David Lindley – författare
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38 produkter
38 produkter
Inbunden, Engelska, 1995
2 576 kr
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The masque had a brief but splendid life as the dominant mode of entertainment at the early Stuart court, and it has increasingly come to be recognized as a genre offering a fascinating insight into the culture and politics of the early seventeenth century.This selection of 18 masque for Charles I, performed just before the outbreak of civil war. It also includes examples of entertainments performed on royal progresses, as well as one domestic masque.Court masques were extravagant multi-media happenings, imbued with often arcane allegorical programmes by writers and designers, and frequently commenting on tipical political issues. In this, the most substantial available selection, readers are offered the annotation necessary for understanding the complexities of the individual texts.Under the General Editorship of Michael Cordner, of the University of York, the texts of the plays have been newly edited and are presented with modernized spelling and punctuation. In addition to the detailed notes there is a scholarly introduction, making this edition invaluable to students of Renaissance drama and court culture.
E-bok
Engelska, 2008210 kr
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Werner Heisenberg’s “uncertainty principle” challenged centuries of scientific understanding, placed him in direct opposition to Albert Einstein, and put Niels Bohr in the middle of one of the most heated debates in scientific history. Heisenberg’s theorem stated that there were physical limits to what we could know about sub-atomic particles; this “uncertainty” would have shocking implications. In a riveting account, David Lindley captures this critical episode and explains one of the most important scientific discoveries in history, which has since transcended the boundaries of science and influenced everything from literary theory to television.From the Trade Paperback edition.
E-bok
Engelska, 2020212 kr
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A vivid and captivating narrative about how modern science broke free of ancient philosophy, and how theoretical physics is returning to its unscientific rootsIn the early seventeenth century Galileo broke free from the hold of ancient Platonic and Aristotelian philosophy. He drastically changed the framework through which we view the natural world when he asserted that we should base our theory of reality on what we can observe rather than pure thought. In the process, he invented what we would come to call science. This set the stage for all the breakthroughs that followed--from Kepler to Newton to Einstein. But in the early twentieth century when quantum physics, with its deeply complex mathematics, entered into the picture, something began to change. Many physicists began looking to the equations first and physical reality second. As we investigate realms further and further from what we can see and what we can test, we must look to elegant, aesthetically pleasing equations to develop our conception of what reality is. As a result, much of theoretical physics today is something more akin to the philosophy of Plato than the science to which the physicists are heirs. In The Dream Universe, Lindley asks what is science when it becomes completely untethered from measurable phenomena?
Inbunden, Engelska, 1993
2 330 kr
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David Lindley re-examines the murder trials of Frances Howard and the historical representations of her as `wife, a witch, a murderess and a whore', challenging the assumptions that have constructed her as a model of female villainy.
Häftad, Engelska, 1996
756 kr
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David Lindley re-examines the murder trials of Frances Howard and the historical representations of her as `wife, a witch, a murderess and a whore', challenging the assumptions that have constructed her as a model of female villainy.
Häftad, Engelska, 1994
291 kr
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For more than a century physicists have hoped that they were closing in on the Holy Grail of modern science: a unified theory that would make sense of the entire physical world, from the subnuclear realm of quarks and gluons to the very moment of creation of the universe. The End of Physics is a history of the attempts to find such a theory of everything" a forceful argument it will never be found and a warning that the compromises necessary to produce a final theory may well undermine the rules of good science.At the heart of Lindley's story is the rise of the particle physicists and their attempts to reach far out into the cosmos for a unifying theory. Working beyond the grasp of the largest telescopes or the most powerful particle accelerators, and unable to subject their findings and theories to experimental scrutiny, they have moved into a world governed entirely by mathematical and highly speculative theorizing, none of which can be empirically verified. Lindley argues that a theory of everything derived from particle physics will be full of untested,and untestable,assumptions. And if physicists yield to such speculation, the field will retreat from the high ground of science, becoming instead a modern mythology. This would mean the end of physics as we know it.
