Richard Lance Keeble – författare

This book examines the history, theory and journalistic practice of profile writing. Profiles, and the practice of writing them, are of increasing interest to scholars of journalism because conflicts between the interviewer and the subject exemplify the changing nature of journalism itself. While the subject, often through the medium of their press representative, struggles to retain control of the interview space, the journalist seeks to subvert it. This interesting and multi-layered interaction, however, has rarely been subject to critical scrutiny, partly because profiles have traditionally been regarded as public relations exercises or as ‘soft’ journalism. However, chapters in this volume reveal not only that profiling has, historically, taken many different forms, but that the idea of the interview as a contested space has applications beyond the subject of celebrated individuals. The volume looks at the profile’s historical beginnings, at the contemporary manufacture of celebrity versus the ‘ordinary’, at profiling communities, countries and movements, at profiling the destitute, at sporting personalities and finally at profiling and trauma.

Literary Journalism Goes Inside Prison: Just Sentences opens up a new exploration of literary journalism – immersive, long-form journalism so beautifully written that it can stand as literature – in the first anthology to examine literary journalism and prison. In this book, a wide range of compelling subjects are considered. These include Nelson Mandela and other prisoners of apartheid; the made-in-prison podcast Ear Hustle; women’s experiences of life behind bars; Behrouz Boochani’s 2018 bestseller No Friend but the Mountains; George Orwell’s artful writing on incarceration; Pete Earley’s immersion into the largest prison in the United States, The Hot House; Arthur Koestler and the Spanish Civil War; Ted Conover’s year as a prison guard in Newjack: Guarding Sing Sing and (most originally) Bruce Springsteen’s execution narrative Nebraska.This volume will benefit anyone who writes, studies or teaches any form of narrative nonfiction. Eleven international scholars articulate what makes the work they are analysing so exceptional. At the same time, they offer insights on a diverse range of vital topics. These include journalism ethics, journalism and trauma, media history, cultural studies, criminology and social justice.

Literary Journalism Goes Inside Prison: Just Sentences opens up a new exploration of literary journalism – immersive, long-form journalism so beautifully written that it can stand as literature – in the first anthology to examine literary journalism and prison. In this book, a wide range of compelling subjects are considered. These include Nelson Mandela and other prisoners of apartheid; the made-in-prison podcast Ear Hustle; women’s experiences of life behind bars; Behrouz Boochani’s 2018 bestseller No Friend but the Mountains; George Orwell’s artful writing on incarceration; Pete Earley’s immersion into the largest prison in the United States, The Hot House; Arthur Koestler and the Spanish Civil War; Ted Conover’s year as a prison guard in Newjack: Guarding Sing Sing and (most originally) Bruce Springsteen’s execution narrative Nebraska.This volume will benefit anyone who writes, studies or teaches any form of narrative nonfiction. Eleven international scholars articulate what makes the work they are analysing so exceptional. At the same time, they offer insights on a diverse range of vital topics. These include journalism ethics, journalism and trauma, media history, cultural studies, criminology and social justice.

George Orwell (1903-1950) and ‘Orwellian’ have maintained an enduring and significant influence in the global mass media, countries’ broader cultures and political debates. The Routledge Companion to George Orwell provides comprehensive coverage of Orwell’s works, life, reception and legacy.Bringing together the work of an international group of scholars, the 37 chapters are divided into five thematic sections. The first carries pioneering studies of his global reception and influence, with particular focus on China, Russia, Spain, Latin America and the US. Part two considers critical interventions in Orwell studies. Part three looks at Orwell’s life and writings and the way they connect with other authors. The next part concentrates on Orwell’s texts in innovative ways taking in a range of topics such as sexuality, illness, imperial myths, friendship, Orwell the voracious reader, Orwell the poet, and the ethically-driven investigative journalist. Throughout his career as a writer and journalist, Orwell was intrigued by the way in which political and language issues often overlapped, and this is the focus of the fifth and final part. It takes in a range of fascinating topics including common decency, objective truth, death and emotional truth. Tim Luckhurst’s Afterword offers reflections on his own engagement with Orwell’s writing, beginning in his school days and developing throughout his career in journalism.Drawing on the latest research and theory, this authoritative collection is an indispensable resource for students and scholars of Orwell studies, politics, creative writing, cultural studies, journalism, philosophy and reception studies.

