David Swick – författare

Literary Journalism Goes Inside Prison: Just Sentences opens up a new exploration of literary journalism – immersive, long-form journalism so beautifully written that it can stand as literature – in the first anthology to examine literary journalism and prison. In this book, a wide range of compelling subjects are considered. These include Nelson Mandela and other prisoners of apartheid; the made-in-prison podcast Ear Hustle; women’s experiences of life behind bars; Behrouz Boochani’s 2018 bestseller No Friend but the Mountains; George Orwell’s artful writing on incarceration; Pete Earley’s immersion into the largest prison in the United States, The Hot House; Arthur Koestler and the Spanish Civil War; Ted Conover’s year as a prison guard in Newjack: Guarding Sing Sing and (most originally) Bruce Springsteen’s execution narrative Nebraska.This volume will benefit anyone who writes, studies or teaches any form of narrative nonfiction. Eleven international scholars articulate what makes the work they are analysing so exceptional. At the same time, they offer insights on a diverse range of vital topics. These include journalism ethics, journalism and trauma, media history, cultural studies, criminology and social justice.

Literary Journalism Goes Inside Prison: Just Sentences opens up a new exploration of literary journalism – immersive, long-form journalism so beautifully written that it can stand as literature – in the first anthology to examine literary journalism and prison. In this book, a wide range of compelling subjects are considered. These include Nelson Mandela and other prisoners of apartheid; the made-in-prison podcast Ear Hustle; women’s experiences of life behind bars; Behrouz Boochani’s 2018 bestseller No Friend but the Mountains; George Orwell’s artful writing on incarceration; Pete Earley’s immersion into the largest prison in the United States, The Hot House; Arthur Koestler and the Spanish Civil War; Ted Conover’s year as a prison guard in Newjack: Guarding Sing Sing and (most originally) Bruce Springsteen’s execution narrative Nebraska.This volume will benefit anyone who writes, studies or teaches any form of narrative nonfiction. Eleven international scholars articulate what makes the work they are analysing so exceptional. At the same time, they offer insights on a diverse range of vital topics. These include journalism ethics, journalism and trauma, media history, cultural studies, criminology and social justice.

This volume examines how literary journalism – immersive, long-form journalism so beautifully written that it can stand up as literature – delves into the topic of death and dying.More than twenty international scholars from six continents draw from an eclectic range of disciplines including media history, media content analysis and cultural studies to offer a balanced and multifaceted exploration of how literary journalists consider the topic of death. Authors explore Svetlana Alexievich’s writing about the deaths of Soviet/Russian citizens since 1945, Joan Didion’s professional and personal growth while overwhelmed by her own grief, compelling approaches to writing about the ongoing conflicts in Ukraine and Gaza, and the challenges faced by a writer immersing herself in the intimate world of palliative care. One writer examines how, early in the 20th century, the editor of a Black newspaper in South Africa, through thoughtful coverage of the death of tribal kings, helped foster in readers a belief in their own nation. The murder of an Aboriginal man in Australia is studied through the work of a reporter investigating the case for six years over multiple platforms. Biased and balanced writing about gay men is considered in Canadian magazines during the AIDS era of the 1980s, and contrasting strategies for writing true crime stories are explored. Literary Journalists Explore Death will benefit anyone who writes, studies or teaches any form of narrative nonfiction. Its range of vital topics include journalism ethics, Black studies, death studies, journalism and trauma, criminology, LGBT and queer studies, the wars in Gaza and Ukraine, media history and digital journalism.

Charles Dickens, celebrated novelist and journalist, believed that his greatest ability as a writer was to make people laugh. Yet, to date, humor has been strangely marginalized in journalism, communication and media studies.This innovative book draws together the work of seventeen writers to show that, starting in the 1640s during the English Civil War, and continuing through to the present time, humor has indeed been an important ingredient of journalism. Countries studied include Australia, Britain, Canada, Chile and the United States. The Funniest Pages is divided into four sections: «Seriously Funny, From Past to Present,» «Unsolemn Columnists,» «This Sporting Life» and a final section, «Have Mouse, Will Laugh,» which looks at humor in online journalism. Chapters examine Joseph Addison, Richard Steele and the birth of social and political satire; Allen Ginsberg, Mad magazine, and the culture wars of the 1950s; John Clarke and the power of satire in journalism, and more.