Dan Coxon – författare

A chilling horror anthology of 18 stories about the terrifying fears of isolation, from the modern masters of horror. Featuring Tim Lebbon, Paul Tremblay, Joe R. Lansdale, M.R. Carey, Ken Liu and many more.Lost in the wilderness, or shunned from society, it remains one of our deepest held fears. This horror anthology calls on leading horror writers to confront the dark moments, the challenges that we must face alone: hikers lost in the woods; astronauts adrift in the silence of deep space; the quiet voice trapped in a crowd; the prisoner, with no hope of escape. Experience the chilling terrors of Isolation.Featuring Paul Tremblay, Joe R. Lansdale, Ken Liu, M.R. Carey, Jonathan Maberry, Tim Lebbon, Lisa Tuttle, Michael Marshall Smith, Ramsey Campbell, Nina Allan, Laird Barron, A.G. Slatter, Mark Morris, Alison Littlewood, Owl Goingback, Brian Evenson, Marian Womack, Gwendolyn Kiste, Lynda E. Rucker and Chikodili Emelumadu.

Nineteen original horror stories exploring ancient sites, uncovering forgotten histories and prising open the tombs of the past, from award-winning authors and editors Dan Coxon and Philip Fracassi.Perfect for fans of Ellen Datlow.Unearthed digs beneath these crumbling structures to reveal their archaic pasts, and their darkest secrets. Featuring the best modern writers of horror and dark fantasy, these stories explore the caverns and the catacombs, the ruined temples and the monoliths - and drag an ancient evil back into the light.Featuring stories from:Tananarive DueChristopher GoldenJosh MalermanTim LebbonEric LaRoccaA.M. ShineJonathan MaberryHildur KnutsdottirAi JiangA. G. SlatterMark ChadbournPriya SharmaBenjamin PercyV. CastroGemma AmorCavan ScottPremee MohamedHache PueyoSteve Toase

For as long as humans have existed, they have asked: What if?Science fiction was a defining genre of the postwar era, and its current boom across books, film and TV shows no sign of slowing. Space ships, time travel, aliens and artificial intelligence continue to obsess us, and dreams of the apocalypse haunt our own post-pandemic age. But what is it that compels writers to imagine the future?Writing the Future gathers some of the best contemporary writers of science fiction, speculative fiction, dystopia and eco-fiction to explain their craft and explore the many worlds upon which our imaginations might land. Authors such as Toby Litt, Nina Allan, Adam Roberts and Una McCormack reveal how to balance scientific research with creative freedom, examine the different forms the written text might evolve into, and offer practical advice on giving life to your own vision of the future.Whether you're a reader, a seasoned writer looking to hone your skills, or a beginner who's just starting out, Writing the Future provides valuable insights into the craft of imagining the worlds of tomorrow.

'A perceptive guide to the ploys and pleasures of writing and reading crime fiction thatwill appeal to novices and nerds alike.'Mark Sanderson, author of the Snow Hill trilogy and reviewer for The Times'Not just a dry or academic 'how to' but a provocative collection of varied essaysand revelations about what makes crime and mystery authors tick and what attractsotherwise normal human beings to a life of crime on the page. Informative, witty andfull of valuable insights, one of the best genre reference titles in ages.'Maxim Jakubowski'A fascinating collection of essays with an insight into some of the origins of thegenre, an examination of the current landscape and an intriguing glimpse of where thisendlessly adaptive genre may take us in the future. Highly recommended for all loversof crime fiction.'Bridget Walsh, author of The Tumbling GirlThere's been a murder...From the macabre tales of Edgar Allan Poe through to the locked-room mysteries ofthe Golden Age, to the many faces of modern crime fiction and the explosion of truecrime, writers have always explored the most taboo of human transgressions: thetaking of a life. What is it about murder that has fascinated us for so long? And whatis it about crimes of this nature that make for such compelling fiction?Gathering an impressive line-up of suspects, Writing the Murder asks some of thefinest contemporary writers to dissect their craft and analyse the place of murderin fiction. Authors such as Charlie Higson, Louise Welsh, Jessie Greengrass and TomMead interrogate what it means to write about this most illicit of acts, the lastingappeal of crime fiction, and offer practical advice for those looking to write seriouslyand convincingly about crime.An essential tool for the grizzled veteran and the fresh-faced rookie alike, Writingthe Murder gives you the motive and the means to write your own tales of murderand intrigue.

