Matthew Vollmer – författare

In our bureaucratized culture, we’re inundated by documents: itineraries, instruction manuals, permit forms, primers, letters of complaint, end-of-year reports, accidentally forwarded email, traffic updates, ad infinitum. David Shields and Matthew Vollmer, both writers and professors, have gathered forty short fictions that they’ve found to be seriously hilarious and irresistibly teachable (in both writing and literature courses): counterfeit texts that capture the barely suppressed frustration and yearning that percolate just below the surface of most official documents. The innovative stories collected in Fakes—including ones by Ron Carlson (a personal ad), Amy Hempel (a complaint to the parking department), Rick Moody (Works Cited), and Lydia Davis (a letter to a funeral parlor)—trace the increasingly blurry line between fact and fiction and exemplify a crucial form for the twenty-first century.

The short stories in Matthew Vollmer’s infectious debut collection include a gambling addict who distractedly tries to support his son's attempt at an extreme world record, a widow seeking solace in the family lake house who instead finds her son with another man, and an inept pair of home economics students who struggle to repair their damaged robot baby.A waiter at Yellowstone National Park seeks consolation in the arms of his dead friend's girlfriend. A young woman vacationing in Idaho becomes obsessed with a female poet and her adopted child. A deadbeat bus-driver with a gambling addiction watches his son attempt the impossible at the X Games. A temp in New York City distributes his will and testament to twenty-seven strangers, hoping to convince one of them to be its executor. These are just some of the compellingly odd characters found in the pages of Matthew Vollmer’s brilliant debut collection, Future Missionaries of America. Taking us from a Seventh Day Adventist boarding school to a traveling exhibition of plasticine bodies, from the moonlit paths of Yellowstone National Park to a quiet New Hampshire lake house, Vollmer’s twelve stories are at once sorrowful, exuberant, and absurdly comical.

Matthew Volmer fuses the insight of extended meditation with the immediacy of social media in his new collection Permanent Exhibit. These collage-style essays experiment with stream-of-conscious musings as Vollmer opens a browser window into his own mind: letting his thoughts wander through a fast-forward montage of flying snakes, mass shootings, emojis, pop stars, stargazing, ghosts, circuses, and a hundred other things. Full of keen observations and unexpected insights, Permanent Exhibit reclaims the art of letting one’s mind wander in the age of the status update.

Matthew Volmer fuses the insight of extended meditation with the immediacy of social media in his new collection Permanent Exhibit. These collage-style essays experiment with stream-of-conscious musings as Vollmer opens a browser window into his own mind: letting his thoughts wander through a fast-forward montage of flying snakes, mass shootings, emojis, pop stars, stargazing, ghosts, circuses, and a hundred other things. Full of keen observations and unexpected insights, Permanent Exhibit reclaims the art of letting one’s mind wander in the age of the status update.

All Of Us Together In The End is a lyrical examination of transformation after loss, by a writer the New York Times calls "irresistible" and "utterly convincing."Vollmer’s family memoir shimmers with wonder and enchantment and begins with the death of his mother from early-onset Alzheimer’s and Parkinson’s. Soon after, flashing lights and floating orbs appear in the woods surrounding his family’s home in rural North Carolina, where his widowed father lives. Formative memories of having been raised in the Seventh-day Adventist church resurge in Vollmer’s mind, hastening self-reexamination and reckoning.He corresponds with a retired geology professor about “ghost lights,” which supposedly occur more in North Carolina than any other American state. He scrolls TikTok. He contacts an eccentric shaman who lives in Spain to have transcendental psychotherapy administered over Zoom. And then Jolene emerges, a woman endeared for decades to Vollmer’s father, holding secrets to their family’s past.Amidst the turmoil and loneliness of the pandemic, All of Us Together in the End is a poignant and often humorous investigation into belief set in a time where it seems people will believe anything. It is an elegiac affirmation of the awesome, strange, otherworldly ways our loved ones remain alive to us, even when they are out of reach.

All of Us Together in the End is a lyrical, elegiac affirmation of the awesome, strange, otherworldly ways our loved ones remain alive to us, even when they are out of reach, by a writer The New York Times calls "irresistible" and "utterly convincing." 

Vollmer’s family memoir, shimmering with wonder and enchantment, begins with the death of his mother from early-onset Alzheimer’s and Parkinson’s. Soon after, unexplained phenomena (specifically flashing lights and floating orbs) appear in the woods surrounding his family’s home in rural North Carolina, where his widowed father lives. Formative memories resurge in Vollmer’s mind, particularly from his childhood in the church of Seventh-day Adventism, hastening self-reexamination and reckoning. A retired geology professor corresponds with him about “ghost lights,” which supposedly occur more in North Carolina than any other American state. An eccentric shaman who lives in Spain administers transcendental psychotherapy to him over Zoom. And Jolene emerges, a woman endeared for decades to Vollmer’s father, holding secrets to their family’s past.