Nina Schmidt – författare

Takes the recent wave of German autobiographical writing on illness and disability seriously as literature, demonstrating the value of a literary disability studies approach.In the German-speaking world there has been a new wave - intensifying since 2007 - of autobiographically inspired writing on illness and disability, death and dying. Nina Schmidt's book takes this writing seriously as literature,examining how the authors of such personal narratives come to write of their experiences between the poles of cliché and exceptionality. Identifying shortcomings in the approaches taken thus far to such texts, she makes suggestions as to how to better read their narratives from the stance of literary scholarship, then demonstrates the value of a literary disability studies approach to such writing with close readings of Charlotte Roche's Schoßgebete(2011), Kathrin Schmidt's Du stirbst nicht (2009), Verena Stefan's Fremdschläfer (2007), and - in the final, comparative chapter - Christoph Schlingensief's So schön wie hier kanns im Himmel gar nicht sein! Tagebuch einer Krebserkrankung (2009) and Wolfgang Herrndorf's blog-cum-book Arbeit und Struktur (2010-13). Schmidt shows that authors dealing with illness and disability do so with an awareness of their precarious subject position in the public eye, a position they negotiate creatively. Writing the liminal experience of serious illness along the borders of genre, moving between fictional and autobiographical modes, they carve out spaces from which they speak up and share their personal stories in the realm of literature, to political ends.Nina Schmidt is a postdoctoral researcher in the Friedrich Schlegel Graduate School of Literary Studies at the Freie Universität Berlin.

Takes the recent wave of German autobiographical writing on illness and disability seriously as literature, demonstrating the value of a literary disability studies approach.In the German-speaking world there has been a new wave - intensifying since 2007 - of autobiographically inspired writing on illness and disability, death and dying. Nina Schmidt's book takes this writing seriously as literature,examining how the authors of such personal narratives come to write of their experiences between the poles of cliché and exceptionality. Identifying shortcomings in the approaches taken thus far to such texts, she makes suggestions as to how to better read their narratives from the stance of literary scholarship, then demonstrates the value of a literary disability studies approach to such writing with close readings of Charlotte Roche's Schoßgebete(2011), Kathrin Schmidt's Du stirbst nicht (2009), Verena Stefan's Fremdschläfer (2007), and - in the final, comparative chapter - Christoph Schlingensief's So schön wie hier kanns im Himmel gar nicht sein! Tagebuch einer Krebserkrankung (2009) and Wolfgang Herrndorf's blog-cum-book Arbeit und Struktur (2010-13). Schmidt shows that authors dealing with illness and disability do so with an awareness of their precarious subject position in the public eye, a position they negotiate creatively. Writing the liminal experience of serious illness along the borders of genre, moving between fictional and autobiographical modes, they carve out spaces from which they speak up and share their personal stories in the realm of literature, to political ends.Nina Schmidt is a postdoctoral researcher in the Friedrich Schlegel Graduate School of Literary Studies at the Freie Universität Berlin.

Die 34-jährige Antonia wohnt seit ein paar Monaten mit ihrem Freund Lukas zusammen. Eigentlich läuft alles gut: Lukas kann zum Beispiel unfallfrei eine Waschmaschine bedienen und weiß, dass es sich bei einem »o.b.« nicht immer um den Oberbürgermeister handelt. Aber nach und nach zieht ein neuer Mitbewohner ein: Kollege Alltag, der sich in den sowieso schon beengten Wohnverhältnissen der beiden ziemlich breit macht. Statt Liebesbriefen gibt es Einkaufslisten und statt wilder Sexorgien nette Fernsehabende. Überhaupt, irgendwie ist das Leben zum Stillstand gekommen, und Antonia gerät in eine Art »Drittel-Life-Krise«. Ausgerechnet da taucht die Exfreundin von Lukas plötzlich auf und wirbelt die Beziehung der beiden kräftig durcheinander.»Das Buch ist wie ein ›Zoch‹ durch die Gemeinde Köln, bei dem man mit seiner besten Freundin und viel Kölsch alle Absurditäten des Liebeslebens diskutiert. Ein großer Spaß, aber ohne Kater.«Annette Frier

Memory loss is not always viewed purely as a contingent neurobiological process present in an ageing population; rather, it is frequently related to larger societal issues and political debates. This edited volume examines how different media and genres – novels, auto/biographical writings, documentary as well as fictional films and graphic memoirs – represent dementia for the sake of critical explorations of memory, trauma and contested truths. In ten analytical chapters and one piece of graphic art, the contributors examine the ways in which what might seem to be the individual, ahistorical diseases of dementia are used in contemporary cultural texts to represent and respond to violent historical and political events – ranging from the Holocaust to postcolonial conditions – all of which can prove difficult to remember. Combining approaches from literary studies with insights from memory studies, trauma studies, anthropology, the critical medical humanities and media, film and comics studies, this volume explores the politics of dementia and incites new debates on cultures of remembrance, while remaining attentive to the lived reality of dementia.