From Lord of the Rings to Game of Thrones, over the last hundred years few genres have captured the public imagination as powerfully as fantasy. Whether it's epic quests of dwarves and elves, wizards and paladins, or the influential childhood classics of Alan Garner and C.S. Lewis, the appetite among readers for all things magical seems insatiable.Pulling together a fellowship of some of the best writers of modern fantasy fiction, Writing the Magic invites you to step through the portal and discover what gives these tales such enduring appeal. Writers such as Jeff Noon, Hannah Kaner, RJ Barker and Jen Williams pull back the curtain on how they write fantasy, demystifying topics such as worldbuilding, sources of magic, creating authenticity, and how best to deploy your dragons.An essential map for anyone wanting to write their own world into being, Writing the Magic explores the perilous realms of fantasy fiction – and arms novice writers with everything they need to embark on their own adventure. Featuring essays from: Francesco Dimitri, Hannah Kaner, RJ Barker, Kritika H. Rao, Juliet E. McKenna, Jen Williams, Jeff Noon, Alex Pheby, J.L. Worrad, Richard Strachan, Charlotte Bond Katherine Langrish and Lucy Holland.

A house is more than just a place to lay your head at night. Sometimes, the walls remember.Gathering ten modern masters of the strange and unsettling, Unquiet Guests sets fire to the blueprints and reimagines the haunted house from the foundations up. From dreamlike visions of an abandoned future mansion to a sentient building grown tired of its owners, these rooms echo with whispers of the disenfranchised and the lost.Featuring stories by: Chuck Palahniuk, Grady Hendrix, Kirsty Logan, Will Maclean, Irenosen Okojie, Alison Moore, Matthew Holness, Claire Fuller, Clay Macleod Chapman and Ally Wilkes.

What does it mean to write about the real world? The creative nonfiction writer faces a daunting task. They must sculpt their experiences into captivating narratives, ensuring that their writing is both accessible and devoid of self-indulgence. They have the memories and the material, but telling their story effectively requires more than simply laying these out on the page. In Writing the Real, a selection of the best creative nonfiction writers explore the craft in all its forms. From memoir and personal essays to place-based writing and autofiction, writers such as Nikesh Shukla, Kirsty Logan, Kit de Waal and Tom Lee examine how we shape our own experiences on the page, and how the ambiguity of 'reality' can become a source of creative energy. Each writer follows their own path into the real, but taken together these essays show the myriad ways in which lived experience can become a compelling story. Writing the Real is essential reading for anyone interested in creative nonfiction - whether as a writer, a reader, or someone drawn to the art of making meaning from the world as it is. Featuring essays from: Jenn Ashworth, Marie Crook, Dan Dixon, Kit de Waal, Kristie De Garis, Adam Farrer, Tracy King, Tom Lee, Kirsty Logan, Noreen Masud, Gareth E Rees, Adam Scovell and Nikesh Shukla.

From British and World Fantasy award-winning writer and editor Dan Coxon, Come Sing for the Harrowing is an uncanny folk horror collection for fans of John Langan and Robert Aickman.A young man working at a tourist attraction is singled out for unholy transformation, a gang of burglars are ambushed with something unworldly when they attempt to rob a local farm, and a daughter seeks revenge on her abusive father after his death. Invoking the sense of natural surreal found in Midsommar, these stories are always a little to the left of what’s expected.Weaving macabre contingencies into realities, Dan Coxon crafts unsettling and eerie worlds through hauntingly literary prose. Including a featured story from Ellen Datlow’s “Best of Horror” round-up and a foreword from Brian Evenson, Come Sing for the Harrowing will haunt your dreams and gnaw at you during the daylight.