Sue Vice – författare

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23 produkter

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23 produkter

Holocaust Fiction
AvSue Vice
Inbunden, Engelska, 2000
2 847 kr
Skickas inom 10-15 vardagar
Examining the controversies that have accompanied the publication of novels representing the Holocaust, this compelling book explores such literature to analyze their violently mixed receptions and what this says about the ethics and practice of millennial Holocaust literature. The novels examined, including some for the first time, are: * Time's Arrow by Martin Amis* The White Hotel by D.M. Thomas* The Painted Bird by Jerzy Kosinski* Schindler's List by Thomas Keneally* Sophie's Choice by William Styron* The Hand that Signed the Paper by Helen Darville.Taking issue with the idea that the Holocaust should only be represented factually, this compelling book argues that Holocaust fiction is not only legitimate, but an important genre that it is essential to accept. In a growing area of interest, Sue Vice adds a new, intelligent and contentious voice to the key debates within Holocaust studies.
Holocaust Fiction
AvSue Vice
Häftad, Engelska, 2000
734 kr
Skickas inom 10-15 vardagar
Examining the controversies that have accompanied the publication of novels representing the Holocaust, this compelling book explores such literature to analyze their violently mixed receptions and what this says about the ethics and practice of millennial Holocaust literature. The novels examined, including some for the first time, are: * Time's Arrow by Martin Amis* The White Hotel by D.M. Thomas* The Painted Bird by Jerzy Kosinski* Schindler's List by Thomas Keneally* Sophie's Choice by William Styron* The Hand that Signed the Paper by Helen Darville.Taking issue with the idea that the Holocaust should only be represented factually, this compelling book argues that Holocaust fiction is not only legitimate, but an important genre that it is essential to accept. In a growing area of interest, Sue Vice adds a new, intelligent and contentious voice to the key debates within Holocaust studies.
Introducing Bakhtin
AvSue Vice
Häftad, Engelska, 1997
418 kr
Skickas inom 5-8 vardagar
There is no other comprehensive introduction to Bakhtin. The book is aimed at arts students - the primary market. Deals extensively with gender issues.
Jack Rosenthal
AvSue Vice
Häftad, Engelska, 2012
386 kr
Skickas inom 5-8 vardagar
This is the first-ever critical work on Jack Rosenthal, the award-winning British television dramatist. His career began with Coronation Street in the 1960s and he became famous for his popular sitcoms, including The Lovers and The Dustbinmen. During what is often known as the golden age' of British television drama, Rosenthal wrote such plays as The Knowledge, The Chain, Spend, Spend, Spend and P'tang, Yang, Kipperbang, as well as the pilot for the series London's Burning. This study offers a close analysis of all Rosenthal's best-known works, drawing on archival material as well as interviews with his collaborators and cast members.It traces the events that informed his writing, ranging from his comic take on the permissive society' of the 1960s, through to recession in the 1970s and Thatcherism in the 1980s. Rosenthal's distinctive brand of humour and its everyday surrealism is contrasted throughout with the work of his contemporaries, including Dennis Potter, Alan Bleasdale and Johnny Speight, and his influence on contemporary television and film is analysed. Rosenthal is not usually placed in the canon of Anglo-Jewish writing but the book argues this case by focusing on his prize-winning Plays for Today The Evacuees and Bar Mitzvah Boy.This book will appeal to students and researchers in Television, Film and Cultural Studies, as well as those interested in contemporary drama and Jewish Studies.
Textual Deceptions
False Memoirs and Literary Hoaxes in the Contemporary Era
AvSue Vice
E-bok
PDF, Engelska, 2014
341 kr
Läs direkt efter köp
Argues that literary deceptions and false memoirs have particular cultural value and significanceTextual Deceptions considers a wide range of twentieth- and twenty-first century literary works in which the relationship between text and author is not what it seems. By exploring a variety of examples of false or embellished memoirs, purportedly autobiographical novels that are in fact thoroughly fictional, as well as bogus authorial personae, Sue Vice discusses whether it is possible to judge veracity by means of textual clues alone. The accounts featured range from ‘misery memoirs’ to Holocaust testimony, poetry purportedly by a Hiroshima survivor, short stories by an Albanian civil servant, fiction by an Aboriginal woman and by a former male prostitute. The book