Insights on Broadcast Journalism offers a comprehensive, research-focused introduction to the contemporary issues facing broadcast journalism.Drawing together the work of internationally acclaimed writers, distinguished academics and early career researchers, the book considers the impact of social/digital media and AI; engages with both mainstream and ‘alternative’ outlets; and considers ethical issues. A broad international focus is applied to some of the most critical issues currently facing broadcast journalism: the problems associated with objectivity, democratically engaged journalism, propaganda and the ties linking the industry to the state and dominant corporate interests.This impactful volume will appeal to scholars and students of broadcast journalism as well as journalism studies more broadly, journalism history, media and communication.

This volume examines how literary journalism – immersive, long-form journalism so beautifully written that it can stand up as literature – delves into the topic of death and dying.More than twenty international scholars from six continents draw from an eclectic range of disciplines including media history, media content analysis and cultural studies to offer a balanced and multifaceted exploration of how literary journalists consider the topic of death. Authors explore Svetlana Alexievich’s writing about the deaths of Soviet/Russian citizens since 1945, Joan Didion’s professional and personal growth while overwhelmed by her own grief, compelling approaches to writing about the ongoing conflicts in Ukraine and Gaza, and the challenges faced by a writer immersing herself in the intimate world of palliative care. One writer examines how, early in the 20th century, the editor of a Black newspaper in South Africa, through thoughtful coverage of the death of tribal kings, helped foster in readers a belief in their own nation. The murder of an Aboriginal man in Australia is studied through the work of a reporter investigating the case for six years over multiple platforms. Biased and balanced writing about gay men is considered in Canadian magazines during the AIDS era of the 1980s, and contrasting strategies for writing true crime stories are explored. Literary Journalists Explore Death will benefit anyone who writes, studies or teaches any form of narrative nonfiction. Its range of vital topics include journalism ethics, Black studies, death studies, journalism and trauma, criminology, LGBT and queer studies, the wars in Gaza and Ukraine, media history and digital journalism.

This book examines the history, theory and journalistic practice of profile writing. Profiles, and the practice of writing them, are of increasing interest to scholars of journalism because conflicts between the interviewer and the subject exemplify the changing nature of journalism itself. While the subject, often through the medium of their press representative, struggles to retain control of the interview space, the journalist seeks to subvert it. This interesting and multi-layered interaction, however, has rarely been subject to critical scrutiny, partly because profiles have traditionally been regarded as public relations exercises or as ‘soft’ journalism. However, chapters in this volume reveal not only that profiling has, historically, taken many different forms, but that the idea of the interview as a contested space has applications beyond the subject of celebrated individuals. The volume looks at the profile’s historical beginnings, at the contemporary manufacture of celebrity versus the ‘ordinary’, at profiling communities, countries and movements, at profiling the destitute, at sporting personalities and finally at profiling and trauma.

Peace Journalism, War and Conflict Resolution draws together the work of over twenty leading international writers, journalists, theorists and campaigners in the field of peace journalism. Mainstream media tend to promote the interests of the military and governments in their coverage of warfare. This major new text aims to provide a definitive, up-to-date, critical, engaging and accessible overview exploring the role of the media in conflict resolution. Sections focus in detail on theory, international practice, and critiques of mainstream media performance from a peace perspective; countries discussed include the U.S., U.K., Germany, Cyprus, Sweden, Canada, India, Pakistan, Papua New Guinea and the Philippines. Chapters examine a wide variety of issues including mainstream newspapers, indigenous media, blogs and radical alternative websites. The book includes a foreword by award-winning investigative journalist John Pilger and a critical afterword by cultural commentator Jeffery Klaehn.

