David Forrest - Böcker

With the widespread use of PDAs, wireless internet, Internet-based GIS, and 3G and 4G telecommunications, the technology supporting mobile GIS is rapidly gaining popularity and effectiveness. Dynamic and Mobile GIS: Investigating Changes in Space and Time addresses Web GIS, mobile GIS, and the modeling, processing, and representation of dynamic events, as well as current demands to update GIS representations.Providing a comprehensive overview of this emerging technology, this book highlights innovations, new ways of modeling both spatial objects and dynamic processes affecting them, and advances in visualization. Featuring contributions from established GIS workers, it begins with an introduction of extant technology and previews future developments. The book examines challenges to security and privacy and presents practical solutions to these problems while focusing on modeling approaches and exploring the need to display an appropriate level of information in a mobile environment. Concluding with a study of mobility, the book also contains practical examples of applications of mobile devices for disaster management and environmental monitoring.Dynamic and Mobile GIS: Investigating Changes in Space and Time offers detailed cases of successful applications and identifies the current cutting-edge aspects of mobile and dynamic GIS. The book also looks to the future, investigating important research directions and potential challenges.

With the widespread use of PDAs, wireless internet, Internet-based GIS, and 3G and 4G telecommunications, the technology supporting mobile GIS is rapidly gaining popularity and effectiveness. Dynamic and Mobile GIS: Investigating Changes in Space and Time addresses Web GIS, mobile GIS, and the modeling, processing, and representation of dynamic events, as well as current demands to update GIS representations.Providing a comprehensive overview of this emerging technology, this book highlights innovations, new ways of modeling both spatial objects and dynamic processes affecting them, and advances in visualization. Featuring contributions from established GIS workers, it begins with an introduction of extant technology and previews future developments. The book examines challenges to security and privacy and presents practical solutions to these problems while focusing on modeling approaches and exploring the need to display an appropriate level of information in a mobile environment. Concluding with a study of mobility, the book also contains practical examples of applications of mobile devices for disaster management and environmental monitoring.Dynamic and Mobile GIS: Investigating Changes in Space and Time offers detailed cases of successful applications and identifies the current cutting-edge aspects of mobile and dynamic GIS. The book also looks to the future, investigating important research directions and potential challenges.

In this book, scholars from across the world explore the appearance, portrayal and significance of the suburb on film.

This collection is a wide-ranging exploration of contemporary British television drama and its representations of social class. Through early studio-set plays, soap operas and period drama, the volume demonstrates how class provides a bridge across multiple genres and traditions of television drama.

In this book, scholars from across the world explore the appearance, portrayal and significance of the suburb on film.

The tradition of British realism has changed dramatically over the last 20 years, where films by directors such as Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard have suggested a markedly poetic turn. This new realism rejects the instrumentalism and didacticism of filmmakers like Ken Loach in favour of lyrical and often ambiguous encounters with place, where the physical processes of lived experience interacts with the rhythms of everyday life. Taking these 5 filmmakers as case studies, this book seeks to explore in depth this new tradition of British cinema – and in the process, it reignites debates over realism that have concerned scholars for decades.

Through detailed contextualised analysis of films by five distinctive key contemporary directors Andrea Arnold, Clio Barnard, Joanna Hogg, Duane Hopkins and Shane Meadows Dave Forrest makes a highly persuasive and cogent case for their work constituting a new model of realist filmmaking in 21st century British cinema which is no less politically charged for its poetic and haptic qualities. This insightful book is essential reading for anyone interested in film realism or contemporary British cinema.'Melanie Williams University of East AngliaThe tradition of British realism has changed dramatically over the last 20 years, where films by directors such as Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard have suggested a markedly poetic turn. This new realism rejects the instrumentalism and didacticism of filmmakers like Ken Loach in favour of lyrical and often ambiguous encounters with place, where the physical processes of lived experience interacts with the rhythms of everyday life. Taking these 5 filmmakers as case studies, this book seeks to explore in depth this new tradition of British cinema and in the process, it reignites debates over realism that have concerned scholars for decades.

Examining the work of social justice groups in Minneapolis following the 2008 recessionSince the Great Recession, even as protest and rebellion have occurred with growing frequency, many social justice organizers continue to displace as much as empower popular struggles for egalitarian and emancipatory change. In A Voice but No Power, David Forrest explains why this is the case and explores how these organizers might better reach their potential as advocates for the abolition of exploitation, discrimination, and other unjust conditions.Through an in-depth study of post-2008 Minneapolis-a center of progressive activism-Forrest argues that social justice organizers so often fall short of their potential largely because of challenges they face in building what he calls “contentious identities,” the public identities they use to represent their constituents and counteract stigmatizing images such as the “welfare queen” or “the underclass.” In the process of assembling, publicizing, and legitimating contentious identities, he shows, these organizers encounter a series of political hazards, each of which pushes them to make choices that weaken movements for equality and freedom. Forrest demonstrates that organizers can achieve better outcomes, however, by steadily working to remake their hazardous political terrain.The book’s conclusion reflects on the 2020 uprising that followed the police killing of George Floyd, assessing what it means for the future of social justice activism. Ultimately, Forrest’s detailed analysis contributes to leading theories about organizing and social movements and charts possibilities for further emboldening grassroots struggles for a fairer society.