explores both why such texts arise, including consideration of writers’ motives as well as pressures from the publishing industry, readers’ tastes and contemporary social issues, and also how such texts are constructed, concluding with an assessment of their literary merit.Key Features:Analyses the background, literary construction and value of a wide range of recent false memoirs and literary deceptionsConsiders whether internal detail alone is sufficient to identify the truth-value or otherwise of a text, or if other evidence must be invokedExplores the contradiction between contemporary literary critics’ adherence to Roland Barthes’s notion of the ‘death of the author’, and the apparently supreme importance of the role and biography of authors in the scandals that accompany revelations of deception
Holocaust Fiction
AvSue Vice
E-bok
Engelska, 2003
857 kr
Läs direkt efter köp
Examining the controversies that have accompanied the publication of novels representing the Holocaust, this compelling book explores such literature to analyze their violently mixed receptions and what this says about the ethics and practice of millennial Holocaust literature. The novels examined, including some for the first time, are:
* Time''s Arrow by Martin Amis* The White Hotel by D.M. Thomas* The Painted Bird by Jerzy Kosinski* Schindler''s List by Thomas Keneally* Sophie''s Choice by William Styron* The Hand that Signed the Paper by Helen Darville.
Taking issue with the idea that the Holocaust should only be represented factually, this compelling book argues that Holocaust fiction is not only legitimate, but an important genre that it is essential to accept. In a growing area of interest, Sue Vice adds a new, intelligent and contentious voice to the key debates within Holocaust studies.
Holocaust Fiction
AvSue Vice
E-bok
PDF, Engelska, 2003
857 kr
Läs direkt efter köp
Examining the controversies that have accompanied the publication of novels representing the Holocaust, this compelling book explores such literature to analyze their violently mixed receptions and what this says about the ethics and practice of millennial Holocaust literature. The novels examined, including some for the first time, are:
* Time''s Arrow by Martin Amis* The White Hotel by D.M. Thomas* The Painted Bird by Jerzy Kosinski* Schindler''s List by Thomas Keneally* Sophie''s Choice by William Styron* The Hand that Signed the Paper by Helen Darville.
Taking issue with the idea that the Holocaust should only be represented factually, this compelling book argues that Holocaust fiction is not only legitimate, but an important genre that it is essential to accept. In a growing area of interest, Sue Vice adds a new, intelligent and contentious voice to the key debates within Holocaust studies.
Malcolm Lowry Eighty Years On
AvSue Vice
E-bok
PDF, Engelska, 1990
779 kr
Läs direkt efter köp
Claude Lanzmann’s 'Shoah' Outtakes
Holocaust Rescue and Resistance
AvSue Vice
Inbunden, Engelska, 2021
490 kr
Skickas
As we approach the end of the ‘era of the witness’, given the passing on of the generation of Holocaust survivors, Claude Lanzmann’s archive of 220 hours of footage excluded from his ground-breaking documentary Shoah (1985) offers a remarkable opportunity to encounter previously unseen interviews with survivors and other witnesses, recorded in the late 1970s. Although the archive is all available freely to view online and includes extra footage of those who appear in Shoah, this book focuses on the interviews from which no extracts appear in the finished film or in any subsequent release. The material analysed features interviews with such significant figures as the former partisan Abba Kovner, wartime activist Hansi Brand, Kovno Ghetto leader Leib Garfunkel, rescuer Tadeusz Pankiewicz and members of Roosevelt’s War Refugee Board, and focuses throughout on the efforts at rescue and resistance by those within and outside occupied Europe. Sue Vice contends that watching and analysing this wholly excluded footage gives us new insights into the making of Shoah through what was left out. Moreover, she reveals that the near-impossibility of rescue and often suicidal implications of resistance emerge through these excluded interviews as inextricable from the process of genocide. She concludes by arguing that the outtakes show the potential for new filmic forms envisaged on Lanzmann’s part in order to represent the crucial topics of attempted Holocaust rescue and resistance.
Claude Lanzmann’s 'Shoah' Outtakes
Holocaust Rescue and Resistance
AvSue Vice
E-bok
PDF, Engelska, 2021
421 kr
Läs direkt efter köp
