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6 produkter
6 produkter
Inbunden, Engelska, 2022
922 kr
Skickas inom 5-8 vardagar
This book provides a critically informed account of the Turkey-born France-based director Deniz Gamze Ergüven’s debut film Mustang (2015), which tells the story of five orphaned sisters living with their grandmother and uncle in a remote Turkish village.The film’s familiar art-house style, and its universalising focus on female coming-of-age and feminist dissent, resulted in celebratory reviews from journalists and scholars of world cinema. Meanwhile, Mustang’s framing of youth in the Turkish national context, and its representation of gender, divided Turkish film critics and cultural theorists. These divisions led to a debate that questions the politics of transnational feminism by criticising the film’s failure to capture the local intricacies of the politics of gender and youth. While this book aims to locate Mustang within the intersection of emerging female and youth narratives in the cinema of Turkey, it also provides a critical understanding of the differences in Mustang’s local and global reception. This focus on the geopolitics of representation informs the diverse criteria this study uses to evaluate Ergüven’s stylistic choices.Engaging with both Anglophone and Turkish literature in youth cinema and gender studies, the book makes an original contribution to current debates on national/transnational cinemas and gender/youth studies and is an accessible reference for graduate and undergraduate study of contemporary film.Elif Akçalı is Associate Professor in Film and TV Studies at Kadir Has University, Turkey. Her research focuses on film aesthetics, videographic criticism, non-fiction film, and gender/sexuality studies.
Häftad, Engelska, 2024
335 kr
Skickas inom 10-15 vardagar
This book provides a critically informed account of the Turkey-born France-based director Deniz Gamze Ergüven’s debut film Mustang (2015), which tells the story of five orphaned sisters living with their grandmother and uncle in a remote Turkish village.The film’s familiar art-house style, and its universalising focus on female coming-of-age and feminist dissent, resulted in celebratory reviews from journalists and scholars of world cinema. Meanwhile, Mustang’s framing of youth in the Turkish national context, and its representation of gender, divided Turkish film critics and cultural theorists. These divisions led to a debate that questions the politics of transnational feminism by criticising the film’s failure to capture the local intricacies of the politics of gender and youth. While this book aims to locate Mustang within the intersection of emerging female and youth narratives in the cinema of Turkey, it also provides a critical understanding of the differences in Mustang’s local and global reception. This focus on the geopolitics of representation informs the diverse criteria this study uses to evaluate Ergüven’s stylistic choices.Engaging with both Anglophone and Turkish literature in youth cinema and gender studies, the book makes an original contribution to current debates on national/transnational cinemas and gender/youth studies and is an accessible reference for graduate and undergraduate study of contemporary film.Elif Akçalı is Associate Professor in Film and TV Studies at Kadir Has University, Turkey. Her research focuses on film aesthetics, videographic criticism, non-fiction film, and gender/sexuality studies.
E-bok
Engelska, 2022370 kr
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This book provides a critically informed account of the Turkey-born France-based director Deniz Gamze Ergüven’s debut film Mustang (2015), which tells the story of five orphaned sisters living with their grandmother and uncle in a remote Turkish village.
The film’s familiar art-house style, and its universalising focus on female coming-of-age and feminist dissent, resulted in celebratory reviews from journalists and scholars of world cinema. Meanwhile, Mustang’s framing of youth in the Turkish national context, and its representation of gender, divided Turkish film critics and cultural theorists. These divisions led to a debate that questions the politics of transnational feminism by criticising the film’s failure to capture the local intricacies of the politics of gender and youth. While this book aims to locate Mustang within the intersection of emerging female and youth narratives in the cinema of Turkey, it also provides a critical understanding of the differences in Mustang’s local and global reception. This focus on the geopolitics of representation informs the diverse criteria this study uses to evaluate Ergüven’s stylistic choices.
Engaging with both Anglophone and Turkish literature in youth cinema and gender studies, the book makes an original contribution to current debates on national/transnational cinemas and gender/youth studies and is an accessible reference for graduate and undergraduate study of contemporary film.
Elif Akçalı is Associate Professor in Film and TV Studies at Kadir Has University, Turkey. Her research focuses on film aesthetics, videographic criticism, non-fiction film, and gender/sexuality studies.
Häftad, Engelska, 2026
704 kr
Kommande
Screening Postmillennial Queer Film provides a critical overview of global LGBTQIA+ filmmaking in the twenty-first century, examining queer cinema beyond the New Queer Cinema paradigm, and as part of a progressively re-conceptualised world cinema.This volume explores how LGBTQIA+ film has evolved globally through diverse case studies spanning art-house, genre, and mainstream productions. Contributors examine key topics including aesthetics, authorship, activism, intersectionality, transnationalism, and geopolitics, contextualizing queer filmmaking within and beyond Anglo-American canons. The collection addresses the growing visibility of non-heteronormative identities in international politics, media, and culture, equipping readers with critical tools to analyse contemporary queer film production worldwide.Bridging the generational differences in queer film studies and cultural/critical practice, this book is essential for students and scholars in film studies, queer studies, gender and sexuality studies, and cultural studies. It is particularly valuable for those studying world cinema, postcolonial cinema, and LGBTQIA+ media representation. Ideal for upper-level undergraduate and postgraduate courses, the volume serves as both a teaching resource and foundation for interdisciplinary research on queer cinema and global film cultures.
Inbunden, Engelska, 2026
2 306 kr
Kommande
Screening Postmillennial Queer Film provides a critical overview of global LGBTQIA+ filmmaking in the twenty-first century, examining queer cinema beyond the New Queer Cinema paradigm, and as part of a progressively re-conceptualised world cinema.This volume explores how LGBTQIA+ film has evolved globally through diverse case studies spanning art-house, genre, and mainstream productions. Contributors examine key topics including aesthetics, authorship, activism, intersectionality, transnationalism, and geopolitics, contextualizing queer filmmaking within and beyond Anglo-American canons. The collection addresses the growing visibility of non-heteronormative identities in international politics, media, and culture, equipping readers with critical tools to analyse contemporary queer film production worldwide.Bridging the generational differences in queer film studies and cultural/critical practice, this book is essential for students and scholars in film studies, queer studies, gender and sexuality studies, and cultural studies. It is particularly valuable for those studying world cinema, postcolonial cinema, and LGBTQIA+ media representation. Ideal for upper-level undergraduate and postgraduate courses, the volume serves as both a teaching resource and foundation for interdisciplinary research on queer cinema and global film cultures.
Inbunden, Engelska, 2025
2 239 kr
Skickas inom 5-8 vardagar
Adopting a multi-method critical approach to the global revival of folklore-themed horror media, Transnational Horror contests Anglophone film scholarship’s widespread adherence to its own film-historical canons. Navigating alternative meanings of 'folk horror' and locating these meanings within a transnational framework, the volume proposes a curatorial paradigm of critical transnationalism in the study of global film cultures and genre formations. The book proposes an alternative genealogy of horror media: a genealogy that decolonises, in provincialising, the dominant film-historical canons associated with the horror genre, and contributes to the formation of a transnational field of horror criticism that troubles the normative geopolitics of canonisation in film and genre studies. Through diverse accounts of scale and regionality as categorical markers of screen media, the contributors to the volume develop critical tools to address the mobility of 'folk horror' as mode and as genre, which operates within and beyond the normative registers of national belonging.