival. Chris Robinson has watched the medium mutate from spliced film cans and ¾-inch tapes to links and torrents of digital files; from a handful of global showcases to a crowded calendar of festivals; from outsider, DIY voices to an industry that can smooth every rough edge—and sometimes sand away the soul.With his trademark dry bite and disarming honesty, Robinson traces the collisions that shaped his life in animation: the punky spirit that got him hired, the near-disasters that almost sank him, the programs that soared, and the friendships forged at 2 a.m. over cheap wine and weirder shorts. He doesn’t romanticize the past or panic about the future; he simply records what it feels like to stand at the crossroads—again and again—while the art form reinvents itself (AI panic included), and argues for the stubborn, personal, beautifully impractical films that keep the medium alive.Jumpstart is for animators and students, for programmers and critics, and for anyone who ever fell for a film that didn’t care about permission. It’s a backstage pass to the decisions, arguments, and small miracles that turn thousands of submissions into a festival—and a reminder that animation isn’t a genre or a market segment. It’s a messy, human conversation that never stops moving, even when the projector jams.

Watch Me Jumpstart is a love letter and a jab to the ribs—part memoir, part field guide—from the Artistic Director who spent three decades peering behind the curtain of the Ottawa International Animation Festival. Chris Robinson has watched the medium mutate from spliced film cans and ¾-inch tapes to links and torrents of digital files; from a handful of global showcases to a crowded calendar of festivals; from outsider, DIY voices to an industry that can smooth every rough edge—and sometimes sand away the soul.With his trademark dry bite and disarming honesty, Robinson traces the collisions that shaped his life in animation: the punky spirit that got him hired, the near-disasters that almost sank him, the programs that soared, and the friendships forged at 2 a.m. over cheap wine and weirder shorts. He doesn’t romanticize the past or panic about the future; he simply records what it feels like to stand at the crossroads—again and again—while the art form reinvents itself (AI panic included), and argues for the stubborn, personal, beautifully impractical films that keep the medium alive.Jumpstart is for animators and students, for programmers and critics, and for anyone who ever fell for a film that didn’t care about permission. It’s a backstage pass to the decisions, arguments, and small miracles that turn thousands of submissions into a festival—and a reminder that animation isn’t a genre or a market segment. It’s a messy, human conversation that never stops moving, even when the projector jams.

While visiting Japan, animation writer Chris Robinson gets lost. Drifting through Tokyo, Hiroshima, and Kyoto, he stumbles into a string of encounters—with mysterious figures like Bob Dylan, Haruki Murakami, sumo wrestlers, and Big Bird, and, by good luck, with Japanese animators both living and dead. Each meeting draws him into a deep, dark, uncanny current of Japanese animation—one that has nothing to do with Godzilla, Akira, anime, manga, or Hayao Miyazaki.The original book, Time Out of Mind, rewrites this history through the artists Robinson meets and studies—Koji Yamamura, Atsushi Wada, Taku Furukawa, Renzo and Sayoko Kinoshita, Maya Yonesho, and many more—while his drifting becomes the method: a travelogue that keeps slipping into something stranger.Times Out of Mind reprints that original book in full, then adds a new section written fifteen years later. Robinson returns to Japan to reopen the same uncanny thread—new conversations, new detours—while figures from the first journey reappear. Along the way he meets artists including Masaaki Yuasa, Kenji Iwaisawa, Sawako Kabuki, Yoriko Mizushiri, and Ryo Orikasa. The result is part travelogue, part memoir, part fiction, and part off-the-map animation history.

While visiting Japan, animation writer Chris Robinson gets lost. Drifting through Tokyo, Hiroshima, and Kyoto, he stumbles into a string of encounters—with mysterious figures like Bob Dylan, Haruki Murakami, sumo wrestlers, and Big Bird, and, by good luck, with Japanese animators both living and dead. Each meeting draws him into a deep, dark, uncanny current of Japanese animation—one that has nothing to do with Godzilla, Akira, anime, manga, or Hayao Miyazaki.The original book, Time Out of Mind, rewrites this history through the artists Robinson meets and studies—Koji Yamamura, Atsushi Wada, Taku Furukawa, Renzo and Sayoko Kinoshita, Maya Yonesho, and many more—while his drifting becomes the method: a travelogue that keeps slipping into something stranger.Times Out of Mind reprints that original book in full, then adds a new section written fifteen years later. Robinson returns to Japan to reopen the same uncanny thread—new conversations, new detours—while figures from the first journey reappear. Along the way he meets artists including Masaaki Yuasa, Kenji Iwaisawa, Sawako Kabuki, Yoriko Mizushiri, and Ryo Orikasa. The result is part travelogue, part memoir, part fiction, and part off-the-map animation history.

An introduction to the theory and engineering practice that underpins the component design and analysis of radial flow turbocompressors. Drawing upon an extensive theoretical background and years of practical experience, the authors provide descriptions of applications, concepts, component design, analysis tools, performance maps, flow stability, and structural integrity, with illustrative examples. Features wide coverage of all types of radial compressor over many applications unified by the consistent use of dimensional analysis. Discusses the methods needed to analyse the performance, flow, and mechanical integrity that underpin the design of efficient centrifugal compressors with good flow range and stability. Includes explanation of the design of all radial compressor components, including inlet guide vanes, impellers, diffusers, volutes, return channels, de-swirl vanes and side-streams. Suitable as a reference for advanced students of turbomachinery, and a perfect tool for practising mechanical and aerospace engineers already within the field and those just entering it.

A revolutionary fitness book by Chris Robinson that will change your body and your life Personal trainer Chris Robinson has helped celebrities, athletes, top executives, and ordinary people from coast to coast tone their muscles and melt away pounds in a matter of weeks with a simple workout philosophy: train from your core. To most, the core is synonymous with washboard abs, but it also encompasses twenty-nine muscles in and around your trunk, pelvis, hips, buttocks, and lower back. A strong core gives you the stability and mobility you need for better posture and balance, reduced back pain, and a more effective overall workout. In The Core Connection, Chris invites a team of five brave men and women with busy, stressful lives to follow his life-changing regimen for six weeks. The result -- a combined total weight loss of 78 pounds! Chris's unique program integrates the important principles of Pilates -- emphasis on core strength, muscle control, breathing, and correct posture -- into standard cardio and weight-bearing exercises for a total body workout. By learning to engage all the muscles in your core, you also increase your calorie burn and reduce your risk of injury. The Core Connection is a safe, effective, portable workout that is perfect for people of all ages and fitness levels. Chris's explicit, easy-to-understand instructions are accompanied by clear illustrations that will help you check your form as he focuses on the specific aspects of alignment, muscle control, and breath that are essential for achieving the maximum benefit from each exercise. He offers a plan for simple, total body workouts that include mat work to help you find and feel your core muscles, cardio, and strength training -- with the option of using weight machines or your own body weight. He also shares important tips for improving your diet without completely giving up the foods you love. The Core Connection is more than just a workout plan. It's a totally new approach to your life. Your body is only as strong as its core. With Chris Robinson's help, you can look and feel better than ever.