Dan Mills – författare

Sniper One is the gritty, awe-inspiring true story that takes you right into the heart of the Iraq war from Sunday Times No.1 bestseller Sgt. Dan Mills.'One of the best first-hand accounts of combat that I've ever read' Andy McNabWe all saw it at once. Half a dozen voices screamed 'Grenade!' simultaneously. Then everything went into slow motion. The grenade took an age to travel through its 20 metre arc. A dark, small oval-shaped package of misery the size of a peach . . .April 2004: Dan Mills and his platoon of snipers fly into southern Iraq, part of an infantry battalion sent to win hearts and minds. They were soon fighting for their lives.Back home we were told they were peacekeeping. But there was no peace to keep. Because within days of arriving in theatre, Mills and his men were caught up in the longest, most sustained fire fight British troops had faced for over fifty years.This awe-inspiring account tells of total war in throat-burning winds and fifty-degree heat, blasted by mortars and surrounded by heavily armed militias - you won't be able to put this down.'If I could give it more stars I would' 5***** reader review 'A truly stunning story. I have read this 4 times and it's still as captivating now as the first time' 5***** Reader rReview

Theoretically informed scholarship on early modern English utopian literature has largely focused on Marxist interpretation of these texts in an attempt to characterize them as proto- Marxist. The present volume instead focuses on subjectivity in early modern English utopian writing by using these texts as case studies to explore intersections of the thought of Jacques Lacan and Michel Foucault. Both Lacan and Foucault moved back and forth between structuralist and post-structuralist intellectual trends and ultimately both defy strict categorization into either camp. Although numerous studies have appeared that compare Lacan’s and Foucault’s thought, there have been relatively few applications of their thought together onto literature. By applying the thought of both theorists, who were not literary critics, to readings of early modern English utopian literature, this study will, on the one hand, describe the formation of utopian subjectivity that is both psychoanalytically (Oedipal and pre-Oedipal) and socially constructed, and, on the other hand, demonstrate new ways in which the thought of Lacan and Foucault inform and complement each other when applied to literary texts. The utopian subject is a malleable subject, a subject whose linguistic, psychoanalytical subjectivity determines the extent to which environmental and social factors manifest in an identity that moves among Lacan’s Symbolic, Imaginary, and Real.