As we approach the end of the ''era of the witness'', given the passing on of the generation of Holocaust survivors, Claude Lanzmann''s archive of 220 hours of footage excluded from his ground-breaking documentary Shoah (1985) offers a remarkable opportunity to encounter previously unseen interviews with survivors and other witnesses, recorded in the late 1970s. Although the archive is all available freely to view online and includes extra footage of those who appear in Shoah, this book focuses on the interviews from which no extracts appear in the finished film or in any subsequent release. The material analysed features interviews with such significant figures as the former partisan Abba Kovner, wartime activist Hansi Brand, Kovno Ghetto leader Leib Garfunkel, rescuer Tadeusz Pankiewicz and members of Roosevelt''s War Refugee Board, and focuses throughout on the efforts at rescue and resistance by those within and outside occupied Europe. Sue Vice contends that watching and analysing this wholly excluded footage gives us new insights into the making of Shoah through what was left out. Moreover, she reveals that the near-impossibility of rescue and often suicidal implications of resistance emerge through these excluded interviews as inextricable from the process of genocide. She concludes by arguing that the outtakes show the potential for new filmic forms envisaged on Lanzmann''s part in order to represent the crucial topics of attempted Holocaust rescue and resistance.
Claude Lanzmann’s 'Shoah' Outtakes
Holocaust Rescue and Resistance
AvSue Vice
E-bok
Engelska, 2021
421 kr
Läs direkt efter köp
As we approach the end of the ''era of the witness'', given the passing on of the generation of Holocaust survivors, Claude Lanzmann''s archive of 220 hours of footage excluded from his ground-breaking documentary Shoah (1985) offers a remarkable opportunity to encounter previously unseen interviews with survivors and other witnesses, recorded in the late 1970s. Although the archive is all available freely to view online and includes extra footage of those who appear in Shoah, this book focuses on the interviews from which no extracts appear in the finished film or in any subsequent release. The material analysed features interviews with such significant figures as the former partisan Abba Kovner, wartime activist Hansi Brand, Kovno Ghetto leader Leib Garfunkel, rescuer Tadeusz Pankiewicz and members of Roosevelt''s War Refugee Board, and focuses throughout on the efforts at rescue and resistance by those within and outside occupied Europe. Sue Vice contends that watching and analysing this wholly excluded footage gives us new insights into the making of Shoah through what was left out. Moreover, she reveals that the near-impossibility of rescue and often suicidal implications of resistance emerge through these excluded interviews as inextricable from the process of genocide. She concludes by arguing that the outtakes show the potential for new filmic forms envisaged on Lanzmann''s part in order to represent the crucial topics of attempted Holocaust rescue and resistance.
Claude Lanzmann’s 'Shoah' Outtakes
Holocaust Rescue and Resistance
AvSue Vice
Häftad, Engelska, 2023
386 kr
Skickas inom 5-8 vardagar
As we approach the end of the ‘era of the witness’, given the passing on of the generation of Holocaust survivors, Claude Lanzmann’s archive of 220 hours of footage excluded from his ground-breaking documentary Shoah (1985) offers a remarkable opportunity to encounter previously unseen interviews with survivors and other witnesses, recorded in the late 1970s. Although the archive is all available freely to view online and includes extra footage of those who appear in Shoah, this book focuses on the interviews from which no extracts appear in the finished film or in any subsequent release. The material analysed features interviews with such significant figures as the former partisan Abba Kovner, wartime activist Hansi Brand, Kovno Ghetto leader Leib Garfunkel, rescuer Tadeusz Pankiewicz and members of Roosevelt’s War Refugee Board, and focuses throughout on the efforts at rescue and resistance by those within and outside occupied Europe. Sue Vice contends that watching and analysing this wholly excluded footage gives us new insights into the making of Shoah through what was left out. Moreover, she reveals that the near-impossibility of rescue and often suicidal implications of resistance emerge through these excluded interviews as inextricable from the process of genocide. She concludes by arguing that the outtakes show the potential for new filmic forms envisaged on Lanzmann’s part in order to represent the crucial topics of attempted Holocaust rescue and resistance.
Barry Hines
Kes, Threads and Beyond
AvDavid Forrest,Sue Vice
Inbunden, Engelska, 2017
1 381 kr
Skickas inom 5-8 vardagar
