Darren J. N. Middleton – författare

Broken Hallelujah offers a unique perspective on one of the most prolific and celebrated twentieth-century European writers, Nikos Kazantzakis (1883-1957). Marking the fiftieth anniversary of Kazantzakis's death, author Darren J. N. Middleton looks back on Kazantzakis's life and literary art to suggest that, contrary to popular belief, Kazantzakis and his views actually comport with the ideals of Christianity. As a theologian and ordained Baptist minister, Middleton approaches Kazantzakisas as a broadly sympathetic spiritual seeker rather than the traditional religious villain as he is routinely portrayed. Based on archival work conducted at the Kazantzakis library in Iraklion and at various monasteries on Athos, Middleton finds important connections between Kazantzakis's work and key themes in Eastern Orthodox theology, especially the "hesychastic" and "apophatic" traditions. This book advances modern Greek studies as well as general theological studies by acknowledging and celebrating Kazantzakis's clear if admittedly uneasy alliance with Christianity. Broken Hallelujah is a fascinating text that will interest scholars in Christianity and Literature studies, as well as those thinking through the faith in this era.

2005 marks the fiftieth anniversary of Nikos Kazantzakis' "The Last Temptation of Christ". Since Kazantzakis ranks as one of the twentieth century's most important European writers, and given that this particular work of his has garnered so much publicity, this collection of essays re-assesses the novel, though not forgetting the movie, in light of one half century's worth of criticism and reception history. Clergy and laity alike have denounced this novel. When it first appeared, the Greek Orthodox Church condemned it, the Vatican placed it on its Index of Forbidden Texts, and conservative-evangelicals around the world protested its allegedly blasphemous portrayal of a human, struggling Messiah who "succumbs" to the devil's final snare while on the Cross: the temptation to happiness. Assuredly, the sentiments surrounding this novel, at least in the first thirty years or so, were very strong. When Martin Scorsese decided in the early 1980s to adapt the novel for the silver screen, even stronger feelings were expressed.Even today his works are seldom studied in Greece, largely because the Greek government is unable or unwilling to anthologize his material for the national curriculum. After fifty years, however, the time seems right to re-examine the novel, the man, and the film, locating Kazantzakis and his work within an important debate about the relationship between religion and art (literary and cinematic). Until now a book-length assessment of Kazantzakis' novel, and the film it inspired, has not appeared. No such volume is planned to commemorate the fiftieth anniversary of the novel's publication. For those who work in Kazantzakis studies, a focused anthology like this one is missing from library collections. The volume contains original essays by Martin Scorsese, the film critic Peter Chattaway, and Kazantzakis' translator, Peter A. Bien.

An interdisciplinary dialogue with Shūsaku Endō's last novel offering new perspectives on Japanese culture, Christian doctrine, Hindu spiritualities, and Buddhist worldviews.In Navigating Deep River, Mark W. Dennis and Darren J. N. Middleton have curated a wide-ranging discussion of Shūsaku Endō's final novel, Deep River, in which four careworn Japanese tourists journey to India's holy Ganges in search of spiritual as well as existential renewal. Navigating Deep River evaluates and probes Endō's decades-long search to find the words to explain Transcendent Mystery, the difficult tension between faith and doubt, the purpose of spiritual journeys, and the challenges posed by the reality of religious pluralism in an increasingly diverse world. The contributors, including Van C. Gessel who translated Deep River into English in 1994, offer an engaged and patient exploration of this major text in world fiction, and this anthology promises to deepen academic appreciation for Endō, within and beyond the West.

An interdisciplinary dialogue with Shūsaku Endō's last novel offering new perspectives on Japanese culture, Christian doctrine, Hindu spiritualities, and Buddhist worldviews.In Navigating Deep River, Mark W. Dennis and Darren J. N. Middleton have curated a wide-ranging discussion of Shūsaku Endō's final novel, Deep River, in which four careworn Japanese tourists journey to India's holy Ganges in search of spiritual as well as existential renewal. Navigating Deep River evaluates and probes Endō's decades-long search to find the words to explain Transcendent Mystery, the difficult tension between faith and doubt, the purpose of spiritual journeys, and the challenges posed by the reality of religious pluralism in an increasingly diverse world. The contributors, including Van C. Gessel who translated Deep River into English in 1994, offer an engaged and patient exploration of this major text in world fiction, and this anthology promises to deepen academic appreciation for Endō, within and beyond the West.

Informative, broad-ranging, this title sheds new light on the life and literary art of one of the last century's most celebrated authors. The first volume to be authorized by the Graham Greene Birthplace Trust, "Dangerous Edges of Graham Greene" brings together writers, journalists and scholars to investigate as well as to assess Greene's prolific oeuvre and intense personal interests. Here the reader may explore everything from Greene's Vienna at the time of the filming of "The Third Man" to his sometimes fraught relationship with Evelyn Waugh, from Greene's unconventional fictional treatment of women to his "believing skepticism". While Greene often informed friends that "a ruling passion gives to a shelf of novels the unity of a system", critics of his literary art have found it extraordinarily difficult to define the content of this "ruling passion". Perhaps this is because Greene's own character seems so paradoxical, ironic even. Moreover, in believing that sin contains within itself the seeds of saintliness, he consistently loiters on what Robert Browning calls "the dangerous edge of things".In exploring this "dangerous edge", this book covers the full breadth of Greene's life and literary career.

Shusaku Endo is celebrated as one of Japan's great modern novelists, often described as "Japan's Graham Greene," and Silence is considered by many Japanese and Western literary critics to be his masterpiece. Approaching Silence is both a celebration of this award-winning novel as well as a significant contribution to the growing body of work on literature and religion. It features eminent scholars writing from Christian, Buddhist, literary, and historical perspectives, taking up, for example, the uneasy alliance between faith and doubt; the complexities of discipleship and martyrdom; the face of Christ; and, the bodhisattva ideal as well as the nature of suffering. It also frames Silence through a wider lens, comparing it to Endo's other works as well as to the fiction of other authors. Approaching Silence promises to deepen academic appreciation for Endo, within and beyond the West.Includes an Afterword by Martin Scorsese on adapting Silence for the screen as well as the full text of Steven Dietz’s play adaptation of Endo’s novel.