Examining the work of social justice groups in Minneapolis following the 2008 recessionSince the Great Recession, even as protest and rebellion have occurred with growing frequency, many social justice organizers continue to displace as much as empower popular struggles for egalitarian and emancipatory change. In A Voice but No Power, David Forrest explains why this is the case and explores how these organizers might better reach their potential as advocates for the abolition of exploitation, discrimination, and other unjust conditions.Through an in-depth study of post-2008 Minneapolis-a center of progressive activism-Forrest argues that social justice organizers so often fall short of their potential largely because of challenges they face in building what he calls “contentious identities,” the public identities they use to represent their constituents and counteract stigmatizing images such as the “welfare queen” or “the underclass.” In the process of assembling, publicizing, and legitimating contentious identities, he shows, these organizers encounter a series of political hazards, each of which pushes them to make choices that weaken movements for equality and freedom. Forrest demonstrates that organizers can achieve better outcomes, however, by steadily working to remake their hazardous political terrain.The book’s conclusion reflects on the 2020 uprising that followed the police killing of George Floyd, assessing what it means for the future of social justice activism. Ultimately, Forrest’s detailed analysis contributes to leading theories about organizing and social movements and charts possibilities for further emboldening grassroots struggles for a fairer society.

Reception studies have made film audiences increasingly visible, while surveys track trends and policymakers gather information about audience preferences and demographics. But little attention has been paid to the specific contextual relationships and interactions between films and individuals that generate and sustain audiences. This monograph develops the idea of audiences as interactive and relational, introducing three innovative concepts: ‘personal film journeys’, five types of audience formations and five geographies of film provision. A major challenge of audience research is how to capture the richness of people’s social and cultural engagement with film. To achieve this, the book uses an innovative mixed-methods research and computational ontology. It develops ground-breaking theory and concepts and an innovative methodology based on an extensive data-set derived from the under-researched area of British regional film audiences.

Barry Hines’s novel A Kestrel for a Knave, adapted for the screen as Kes, is one of the best-known and well-loved novels of the post-war period, while his screenplay for the television drama Threads is central to a Cold War-era vision of nuclear attack. But Hines published a further eight novels and nine screenplays between the 1960s and 1990s, as well as writing eleven other works which remain unpublished and unperformed. This study examines the entirety of Hines’s work. It argues that he used a great variety of aesthetic forms to represent the lives of working-class people in Britain during the 1960s, 1970s, 1980s and into the post-industrial conclusion of the twentieth century. It also makes the case that, as well as his literary flair for poetic realism, Hines’s authorial contributions to the films of his novels show the profoundly collaborative nature of these works.

Ken Loach's 1969 drama Kes, considered one of the finest examples of British social realism, tells the story of Billy, a working class boy who finds escape and meaning when he takes a fledgling kestrel from its nest.David Forrest’s study of the film examines the genesis of the original novel, Barry Hines’ A Kestrel for a Knave (1968), the eventual collaboration that brought it to the screen, and the film's funding and production processes. He provides an in depth analysis of key scenes and draws on archival sources to shed new light on the film’s most celebrated moments.He goes on to consider the film’s lasting legacy, having influenced films like Ratcatcher (1999) and This is England (2006), both in terms of its contribution to film history and as a document of political and cultural value. He makes a case for the film's renewed relevance in our present era of systemic economic (and regional) inequality, alienated labour, increasingly narrow educational systems, toxic masculinity, and ecological crisis. Kes endures, he argues, because it points towards the possibility for emancipation and fulfilment through a more responsive and nurturing approach to education, a more delicate and symbiotic relationship with landscape and the non-human, and an emotional articulacy and sensitivity shorn of the rigid expectations of gender.

This collection on doctoral research in art complements previous work on undertaking doctoral research in music education and arts education. The contributions are commentaries and reflections by educators who have completed doctoral research in art.

Doctoral studies in music and arts education in Spain and Portugal: View and journey is the first time that a group of music educators from universities in Spain and Portugal has reflected on their doctoral journey.

Sport has enjoyed steadily increasing prominence and economic importance since the Millennium. But threats to its integrity appear to have grown in parallel, undermining the very sense of innocence and fun which is an important part of its appeal. Threats to the spirit of sport come from internal, external and even state actors, who seek either to manipulate events on the field or to exploit the institutions of sport for their own ends. As the reputation of sport becomes more tarnished as a result, its sustainability as a significant part of the entertainment industry is called into question and loss of reputation may even result in decline in recreational play. In this wide-ranging collection of essays, the international team of contributors explores the structural economic sources of the problems that beset sport and address the question of ‘what is to be done?’ through economic reasoning. Specific topics covered include doping, match-fixing for betting or sporting gain, the role of forensic statistics in detecting nefarious activity, issues related to club ownership, corruption in the awarding of mega-events and within sports governing bodies, and the role of the law and the Court of Arbitration for Sport. In the final chapter, the Editors pull together the various strands and propose that policy to mitigate the threat to fair play should be built around two themes: improving sports governance and designing incentives to help actors in sport choose honest over manipulative behaviour. The book will appeal to practitioners from sport management as well as to academics including students and researchers.

The role of legal interventions, in particular the Court of Arbitration for Sport, is discussed, alongside the governance of sports organisations and the corruption of sporting organisations, to highlight how sport can be exploited by tainted political regimes.