Häftad, Engelska, 1997
261 kr
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Few revolutions in science have been more far-reaching,but less understood,than the quantum revolution in physics. Everyday experience cannot prepare us for the sub-atomic world, where quantum effects become all-important. Here, particles can look like waves, and vice versa electrons seem to lose their identity and instead take on a shifting, unpredictable appearance that depends on how they are being observed and a single photon may sometimes behave as if it could be in two places at once. In the world of quantum mechanics, uncertainty and ambiguity become not just unavoidable, but essential ingredients of science,a development so disturbing that to Einstein "it was as if God were playing dice with the universe." And there is no one better able to explain the quantum revolution as it approaches the century mark than David Lindley. He brings the quantum revolution full circle, showing how the familiar and trustworthy reality of the world around us is actually a consequence of the ineffable uncertainty of the subatomic quantum world,the world we can't see.
Häftad, Engelska, 2010
184 kr
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Mr. and Mrs. Peachum are horrified when they learn of their daughter Polly's secret marriage to the rebellious and notorious highwayman, Macheath. However, their fear is soon mitigated when they decide to kill him for his money. When Macheath is in the tavern, surrounded by women of 'ill repute', he discovers that he has been rumbled: two of these women are in cahoots with the Peachums and plan to kill him. He finds himself in Newgate and, worse than that, in the company of the jailer's daughter, Lucy, to whom he is also betrothed. Although Macheath is captured and destined to be hanged, Gay's action-packed and entertaining play subverts audience expectations by letting Macheath off the hook and not punishing its villains. John Gay's satirical opera, written in 1728, was revolutionary because it took poverty and corruption as its subject, and paupers and villains as its characters. The lyrics were set to famous songs of the day making it hugely popular with audiences and a radical departure from traditional opera. The introduction puts the play in its historical and theatrical contexts and details its stage history in modern times too.David Lindley is an expert on theatrical music and the new dramatic form of ballad opera this play created. The music for the songs is included in the text, making this an edition to be used for performance as well as for study.
Inbunden, Engelska, 2013
1 014 kr
Skickas inom 7-10 vardagar
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For this second edition of The Tempest, David Lindley has thoroughly revised the Introduction to take account of the latest developments in criticism and performance. He has also added a completely new section on casting in recent productions of the play. The complex questions this new section raises about colonisation, racial and gender stereotypes and the nature of theatrical experience are explored throughout the introduction. Careful attention is paid to dramatic form, stagecraft, and the use of music and spectacle in The Tempest, a play that is widely regarded as one of Shakespeare's most elusive and suggestive. A revised and updated reading list completes the edition.
Inbunden, Engelska, 2020
1 181 kr
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The First Quarto of The Merry Wives of Windsor is the most fascinatingly problematic of all the early Shakespearean texts. Was it an authorial first draft? Or a cut-down version of the better-known Folio text designed for acting? Or a text put together from faulty actors' memories? Or a reported text assembled by notetakers from attendance at the theatre? None of these theories, though advanced and interrogated for the last 250 years, is totally convincing. The Introduction to this edition explores the various attempts to make sense of the short version of the play, demonstrating the ways in which preferences for one theory or another reflect the changes in editorial theory and fashion over the centuries. The modernised text and its commentary enable the reader to enter into this ongoing and endlessly intriguing debate.
Inbunden, Engelska, 2017
921 kr
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Music has been an essential constituent of Shakespeare's plays from the sixteenth century to the present day, yet its significance has often been overlooked or underplayed in the history of Shakespearean performance. Providing a long chronological sweep, this collection of essays traces the different uses of music in the theatre and in film from the days of the first Globe and Blackfriars to contemporary, global productions. With a unique concentration on the performance aspects of the subject, the volume offers a wide range of voices, from scholars to contemporary practitioners (including an interview with the critically acclaimed composer Stephen Warbeck), and thus provides a rich exploration of this fascinating history from diverse perspectives.