Barry Hines’s novel A Kestrel for a Knave, adapted for the screen as Kes, is one of the best-known and well-loved novels of the post-war period, while his screenplay for the television drama Threads is central to a Cold War-era vision of nuclear attack. But Hines published a further eight novels and nine screenplays between the 1960s and 1990s, as well as writing eleven other works which remain unpublished and unperformed. This study examines the entirety of Hines’s work. It argues that he used a great variety of aesthetic forms to represent the lives of working-class people in Britain during the 1960s, 1970s, 1980s and into the post-industrial conclusion of the twentieth century. It also makes the case that, as well as his literary flair for poetic realism, Hines’s authorial contributions to the films of his novels show the profoundly collaborative nature of these works.
Shoah
AvSue Vice
E-bok
Engelska, 2019
209 kr
Läs direkt efter köp
Claude Lanzmann''s epic 1985 film ''Shoah'' tells the story of the Holocaust through interviews with survivors of the extermination camps, bystanders who watched or participated in mass murder, and some of the perpetrators of genocide. Sue Vice addresses Lanzmann''s central role in the film and the issue of representing the unrepresentable.
Shoah
AvSue Vice
Häftad, Engelska, 2026
167 kr
Skickas
Sue Vice's study explores Claude Lanzmann's epic 1985 film Shoah both as cinema and as an example of Holocaust representation. Shoah, the distillation of more than 350 hours of footage gathered over eleven years, tells the story of the Holocaust through interviews with survivors of the extermination camps, bystanders who watched or participated in mass murder, and some of the perpetrators of genocide. Eschewing staple documentary elements of archival footage or narrating voiceover, the film is composed entirely of eyewitness interviews contrasted with footage of landscape in the present, and the chilling imagery of travelling trains. Shoah's effect is to represent the past, but only as it exists in the present - in Lanzmann's words, a "fiction of the real", and not a simple documentary.In a series of close readings of some of the film's interviews, Sue Vice follows Lanzmann's declaration that "Shoah is a fight against generalities", in emphasising the importance of detail in both dialogue and filmic technique. Through these analyses, Vice explores the background to the film, the difficulties in its financing and production, and the long process of editing that led to Lanzmann's realisation that "the subject of my film is death itself; death and not survival."In her afterword to this new edition, Sue Vice considers developments such as the online availability of the complete ‘Shoah Collection’, Lanzmann’s archive at the United States Holocaust Memorial Museum, and Shoah's continuing influence on films that witness genocides and the Holocaust, including Joshua Oppenheimer's The Look of Silence (2014), and Jonathan Glazer's The Zone of Interest (2023).
Shoah
AvSue Vice
E-bok
Engelska, 2026
184 kr
Läs direkt efter köp
Sue Vice's study explores Claude Lanzmann's epic 1985 film Shoah both as cinema and as an example of Holocaust representation. Shoah, the distillation of more than 350 hours of footage gathered over eleven years, tells the story of the Holocaust through interviews with survivors of the extermination camps, bystanders who watched or participated in mass murder, and some of the perpetrators of genocide. Eschewing staple documentary elements of archival footage or narrating voiceover, the film is composed entirely of eyewitness interviews contrasted with footage of landscape in the present, and the chilling imagery of travelling trains. Shoah's effect is to represent the past, but only as it exists in the present - in Lanzmann's words, a "e;fiction of the real"e;, and not a simple documentary.In a series of close readings of some of the film's interviews, Sue Vice follows Lanzmann's declaration that "e;Shoah is a fight against generalities"e;, in emphasising the importance of detail in both dialogue and filmic technique. Through these analyses, Vice explores the background to the film, the difficulties in its financing and production, and the long process of editing that led to Lanzmann's realisation that "e;the subject of my film is death itself; death and not survival."e;In her afterword to this new edition, Sue Vice considers developments such as the online availability of the complete 'Shoah Collection', Lanzmann's archive at the United States Holocaust Memorial Museum, and Shoah's continuing influence on films that witness genocides and the Holocaust, including Joshua Oppenheimer's The Look of Silence (2014), and Jonathan Glazer's The Zone of Interest (2023).
Shoah
AvSue Vice
E-bok
PDF, Engelska, 2026
211 kr
Läs direkt efter köp
