Grady Hendrix – författare

They call them wayward girls. Loose girls. Girls who grew up too fast. And they’re sent to Wellwood House in St. Augustine, Florida, where unwed mothers are hidden by their families to have their babies in secret, to give them up for adoption, and most important of all, to forget any of it ever happened. Fifteen-year-old Fern arrives at the home in the sweltering summer of 1970, pregnant, terrified and alone. Under the watchful eye of the stern Miss Wellwood, she meets a dozen other girls in the same predicament. There’s Rose, a hippie who insists she’s going to find a way to keep her baby and escape to a commune. And Zinnia, a budding musician who plans to marry her baby’s father. And Holly, a wisp of a girl, barely fourteen, mute and pregnant by no-one-knows-who. Everything the girls eat, every moment of their waking day, and everything they’re allowed to talk about is strictly controlled by adults who claim they know what’s best for them. Then Fern meets a librarian who gives her an occult book about witchcraft, and power is in the hands of the girls for the first time in their lives. But power can destroy as easily as it creates, and it’s never given freely. There’s always a price to be paid…and it’s usually paid in blood. In Witchcraft for Wayward Girls, the author of How to Sell a Haunted House and The Final Girl Support Group delivers another searing, completely original novel and further cements his status as a “horror master” (NPR).

THE INSTANT NEW YORK TIMES BESTSELLER

VOTED GOODREADS CHOICE AWARD BEST HORROR NOVEL OF 2021

A Good Morning America Buzz Pick "The horror masterputs his unique spin on slasher movie tropes."-USA Today

A can't-miss summer read, selected by The New York Times, Oprah Daily, Time, USA Today, The Philadelphia Inquirer, CNN, LitHub, BookRiot, Bustle, Popsugar and the New York Public Library

In horror movies, the final girls are the ones left standing when the credits roll. They made it through the worst night of their livesbut what happens after? Like his bestselling novel The Southern Book Club's Guide to Slaying Vampires, Grady Hendrix's latest is a fast-paced, frightening, and wickedly humorous thriller. From chain saws to summer camp slayers, The Final Girl Support Group pays tribute to and slyly subverts our most popular horror films-movies like The Texas Chainsaw Massacre, A Nightmare on Elm Street, and Scream.

Lynnette Tarkington is a real-life final girl who survived a massacre. For more than a decade, she's been meeting with five other final girls and their therapist in a support group for those who survived the unthinkable, working to put their lives back together. Then one woman misses a meeting, and their worst fears are realized-someone knows about the group and is determined to rip their lives apart again, piece by piece. 

But the thing about final girls is that no matter how bad the odds, how dark the night, how sharp the knife, they will never, ever give up.

"Superb ... a perfect horror for our imperfect age." - The New York Times

AN INSTANT NEW YORK TIMES AND USA TODAY BESTSELLER

There's power in a book

They call them wayward girls. Loose girls. Girls who grew up too fast. And they're sent to Wellwood House in St. Augustine, Florida, where unwed mothers are hidden by their families to have their babies in secret, to give them up for adoption, and most important of all, to forget any of it ever happened.

Fifteen-year-old Fern arrives at the home in the sweltering summer of 1970, pregnant, terrified and alone. Under the watchful eye of the stern Miss Wellwood, she meets a dozen other girls in the same predicament. There's Rose, a hippie who insists she's going to find a way to keep her baby and escape to a commune. And Zinnia, a budding musician who plans to marry her baby's father. And Holly, a wisp of a girl, barely fourteen, mute and pregnant by no-one-knows-who.

Everything the girls eat, every moment of their waking day, and everything they're allowed to talk about is strictly controlled by adults who claim they know what's best for them. Then Fern meets a librarian who gives her an occult book about witchcraft, and power is in the hands of the girls for the first time in their lives. But power can destroy as easily as it creates, and it's never given freely. There's always a price to be paid...and it's usually paid in blood.

In Witchcraft for Wayward Girls, the author of How to Sell a Haunted House and The Final Girl Support Group delivers another searing, completely original novel and further cements his status as a "horror master" (NPR).

