Colin Perry - Böcker

This book is the first dedicated edited collection that explores the virtualisation of screen-making processes from pre-production to post-production, while attuning to the aesthetic, ideological and performative contexts upended by these integrated technologies. This book explores what is real in virtual production, as a provocative one, implicitly drawing on the philosophies of the moving image and the recent work on new forms of post-human perceptual realism.This edited collection is divided into the following four themed sections. Section One, It’s Always Been Real: Contemporising Virtual Production, addresses the histories of film realism in relationship to visual technologies, providing both a theoretical and philosophical ‘anchor’ point for the collection, and a necessary genealogy. Section Two, The Body Becomes You: Performing Virtual Production, examines the transformation that occurs in immersive virtual worlds, while also exploring how the body is itself virtualised. Section Three, Skin Deep: Gazing with Virtual Production, addresses the way race, ethnicity, gender and environment are supposedly equalised, and yet are still found to reproduce the colonised looking regimes of western, mainstream screen culture. Section Four, Whose Work? Labouring with Virtual Production, draws together writing that examines the way production processes have been transformed, affecting not only work patterns but also the way aesthetics, form and function, operate.This book encompasses many production themes and will appeal to media students and professionals interested in the production of film.Chapter 11 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC BY-NC-ND)] 4.0 license.

This book is the first dedicated edited collection that explores the virtualisation of screen-making processes from pre-production to post-production, while attuning to the aesthetic, ideological and performative contexts upended by these integrated technologies. This book explores what is real in virtual production, as a provocative one, implicitly drawing on the philosophies of the moving image and the recent work on new forms of post-human perceptual realism.This edited collection is divided into the following four themed sections. Section One, It’s Always Been Real: Contemporising Virtual Production, addresses the histories of film realism in relationship to visual technologies, providing both a theoretical and philosophical ‘anchor’ point for the collection, and a necessary genealogy. Section Two, The Body Becomes You: Performing Virtual Production, examines the transformation that occurs in immersive virtual worlds, while also exploring how the body is itself virtualised. Section Three, Skin Deep: Gazing with Virtual Production, addresses the way race, ethnicity, gender and environment are supposedly equalised, and yet are still found to reproduce the colonised looking regimes of western, mainstream screen culture. Section Four, Whose Work? Labouring with Virtual Production, draws together writing that examines the way production processes have been transformed, affecting not only work patterns but also the way aesthetics, form and function, operate.This book encompasses many production themes and will appeal to media students and professionals interested in the production of film.Chapter 11 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC BY-NC-ND)] 4.0 license.

Colin Albert Perry was born in Camberwell, London on 12 February 1922. In 1940, having left school in 1936 with no qualifications, he was passed medically fit for RAF flying crew but was rejected as not being up to educational standard. This is almost all of what survives of a journal he kept between March and November 1940, when he was eighteen years old, written in his home in Tooting and in the City of London where he worked. The journal was never intended for publication, it is only the youthful, untrained outpourings of a proud and totally insignificant Londoner. It spans what the Air Ministry was to call '...the Great Days from 8th August - 31st October 1940' and the fifty-seven nights when the bombing of London was unceasing. This is the period enshrined in our history as the Battle of Britain, the most momentous year for Britain in the twentieth century.

This is almost all of what survives of a journal Colin Perry kept between March and November 1940, when he was eighteen years old, written in his home in Tooting and in the City of London where he worked. The journal was never intended for publication, it is only the youthful, untrained outpourings of a proud and totally insignificant Londoner. It spans what the Air Ministry was to call '...the Great Days from 8 August - 31 October 1940' and the fifty-seven nights when the bombing of London was unceasing. This is the period enshrined in our history as the Battle of Britain, the most momentous year for Britain in the twentieth century. Includes 70 Photographs