Sue Vice's study explores Claude Lanzmann's epic 1985 film Shoah both as cinema and as an example of Holocaust representation. Shoah, the distillation of more than 350 hours of footage gathered over eleven years, tells the story of the Holocaust through interviews with survivors of the extermination camps, bystanders who watched or participated in mass murder, and some of the perpetrators of genocide. Eschewing staple documentary elements of archival footage or narrating voiceover, the film is composed entirely of eyewitness interviews contrasted with footage of landscape in the present, and the chilling imagery of travelling trains. Shoah's effect is to represent the past, but only as it exists in the present - in Lanzmann's words, a "e;fiction of the real"e;, and not a simple documentary.In a series of close readings of some of the film's interviews, Sue Vice follows Lanzmann's declaration that "e;Shoah is a fight against generalities"e;, in emphasising the importance of detail in both dialogue and filmic technique. Through these analyses, Vice explores the background to the film, the difficulties in its financing and production, and the long process of editing that led to Lanzmann's realisation that "e;the subject of my film is death itself; death and not survival."e;In her afterword to this new edition, Sue Vice considers developments such as the online availability of the complete 'Shoah Collection', Lanzmann's archive at the United States Holocaust Memorial Museum, and Shoah's continuing influence on films that witness genocides and the Holocaust, including Joshua Oppenheimer's The Look of Silence (2014), and Jonathan Glazer's The Zone of Interest (2023).
Shoah
AvSue Vice
Häftad, Engelska, 2011
197 kr
Skickas inom 5-8 vardagar
Claude Lanzmann's epic 1985 film 'Shoah' tells the story of the Holocaust through interviews with survivors of the extermination camps, bystanders who watched or participated in mass murder, and some of the perpetrators of genocide. Sue Vice addresses Lanzmann's central role in the film and the issue of representing the unrepresentable.
Shoah
AvSue Vice
E-bok
PDF, Engelska, 2011
209 kr
Läs direkt efter köp
Claude Lanzmann''s epic 1985 film ''Shoah'' tells the story of the Holocaust through interviews with survivors of the extermination camps, bystanders who watched or participated in mass murder, and some of the perpetrators of genocide. Sue Vice addresses Lanzmann''s central role in the film and the issue of representing the unrepresentable.
Politics of Dementia
Forgetting and Remembering the Violent Past in Literature, Film and Graphic Narratives
AvIrmela Marei Krüger-Fürhoff,Nina Schmidtm. fl.
Inbunden, Engelska, 2021
1 448 kr
Skickas inom 5-8 vardagar
Memory loss is not always viewed purely as a contingent neurobiological process present in an ageing population; rather, it is frequently related to larger societal issues and political debates. This edited volume examines how different media and genres – novels, auto/biographical writings, documentary as well as fictional films and graphic memoirs – represent dementia for the sake of critical explorations of memory, trauma and contested truths. In ten analytical chapters and one piece of graphic art, the contributors examine the ways in which what might seem to be the individual, ahistorical diseases of dementia are used in contemporary cultural texts to represent and respond to violent historical and political events – ranging from the Holocaust to postcolonial conditions – all of which can prove difficult to remember. Combining approaches from literary studies with insights from memory studies, trauma studies, anthropology, the critical medical humanities and media, film and comics studies, this volume explores the politics of dementia and incites new debates on cultures of remembrance, while remaining attentive to the lived reality of dementia.
Plots and Players
AvPamela Melnikoff,Jenni Adamsm. fl.
Häftad, Engelska, 1993
319 kr
Tillfälligt slut
Representing the Holocaust
In Honour of Bryan Burns
AvSue Vice
Häftad, Engelska, 2003
295 kr
Tillfälligt slut
Representing the Holocaust
In Honour of Bryan Burns
AvSue Vice
Inbunden, Engelska, 2003
802 kr
Tillfälligt slut

Företag, bibliotek eller offentlig verksamhet?

Sue Vice – författare

Holocaust Fiction

Holocaust Fiction

Introducing Bakhtin

Jack Rosenthal

Textual Deceptions

Holocaust Fiction

Holocaust Fiction

Malcolm Lowry Eighty Years On

Claude Lanzmann’s 'Shoah' Outtakes

Claude Lanzmann’s 'Shoah' Outtakes

Claude Lanzmann’s 'Shoah' Outtakes

Claude Lanzmann’s 'Shoah' Outtakes

Barry Hines

Shoah

Shoah

Shoah

Shoah

Shoah

Shoah

Politics of Dementia

Plots and Players

Representing the Holocaust

Representing the Holocaust

Mina sidor

Mina sidor

Hjälp

Hjälp

Om Bokus

Om Bokus

Populärt

Populärt

Inspiration

Inspiration