CLAIRE CONNOLLY – författare

A new kind of writing about Irish culture has emerged in recent years, the best examples of which are gathered in this volume. Joining political, linguistic, social and historical approaches to culture, these essays have substantially altered the critical climate of Irish Studies. The Introduction provides a vantage point from which to survey the contemporary critical and cultural currents, while the summaries, glossary and notes for further reading will assist readers who wish to explore in greater depth this challenging and contested field.

This Companion provides an authoritative introduction to the historical, social and stylistic complexities of modern Irish culture. Readers will be introduced to Irish culture in its widest sense and helped to find their way through the cultural and theoretical debates that inform our understanding of modern Ireland. The volume combines cultural breadth and historical depth, supported by a chronology of Irish history and arts. A wide selection of essays on a rich variety of Irish cultural forms and practices are complemented by a series of in-depth analyses of key themes in Irish cultural politics. The range of topics covered will enable a comprehensive understanding of Irish culture, while the authors gathered here - all acknowledged experts in their fields - provide stimulating essays that together amount to an invaluable guide to the shaping of modern Ireland.

This Companion provides an authoritative introduction to the historical, social and stylistic complexities of modern Irish culture. Readers will be introduced to Irish culture in its widest sense and helped to find their way through the cultural and theoretical debates that inform our understanding of modern Ireland. The volume combines cultural breadth and historical depth, supported by a chronology of Irish history and arts. A wide selection of essays on a rich variety of Irish cultural forms and practices are complemented by a series of in-depth analyses of key themes in Irish cultural politics. The range of topics covered will enable a comprehensive understanding of Irish culture, while the authors gathered here - all acknowledged experts in their fields - provide stimulating essays that together amount to an invaluable guide to the shaping of modern Ireland.

Claire Connolly offers a cultural history of the Irish novel in the period between the radical decade of the 1790s and the gaining of Catholic Emancipation in 1829. These decades saw the emergence of a group of talented Irish writers who developed and advanced such innovative forms as the national tale and the historical novel: fictions that took Ireland as their topic and setting and which often imagined its history via domestic plots that addressed wider issues of dispossession and inheritance. Their openness to contemporary politics, as well as to recent historiography, antiquarian scholarship, poetry, song, plays and memoirs, produced a series of notable fictions; marked most of all by their ability to fashion from these resources a new vocabulary of cultural identity. This book extends and enriches the current understanding of Irish Romanticism, blending sympathetic textual analysis of the fiction with careful historical contextualization.

What does 'Irish romanticism' mean and when did Ireland become romantic? How does Irish romanticism differ from the literary culture of late eighteenth- and nineteenth-century Britain, and what qualities do they share? Claire Connolly proposes an understanding of romanticism as a temporally and aesthetically distinct period in Irish culture, during which literature flourished in new forms and styles, evidenced in the lives and writings of such authors as Thomas Dermody, Mary Tighe, Maria Edgeworth, Lady Morgan, Thomas Moore, Charles Maturin, John Banim, Gerald Griffin, William Carleton and James Clarence Mangan. Their books were written, sold, circulated and read in Ireland, Britain and America and as such were caught up in the shifting dramas of a changing print culture, itself shaped by asymmetries of language, power and population. Connolly meets that culture on its own terms and charts its history.

Claire Connolly offers a cultural history of the Irish novel in the period between the radical decade of the 1790s and the gaining of Catholic Emancipation in 1829. These decades saw the emergence of a group of talented Irish writers who developed and advanced such innovative forms as the national tale and the historical novel: fictions that took Ireland as their topic and setting and which often imagined its history via domestic plots that addressed wider issues of dispossession and inheritance. Their openness to contemporary politics, as well as to recent historiography, antiquarian scholarship, poetry, song, plays and memoirs, produced a series of notable fictions; marked most of all by their ability to fashion from these resources a new vocabulary of cultural identity. This book extends and enriches the current understanding of Irish Romanticism, blending sympathetic textual analysis of the fiction with careful historical contextualization.

What does 'Irish romanticism' mean and when did Ireland become romantic? How does Irish romanticism differ from the literary culture of late eighteenth- and nineteenth-century Britain, and what qualities do they share? Claire Connolly proposes an understanding of romanticism as a temporally and aesthetically distinct period in Irish culture, during which literature flourished in new forms and styles, evidenced in the lives and writings of such authors as Thomas Dermody, Mary Tighe, Maria Edgeworth, Lady Morgan, Thomas Moore, Charles Maturin, John Banim, Gerald Griffin, William Carleton and James Clarence Mangan. Their books were written, sold, circulated and read in Ireland, Britain and America and as such were caught up in the shifting dramas of a changing print culture, itself shaped by asymmetries of language, power and population. Connolly meets that culture on its own terms and charts its history.

The years between 1780 and 1830 are vital decades in the history of Irish writing in English. This book charts the confluence of Enlightenment, antiquarian, and romantic energies within Irish literary culture and shows how different writers and genres absorbed, dispersed and remade those interests during five decades of political change. During those same years, literature made its own history. By the 1840s, Irish writing formed a recognizable body of work, which later generations would draw on, quote, anthologize and dispute. Questions raised by novels, poems and plays of the late eighteenth and early nineteenth centuries - the politics of language and voice; the relationship between literature and locality; the possibility of literature as a profession - resonated for many Irish writers over the centuries that followed and continue to matter today. This comprehensive volume will be a key reference for scholars and students of Irish literature and romantic literary studies.

This novel intervenes in many of the literary and philosophical debates of the late eighteenth century and early nineteenth century, forging a connection between the eighteenth-century discourse of sentiment and the emergent nineteenth-century concept of the nation. Lady Morgan's Introductory Letters are included.

This novel intervenes in many of the literary and philosophical debates of the late eighteenth century and early nineteenth century, forging a connection between the eighteenth-century discourse of sentiment and the emergent nineteenth-century concept of the nation. Lady Morgan's Introductory Letters are included.