Peace Journalism, War and Conflict Resolution draws together the work of over twenty leading international writers, journalists, theorists and campaigners in the field of peace journalism. Mainstream media tend to promote the interests of the military and governments in their coverage of warfare. This major new text aims to provide a definitive, up-to-date, critical, engaging and accessible overview exploring the role of the media in conflict resolution. Sections focus in detail on theory, international practice, and critiques of mainstream media performance from a peace perspective; countries discussed include the U.S., U.K., Germany, Cyprus, Sweden, Canada, India, Pakistan, Papua New Guinea and the Philippines. Chapters examine a wide variety of issues including mainstream newspapers, indigenous media, blogs and radical alternative websites. The book includes a foreword by award-winning investigative journalist John Pilger and a critical afterword by cultural commentator Jeffery Klaehn.

This text brings together the writings of more than twenty international academics to explore the rapidly expanding field of literary journalism – a term the editors view as ʻdisputed terrainʼ. Journalists from a uniquely wide range of countries and regions – including Britain, Canada, Cape Verde, Finland, India, Ireland, Latin America Norway, Sweden, the Middle East, the United States – are covered as are a range of subject areas. These are divided into sections titled Disputed Terrains: Crossing the Boundaries between Fact, Reportage and Fiction, Exploring Subjectivities: The Personal is Where We Start From, Long-form Journalism: Confronting the Conventions of Daily War Journalism, Colonialism, Freedom Struggles and the Politics of Reportage, and Transforming Conventional Genres. The collection will be of interest to students of journalism, media studies, literary studies, and culture and communication as well as all those interested in exploring the literary possibilities of journalism at its best.

This text brings together the writings of more than twenty international academics to explore the rapidly expanding field of literary journalism – a term the editors view as ʻdisputed terrainʼ. Journalists from a uniquely wide range of countries and regions – including Britain, Canada, Cape Verde, Finland, India, Ireland, Latin America Norway, Sweden, the Middle East, the United States – are covered as are a range of subject areas. These are divided into sections titled Disputed Terrains: Crossing the Boundaries between Fact, Reportage and Fiction, Exploring Subjectivities: The Personal is Where We Start From, Long-form Journalism: Confronting the Conventions of Daily War Journalism, Colonialism, Freedom Struggles and the Politics of Reportage, and Transforming Conventional Genres. The collection will be of interest to students of journalism, media studies, literary studies, and culture and communication as well as all those interested in exploring the literary possibilities of journalism at its best.

Following on from the first volume published in 2012, this new volume significantly expands the scope of the study of literary journalism both geographically and thematically.Chapters explore literary journalism not only in the United Kingdom, the United States and India – but also in countries not covered in the first volume such as Australia, France, Brazil and Portugal, while its central themes help lead the study of literary journalism into previously unchartered territory. More focus is placed on the origins of literary journalism, with chapters exploring the previously ignored journalism of writers such as Myles na gCopaleen, Marguerite Duras, Mohatma Gandhi, Leigh Hunt, D. H. Lawrence, Mary McCarthy and Evelyn Waugh.Critical overviews of African American literary journalism in the 1950s and of literary journalism in Brazil from 1870 to the present day are also provided, and a section asks whether there is a specific women’s voice in literary journalism.

Following on from the first volume published in 2012, this new volume significantly expands the scope of the study of literary journalism both geographically and thematically.Chapters explore literary journalism not only in the United Kingdom, the United States and India – but also in countries not covered in the first volume such as Australia, France, Brazil and Portugal, while its central themes help lead the study of literary journalism into previously unchartered territory. More focus is placed on the origins of literary journalism, with chapters exploring the previously ignored journalism of writers such as Myles na gCopaleen, Marguerite Duras, Mohatma Gandhi, Leigh Hunt, D. H. Lawrence, Mary McCarthy and Evelyn Waugh.Critical overviews of African American literary journalism in the 1950s and of literary journalism in Brazil from 1870 to the present day are also provided, and a section asks whether there is a specific women’s voice in literary journalism.

