David Shields – författare

Reality Hunger questions every assumption we ever made about art, the novel, journalism, poetry, film, TV, rap, stand-up, graffiti, sampling, plagiarism, writing, and reading. In seeking to tear up the old culture in search of something new and more authentic, it is the most vital book of the new century.

Birth is not inevitable. Life certainly isn't. The sole inevitability of existence, the only sure consequence of being alive, is death. In these eloquent and surprising essays, twenty writers face this fact, among them Geoff Dyer, who describes the ghost bikes memorializing those who die in biking accidents; Jonathan Safran Foer, proposing a new way of punctuating dialogue in the face of a family history of heart attacks and decimation by the Holocaust; Mark Doty, whose reflections on the art-porn movie Bijou lead to a meditation on the intersection of sex and death epitomized by the AIDS epidemic; and Joyce Carol Oates, who writes about the loss of her husband and faces her own mortality. Other contributors include Annie Dillard, Diane Ackerman, Peter Straub, and Brenda Hillman.

In our bureaucratized culture, we’re inundated by documents: itineraries, instruction manuals, permit forms, primers, letters of complaint, end-of-year reports, accidentally forwarded email, traffic updates, ad infinitum. David Shields and Matthew Vollmer, both writers and professors, have gathered forty short fictions that they’ve found to be seriously hilarious and irresistibly teachable (in both writing and literature courses): counterfeit texts that capture the barely suppressed frustration and yearning that percolate just below the surface of most official documents. The innovative stories collected in Fakes—including ones by Ron Carlson (a personal ad), Amy Hempel (a complaint to the parking department), Rick Moody (Works Cited), and Lydia Davis (a letter to a funeral parlor)—trace the increasingly blurry line between fact and fiction and exemplify a crucial form for the twenty-first century.

In Body Politic, David Shields looks at contemporary America and its mythology through the lens of professional and college sports. The result is an unusually insightful and provocative book about an empire in denial. Shields relentlessly examines the way we tell our sports stories (both fictional and nonfictional), considers the kinds of athletes we choose as heroes, and delineates the lessons and values we glean from sports. He explores the intricate and telling relationships between players and coaches, black and white players, immigrant and native players, male and female players, players and broadcasters, players and fans, and players and advertisers. In the process, he shows us the stories we Americans tell ourselves about the kind of people we believe ourselves to be.

The National Basketball Association is a place where white fans and black players enact virtually every racial issue and tension in U.S. culture. Following the Seattle SuperSonics for an entire season, David Shields explores how, in a predominantly black sport, white fans-including especially himself-think about and talk about black heroes, black scapegoats, and black bodies.   Critically acclaimed and highly controversial, Black Planet was a finalist for the National Book Critics Circle Award and the PEN USA Award, and was named one of the Top Ten Nonfiction Books of 1999 by Esquire, Newsday, Los Angeles Weekly, and Amazon.com.

2023 50 Books 50 Covers Award, The American Institute of Graphic Arts (AIGA)2024 Honorable Mention, Design Awards, Graphis2024 Finalist, Typography Competition, Communication Arts MagazineA beautifully illustrated exploration of the Rob Roy Kelly American Wood Type Collection.The Rob Roy Kelly Wood Type Collection is a comprehensive collection of wood type manufactured and used for printing in nineteenth-century America. Comprising nearly 150 typefaces of various sizes and styles, it was amassed by noted design educator and historian Rob Roy Kelly starting in 1957 and is now held by the University of Texas. Although Kelly himself published a 1969 book on wood type and nineteenth-century typographic history, there has been little written about the creation of the wood type forms, the collection, or Kelly. In this book, David Shields rigorously updates and expands upon Kelly’s historical information about the types, clarifying the collection’s exact composition and providing a better understanding of the stylistic development of wood type forms during the nineteenth century. Using rich materials from the period, Shields provides a stunning visual context that complements the textual history of each typeface. He also highlights the non-typographic material in the collection-such as borders, rules, ornaments, and image cuts-that have not been previously examined. Featuring over 300 color illustrations, this written history and catalog is bound to spark renewed interest in the collection and its broader typographic period.

Critically acclaimed and highly controversial, Black Planet was a finalist for the National Book Critics Circle Award and PEN USA Award and was named a Top Ten Nonfiction Book of 1999 by Esquire, Newsday, and LA Weekly.During the 1994–1995 NBA season, David Shields attended nearly all of the Seattle SuperSonics’ home games; watched on TV nearly all their away games; listened to countless pre- and post-game interviews and call-in shows on the radio; spoke or tried to speak to players, coaches, agents, journalists, fans, his wife; corresponded with members of the Sonics newsgroup on the internet; read innumerable articles.“Although I’m a passionate basketball fan and Sonics fan,” Shields wrote in the author’s note to the original publication of Black Planet, “I wasn’t interested in the game per se-who won, who lost, the minutiae of strategy. I was interested in how the game gets talked about. By the end of the season I’d accumulated hundreds of pages of often utterly illegible notes, the roughest of rough drafts. Over the next three years I transformed those notes into this book-a daily journal that runs the length of one team’s long-forgotten season and that is now focused, to the point of obsession, on how white people (including especially myself) think about and talk about Black heroes, Black scapegoats, Black bodies.”Black Planet changed sports journalism and remains a prophetic book on America and race. This edition features a new foreword by Bryan Curtis.