E-bok
Engelska, 2013195 kr
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The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For this second edition of The Tempest, David Lindley has thoroughly revised the Introduction to take account of the latest developments in criticism and performance. He has also added a completely new section on casting in recent productions of the play. The complex questions this new section raises about colonisation, racial and gender stereotypes and the nature of theatrical experience are explored throughout the introduction. Careful attention is paid to dramatic form, stagecraft, and the use of music and spectacle in The Tempest, a play that is widely regarded as one of Shakespeare''s most elusive and suggestive. A revised and updated reading list completes the edition.
E-bok
PDF, Engelska, 2013195 kr
Läs direkt efter köp
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For this second edition of The Tempest, David Lindley has thoroughly revised the Introduction to take account of the latest developments in criticism and performance. He has also added a completely new section on casting in recent productions of the play. The complex questions this new section raises about colonisation, racial and gender stereotypes and the nature of theatrical experience are explored throughout the introduction. Careful attention is paid to dramatic form, stagecraft, and the use of music and spectacle in The Tempest, a play that is widely regarded as one of Shakespeare''s most elusive and suggestive. A revised and updated reading list completes the edition.
Häftad, Engelska, 2013
171 kr
Skickas inom 7-10 vardagar
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For this second edition of The Tempest, David Lindley has thoroughly revised the Introduction to take account of the latest developments in criticism and performance. He has also added a completely new section on casting in recent productions of the play. The complex questions this new section raises about colonisation, racial and gender stereotypes and the nature of theatrical experience are explored throughout the introduction. Careful attention is paid to dramatic form, stagecraft, and the use of music and spectacle in The Tempest, a play that is widely regarded as one of Shakespeare's most elusive and suggestive. A revised and updated reading list completes the edition.
Häftad, Engelska, 2026
359 kr
Kommande
The First Quarto of The Merry Wives of Windsor is the most fascinatingly problematic of all the early Shakespearean texts. Was it an authorial first draft? Or a cut-down version of the better-known Folio text designed for acting? Or a text put together from faulty actors' memories? Or a reported text assembled by notetakers from attendance at the theatre? None of these theories, though advanced and interrogated for the last 250 years, is totally convincing. The Introduction to this edition explores the various attempts to make sense of the short version of the play, demonstrating the ways in which preferences for one theory or another reflect the changes in editorial theory and fashion over the centuries. The modernised text and its commentary enable the reader to enter into this ongoing and endlessly intriguing debate.
E-bok
PDF, Engelska, 2013967 kr
Läs direkt efter köp
David Lindley re-examines the murder trials of Frances Howard and the historical representations of her as `wife, a witch, a murderess and a whore'', challenging the assumptions that have constructed her as a model of female villainy.
E-bok
Engelska, 2013967 kr
Läs direkt efter köp
David Lindley re-examines the murder trials of Frances Howard and the historical representations of her as `wife, a witch, a murderess and a whore'', challenging the assumptions that have constructed her as a model of female villainy.
Häftad, Engelska, 2021
516 kr
Skickas inom 7-10 vardagar
Music has been an essential constituent of Shakespeare's plays from the sixteenth century to the present day, yet its significance has often been overlooked or underplayed in the history of Shakespearean performance. Providing a long chronological sweep, this collection of essays traces the different uses of music in the theatre and in film from the days of the first Globe and Blackfriars to contemporary, global productions. With a unique concentration on the performance aspects of the subject, the volume offers a wide range of voices, from scholars to contemporary practitioners (including an interview with the critically acclaimed composer Stephen Warbeck), and thus provides a rich exploration of this fascinating history from diverse perspectives.
E-bok
PDF, Engelska, 20201 401 kr
Läs direkt efter köp
The First Quarto of The Merry Wives of Windsor is the most fascinatingly problematic of all the early Shakespearean texts. Was it an authorial first draft? Or a cut-down version of the better-known Folio text designed for acting? Or a text put together from faulty actors'' memories? Or a reported text assembled by notetakers from attendance at the theatre? None of these theories, though advanced and interrogated for the last 250 years, is totally convincing. The Introduction to this edition explores the various attempts to make sense of the short version of the play, demonstrating the ways in which preferences for one theory or another reflect the changes in editorial theory and fashion over the centuries. The modernised text and its commentary enable the reader to enter into this ongoing and endlessly intriguing debate.
