Dawne McCance – författare

An innovative study of deconstruction, psychoanalysis, and genealogy, relating the ethical to the problematic of the text as a post or a sending in the work of Derrida, Lyotard, Lacan, Kristeva, and Foucault, and phrasing the ethical as the questions of how to read and write after.Posts is a collection of original essays that relate the ethical to the problematic of the text as a post or a sending in the work of Jacques Derrida, Jean-François Lyotard, Jacques Lacan, Julia Kristeva, and Michel Foucault. What brings these diverse thinkers together here is the suggestion that something ethical happens (il arrive) through the text only if it is not a self-presentation. The book's innovative studies of deconstruction, psychoanalysis, and genealogy phrase the ethical as the question of how to read and write after without either a decidable sender or a predetermined addressee. The collection will be of interest to all those concerned with ethics and with the ethical implications of recent developments in literary criticism, postmodern theory, psychoanalysis, architecture, feminism, philosophy, and religious studies.

Reads modern philosophy (and the university) as rooted in an audiocentric fantasy.In traditional mythology and iconography, Medusa's killing powers are attributed to visual means: the monster is slain for her looks and her effect is to kill men for looking at her. Challenging the familiar account of the modern era as ocularcentric, this book reads the Medusa-effect on the philosophy of the modern research university as rooted in an audiocentric fantasy. Author Dawne McCance links phonocentrism to an aural imaginary by tracking the trope-and terror-of the deaf ear and mute mouth in the discourse on the university that was inaugurated by Kant and that extends through Hegel and Heidegger to the present. She shows how, repeatedly, in founding texts on the modern research university, the philosopher's fearful recoil from an animal-female figure that he defines as deaf and dumb has the effect-the Medusa-effect-of cutting off his own, and therefore the institution's, ear and tongue. McCance also considers some recent efforts to shake the modern institution out of its Medusa-effect petrification.

During the 1975–76 academic year, Jacques Derrida delivered a seminar, La vie la mort (Life Death), at the École normale supérieure, in Paris. Based on archival translations of this untapped but soon-to-be-published seminar, The Reproduction of Life Death offers an unprecedented study of Derrida's engagement with molecular biology and genetics, particularly the work of the biologist François Jacob.Structured as an itinerary of "three rings," each departing from and coming back to Nietzsche, Derrida's seminar ties Jacob's logocentric account of reproduction to the reproductive program of teaching that characterizes the academic institution, challenging this mode of teaching as auto-reproduction along with the concept of "academic freedom" on which it is based. McCance also brings Derrida's critique of Jacob's theory of auto-reproduction together with his reading of reproductivity, the tendency to repeat-reproduce, that is theorized and enacted in Freud's Beyond the Pleasure Principle. The book further shows how Derrida's account of life death relates to his writings on autobiography and the signature and to such later concerns as the question of the animal.McCance brings extensive archival research together with a deep knowledge of Derrida's work a background in genetics to offer a fascinating new account of an encounter between philosophy and the hard sciences that will be of interest to theorists in a wide range of disciplines concerned with the question of life.

During the 1975–76 academic year, Jacques Derrida delivered a seminar, La vie la mort (Life Death), at the École normale supérieure, in Paris. Based on archival translations of this untapped but soon-to-be-published seminar, The Reproduction of Life Death offers an unprecedented study of Derrida's engagement with molecular biology and genetics, particularly the work of the biologist François Jacob.Structured as an itinerary of "three rings," each departing from and coming back to Nietzsche, Derrida's seminar ties Jacob's logocentric account of reproduction to the reproductive program of teaching that characterizes the academic institution, challenging this mode of teaching as auto-reproduction along with the concept of "academic freedom" on which it is based. McCance also brings Derrida's critique of Jacob's theory of auto-reproduction together with his reading of reproductivity, the tendency to repeat-reproduce, that is theorized and enacted in Freud's Beyond the Pleasure Principle. The book further shows how Derrida's account of life death relates to his writings on autobiography and the signature and to such later concerns as the question of the animal.McCance brings extensive archival research together with a deep knowledge of Derrida's work a background in genetics to offer a fascinating new account of an encounter between philosophy and the hard sciences that will be of interest to theorists in a wide range of disciplines concerned with the question of life.

Comprehensive overview of key theoretical approaches and issues in the field.Having roots as a specialized philosophical movement at Oxford University in the early 1970s, critical animal studies is now taking shape as a wide-open, multidisciplinary endeavor through which scholars across the humanities, sciences, and social sciences, and others ranging from creative writers to architects, are joining together to address issues related to today's unprecedented subjection of animals. Introducing this emerging field, Dawne McCance describes the wide range of analysis and approaches represented, looking at much-debated practices such as industrialized or "factory" farming of animals, handling and slaughter, animal experimentation, wildlife management, animal captivity, global genomics, meat-eating, and animal sacrifice. McCance equally focuses on many of the theoretical and ethical problems that recur across the field, raising critical questions about prevailing approaches to animal ethics, and inviting new ways of thinking about and responding to animals.

Comprehensive overview of key theoretical approaches and issues in the field.Having roots as a specialized philosophical movement at Oxford University in the early 1970s, critical animal studies is now taking shape as a wide-open, multidisciplinary endeavor through which scholars across the humanities, sciences, and social sciences, and others ranging from creative writers to architects, are joining together to address issues related to today's unprecedented subjection of animals. Introducing this emerging field, Dawne McCance describes the wide range of analysis and approaches represented, looking at much-debated practices such as industrialized or "factory" farming of animals, handling and slaughter, animal experimentation, wildlife management, animal captivity, global genomics, meat-eating, and animal sacrifice. McCance equally focuses on many of the theoretical and ethical problems that recur across the field, raising critical questions about prevailing approaches to animal ethics, and inviting new ways of thinking about and responding to animals.

Jacques Derrida is widely regarded as one of the most influential thinkers of the twentieth century. His thinking has radically transformed scholarship and critical practice across the Humanities and Social Sciences. 'Derrida on Religion' offers students an overview of Derrida's many influential writings on religion and also explores the potential of Derrida's methodologies for the study of religion. This is an essential textbook for any student who wants to explore the impact of Derrida's critical theory and practice on the study of religion.