Fried Green Tomatoes and Steel Magnolias meet Dracula in this Southern-flavored supernatural thriller set in the ’90s about a women’s book club that must protect its suburban community from a mysterious and handsome stranger who turns out to be a real monster.

Patricia Campbell’s life has never felt smaller. Her ambitious husband is too busy to give her a goodbye kiss in the morning, her kids have their own lives, her senile mother-in-law needs constant care, and she’s always a step behind on thank-you notes and her endless list of chores. The one thing she has to look forward to is her book club, a close-knit group of Charleston women united by their love of true crime and paperback fiction. At these meetings they’re as likely to talk about the Manson family as they are marriage, motherhood, and neighborhood gossip.

This predictable pattern is upended when Patricia meets James Harris, a handsome stranger who moves into the neighborhood to take care of his elderly aunt and ends up joining the book club. James is sensitive and well-read, and he makes Patricia feel things she hasn’t felt in twenty years. But there’s something off about him. He doesn’t have a bank account, he doesn’t like going out during the day, and Patricia’s mother-in-law insists that she knew him when she was a girl—an impossibility.

When local children go missing, Patricia and the book club members start to suspect James is more of a Bundy than a Beatnik—but no one outside of the book club believes them. Have they read too many true crime books, or have they invited a real monster into their homes?

Fried Green Tomatoes and Steel Magnolias meet Dracula in this Southern-flavored supernatural thriller set in the ’90s about a women’s book club that must protect its suburban community from a mysterious and handsome stranger who turns out to be a real monster.

Patricia Campbell’s life has never felt smaller. Her ambitious husband is too busy to give her a goodbye kiss in the morning, her kids have their own lives, her senile mother-in-law needs constant care, and she’s always a step behind on thank-you notes and her endless list of chores. The one thing she has to look forward to is her book club, a close-knit group of Charleston women united by their love of true crime and paperback fiction. At these meetings they’re as likely to talk about the Manson family as they are marriage, motherhood, and neighborhood gossip.

This predictable pattern is upended when Patricia meets James Harris, a handsome stranger who moves into the neighborhood to take care of his elderly aunt and ends up joining the book club. James is sensitive and well-read, and he makes Patricia feel things she hasn’t felt in twenty years. But there’s something off about him. He doesn’t have a bank account, he doesn’t like going out during the day, and Patricia’s mother-in-law insists that she knew him when she was a girl—an impossibility.

When local children go missing, Patricia and the book club members start to suspect James is more of a Bundy than a Beatnik—but no one outside of the book club believes them. Have they read too many true crime books, or have they invited a real monster into their homes?

A traditional haunted house story in a contemporary setting, and full of current fears, Horrorstör delivers a high-concept premise in a unique style.

Something strange is happening at the Orsk furniture superstore in Cleveland. Every morning, employees arrive to find broken Kjërring bookshelves, shattered Glans water goblets, and smashed Liripip wardrobes—clearly someone, or something, is up to no good. To unravel the mystery, five young employees volunteer for a long dusk-till-dawn shift and encounter horrors that defy imagination. Along the way, author Grady Hendrix infuses sly social commentary on the nature of work in the new twenty-first-century economy.

A traditional haunted house story in a contemporary setting, and full of current fears, Horrorstör delivers a high-concept premise in a unique style.

A traditional haunted house story in a contemporary setting, and full of current fears, Horrorstör delivers a high-concept premise in a unique style.

Something strange is happening at the Orsk furniture superstore in Cleveland. Every morning, employees arrive to find broken Kjërring bookshelves, shattered Glans water goblets, and smashed Liripip wardrobes—clearly someone, or something, is up to no good. To unravel the mystery, five young employees volunteer for a long dusk-till-dawn shift and encounter horrors that defy imagination. Along the way, author Grady Hendrix infuses sly social commentary on the nature of work in the new twenty-first-century economy.

A traditional haunted house story in a contemporary setting, and full of current fears, Horrorstör delivers a high-concept premise in a unique style.