E-bok
Engelska, 2014655 kr
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This unique and comprehensive study examines how music affects Shakespeare''s plays and addresses the ways in which contemporary audiences responded to it. David Lindley sets the musical scene of Early Modern England, establishing the kinds of music heard in the streets, the alehouses, private residences and the theatres of the period and outlining the period''s theoretical understanding of music. Focusing throughout on the plays as theatrical performances, this work analyzes the ways Shakespeare explores and exploits the conflicting perceptions of music at the time and its dramatic and thematic potential.
E-bok
Engelska, 2014655 kr
Läs direkt efter köp
This unique and comprehensive study examines how music affects Shakespeare''s plays and addresses the ways in which contemporary audiences responded to it. David Lindley sets the musical scene of Early Modern England, establishing the kinds of music heard in the streets, the alehouses, private residences and the theatres of the period and outlining the period''s theoretical understanding of music. Focusing throughout on the plays as theatrical performances, this work analyzes the ways Shakespeare explores and exploits the conflicting perceptions of music at the time and its dramatic and thematic potential.
E-bok
PDF, Engelska, 2014185 kr
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Mr. and Mrs. Peachum are horrified when they learn of their daughter Polly''s secret marriage to the rebellious and notorious highwayman, Macheath. However, their fear is soon mitigated when they decide to kill him for his money. When Macheath is in the tavern, surrounded by women of ''ill repute'', he discovers that he has been rumbled: two of these women are in cahoots with the Peachums and plan to kill him.
He finds himself in Newgate and, worse than that, in the company of the jailer''s daughter, Lucy, to whom he is also betrothed. Although Macheath is captured and destined to be hanged, Gay''s action-packed and entertaining play subverts audience expectations by letting Macheath off the hook and not punishing its villains.
John Gay''s satirical opera, written in 1728, was revolutionary because it took poverty and corruption as its subject, and paupers and villains as its characters. The lyrics were set to famous songs of the day making it hugely popular with audiences and a radical departure from traditional opera.
The introduction puts the play in its historical and theatrical contexts and details its stage history in modern times too. David Lindley is an expert on theatrical music and the new dramatic form of ballad opera this play created. The music for the songs is included in the text, making this an edition to be used for performance as well as for study.
E-bok
Engelska, 2014185 kr
Läs direkt efter köp
Mr. and Mrs. Peachum are horrified when they learn of their daughter Polly''s secret marriage to the rebellious and notorious highwayman, Macheath. However, their fear is soon mitigated when they decide to kill him for his money. When Macheath is in the tavern, surrounded by women of ''ill repute'', he discovers that he has been rumbled: two of these women are in cahoots with the Peachums and plan to kill him.
He finds himself in Newgate and, worse than that, in the company of the jailer''s daughter, Lucy, to whom he is also betrothed. Although Macheath is captured and destined to be hanged, Gay''s action-packed and entertaining play subverts audience expectations by letting Macheath off the hook and not punishing its villains.
John Gay''s satirical opera, written in 1728, was revolutionary because it took poverty and corruption as its subject, and paupers and villains as its characters. The lyrics were set to famous songs of the day making it hugely popular with audiences and a radical departure from traditional opera.
The introduction puts the play in its historical and theatrical contexts and details its stage history in modern times too. David Lindley is an expert on theatrical music and the new dramatic form of ballad opera this play created. The music for the songs is included in the text, making this an edition to be used for performance as well as for study.