George Orwell remains an iconic figure today – even though he died in 1950. His dystopian novel Nineteen Eighty-Four depicts a Big Brother society in which the state intrudes into the most intimate details of people’s lives – and, not surprisingly, it became a constant reference point after Edward Snowden’s revelations. The word «Orwellian» is constantly in the media – used either as a pejorative adjective to evoke totalitarian terror or as a complimentary adjective to mean «displaying outspoken intellectual honesty». Interest in Orwell’s life and writings – globally – continues unabated.Beginning with a preface by Richard Blair, Orwell’s son, George Orwell Now! brings together thirteen chapters by leading international scholars in four thematic sections:• Peter Marks on Orwell and the history of surveillance studies; Florian Zollmann on Nineteen Eighty-Four in 2014; Henk Vynckier on Orwell’s collecting project; and Adam Stock on ‘Big Brother’s Literary Offspring’• Paul Anderson «In Defence of Bernard Crick»; Luke Seaber on the «London Section of Down and Out in Paris and London»; John Newsinger on «Orwell’s Socialism»; and Philip Bounds on «Orwell and the Anti-Austerity Left in Britain»• Marina Remy on the «Writing of Otherness in Burmese Days and Keep the Aspidistra Flying»; Sreya Mallika Datta and Utsa Mukherjee on «Reassessing Ambivalence in Orwell’s Burma»; and Shu-chu Wei on Orwell’s Animal Farm alongside Chen Jo-his’s Mayor Yin• Tim Crook on «Orwell and the Radio Imagination»; and editor Richard Lance Keeble on «Orwell and the War Reporter’s Imagination»Peter Stansky, in an afterword, argues that Orwell is now more relevant than ever before.

George Orwell remains an iconic figure today – even though he died in 1950. His dystopian novel Nineteen Eighty-Four depicts a Big Brother society in which the state intrudes into the most intimate details of people’s lives – and, not surprisingly, it became a constant reference point after Edward Snowden’s revelations. The word «Orwellian» is constantly in the media – used either as a pejorative adjective to evoke totalitarian terror or as a complimentary adjective to mean «displaying outspoken intellectual honesty». Interest in Orwell’s life and writings – globally – continues unabated.Beginning with a preface by Richard Blair, Orwell’s son, George Orwell Now! brings together thirteen chapters by leading international scholars in four thematic sections:• Peter Marks on Orwell and the history of surveillance studies; Florian Zollmann on Nineteen Eighty-Four in 2014; Henk Vynckier on Orwell’s collecting project; and Adam Stock on ‘Big Brother’s Literary Offspring’• Paul Anderson «In Defence of Bernard Crick»; Luke Seaber on the «London Section of Down and Out in Paris and London»; John Newsinger on «Orwell’s Socialism»; and Philip Bounds on «Orwell and the Anti-Austerity Left in Britain»• Marina Remy on the «Writing of Otherness in Burmese Days and Keep the Aspidistra Flying»; Sreya Mallika Datta and Utsa Mukherjee on «Reassessing Ambivalence in Orwell’s Burma»; and Shu-chu Wei on Orwell’s Animal Farm alongside Chen Jo-his’s Mayor Yin• Tim Crook on «Orwell and the Radio Imagination»; and editor Richard Lance Keeble on «Orwell and the War Reporter’s Imagination»Peter Stansky, in an afterword, argues that Orwell is now more relevant than ever before.

Charles Dickens, celebrated novelist and journalist, believed that his greatest ability as a writer was to make people laugh. Yet, to date, humor has been strangely marginalized in journalism, communication and media studies.This innovative book draws together the work of seventeen writers to show that, starting in the 1640s during the English Civil War, and continuing through to the present time, humor has indeed been an important ingredient of journalism. Countries studied include Australia, Britain, Canada, Chile and the United States. The Funniest Pages is divided into four sections: «Seriously Funny, From Past to Present,» «Unsolemn Columnists,» «This Sporting Life» and a final section, «Have Mouse, Will Laugh,» which looks at humor in online journalism. Chapters examine Joseph Addison, Richard Steele and the birth of social and political satire; Allen Ginsberg, Mad magazine, and the culture wars of the 1950s; John Clarke and the power of satire in journalism, and more.