Häftad, Engelska, 2016
189 kr
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E-bok
Engelska, 2015128 kr
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In 1900 many eminent scientists did not believe atoms existed, yet within just a few years the atomic century launched into history with an astonishing string of breakthroughs in physics that began with Albert Einstein and continues to this day. Before this explosive growth into the modern age took place, an all-but-forgotten genius strove for forty years to win acceptance for the atomic theory of matter and an altogether new way of doing physics. Ludwig Boltz-mann battled with philosophers, the scientific establishment, and his own potent demons. His victory led the way to the greatest scientific achievements of the twentieth century. Now acclaimed science writer David Lindley portrays the dramatic story of Boltzmann and his embrace of the atom, while providing a window on the civilized world that gave birth to our scientific era. Boltzmann emerges as an endearingly quixotic character, passionately inspired by Beethoven, who muddled through the practical matters of life in a European gilded age. Boltzmann''s story reaches from fin de siècle Vienna, across Germany and Britain, to America. As the Habsburg Empire was crumbling, Germany''s intellectual might was growing; Edinburgh in Scotland was one of the most intellectually fertile places on earth; and, in America, brilliant independent minds were beginning to draw on the best ideas of the bureaucratized old world. Boltzmann''s nemesis in the field of theoretical physics at home in Austria was Ernst Mach, noted today in the term Mach I, the speed of sound. Mach believed physics should address only that which could be directly observed. How could we know that frisky atoms jiggling about corresponded to heat if we couldn''t see them? Why should we bother with theories that only told us what would probably happen, rather than making an absolute prediction? Mach and Boltzmann both believed in the power of science, but their approaches to physics could not have been more opposed. Boltzmann sought to explain the real world, and cast aside any philosophical criteria. Mach, along with many nineteenth-century scientists, wanted to construct an empirical edifice of absolute truths that obeyed strict philosophical rules. Boltzmann did not get on well with authority in any form, and he did his best work at arm''s length from it. When at the end of his career he engaged with the philosophical authorities in the Viennese academy, the results were personally disastrous and tragic. Yet Boltzmann''s enduring legacy lives on in the new physics and technology of our wired world. Lindley''s elegant telling of this tale combines the detailed breadth of the best history, the beauty of theoretical physics, and the psychological insight belonging to the finest of novels.
Häftad, Engelska, 2005
630 kr
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This unique and comprehensive study examines how music affects Shakespeare's plays and addresses the ways in which contemporary audiences responded to it. David Lindley sets the musical scene of Early Modern England, establishing the kinds of music heard in the streets, the alehouses, private residences and the theatres of the period and outlining the period's theoretical understanding of music. Focusing throughout on the plays as theatrical performances, this work analyzes the ways Shakespeare explores and exploits the conflicting perceptions of music at the time and its dramatic and thematic potential.
Häftad, Engelska, 2003
710 kr
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The Tempest is a strange and elusive play; which critics have interpreted in very different ways: as a drama of forgiveness and reconciliation, as an exploration of the limits of theatrical art, or as a play complicit with colonial exploitation. Prospero's island is a fearful yet enchanting place; a place suffused with music, and its storm, disappearing banquet and elaborate betrothal masque demand imaginative stagecraft. Stratford productions have steered their way through the play's complex, even contradictory potential, in fascinatingly varied fashion, and Daivd Lindley explores that variety both as evidence of the evolution of theatrical styles, and as a response to the changing critical fortunes of the play.
Inbunden, Engelska, 2005
1 764 kr
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Music permeates Shakespeare's plays. This comprehensive study explores the variety of its theatrical functions, situating them in the context of the Early Modern period's understanding of music.From the trumpet calls which animate the battle scenes of the histories and tragedies to the songs which inflect the moods of the comedies and romances, Shakespeare experiments throughout his career with music's potential to contribute to the effect of his dramas. David Lindley sets the musical scene of Shakespeare's England, outlining the period's theoretical understanding of music and discussing the experience of music heard in the streets, alehouses, private residences, courts and theatres, which an audience brought with them to the Globe and Blackfriars. Music could be praised as a symbol of divine and political harmony, or vilified as an incitement to lust and effeminacy; it could heal and cure, or fuel drunken rebellion. Focusing throughout on the plays as theatrical events, this work analyzes Shakespeare's dramatic and thematic exploitation of these conflicting perceptions of music.
Häftad, Engelska, 2009
147 kr
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Häftad, Engelska, 2013
186 kr
Skickas inom 5-8 vardagar