Dennis Cooper – författare

With an introduction by Lynne Tillman'The last literary outlaw in mainstream American fiction' Bret Easton EllisPhysically beautiful and strangely passive, George Miles attracts his fellow students' attention, like a wallet lying on the street. One after another, his teenage friends rifle through George, ransacking him for love, secrets or anything else they can plausibly extract.Closer follows the subterranean connections that drag George into the arms of men like John, an artist who drains his portraits of humanity in order to find what lies beneath; Alex, fascinated by splatter films and pornography; and Steve, an underground entrepreneur who turns his parents' garage into a nightclub. Boys and men pass George from hand to hand, fascinated by the nightmarish intensity of his detachment, but soon he will be confronted by desires he may find harder to endure. Closer is an unflinching exploration of the very limits of experience. Still shocking after more than two decades, here is a provocative classic that assaults the senses as it engages the mind.

"Headless is fearless, fun, and sometimes filthy . . . an alphabet soup of -delight in language. Eat up."—Alice Sebold"Brilliant. Wildly inventive, profane, and hilarious."—Bret Easton EllisThe author of the acclaimed cult classic Dear Dead Person ("refreshing, nauseating, hilarious"—Kirkus) returns with this long-awaited collection of brilliantly written and outrageously imaginative short stories.Benjamin Weissman is the author of Dear Dead Person (High Risk/Serpent’s Tail, 1995). He is a contributing editor to Bomb Magazine and writes regularly for the contemporary art magazines Parkett and Artforum. A painter and a professor at Art Center College of Design and Otis College of the Arts, he now lives in Los Angeles.

Set largely on the pages of a website where gay male escorts are reviewed by their clients, and told through the postings, emails, and conversations of several dozen unreliable narrators, The Sluts chronicles the evolution of one young escort's date with a satisfied client into a metafiction of pornography, lies, half-truths, and myth. Explicit, shocking, comical, and displaying the author's signature flair for blending structural complexity with direct, stylish, accessible language, The Sluts is Cooper's most transgressive novel since Frisk, and one of his most innovative works of fiction to date.

Larry is a teenager wrestling not only with his sexuality and the implications of a physical relationship with his younger brother, but with the very point of his existence. He is numb to almost all that surrounds him. As the book opens, Larry has been paid $500 by a senior to kill a fellow pupil and retrieve the boy's notebook. It seems simple enough. However, once Larry delves into the notebook, complications arise. An immensely powerful work that explores teenage depression, moral vacuity and the confusion of love, My Loose Thread is a claustrophobic and harrowing piece of fiction.

"In another country or another era, Dennis Cooper''s books would be circulated in secret, explosive samizdat editions that friends and fans would pass around and savor like forbidden absinthe." —New York Times Book Review"His work belongs to that of Poe, the Marquis de Sade, Charles Baudelaire, and Georges Bataille, other writers who argued with mortality." — San Francisco Chronicle"There''s a stainless steel sheen to Cooper''s sentences that is as admirable as anything this side of Didion." — SalonFrom the internationally acclaimed author of Ugly Man and one of "the last literary outlaws in mainstream American fiction" (Bret Easton Ellis) comes a survey of his cultural criticism. From interviews with celebrities such as Leonard DiCaprio and Keanu Reeves; to obituaries for Kurt Cobain and River Phoenix; to writings on social issues—including the touchstone piece "AIDS: Words from the front"; Smothered in Hugs spans three decades of journalism from Dennis Cooper.

From an award-winning author comes a novel that''s "a mesmerizing, labyrinthine tour through an especially hellish father-son relationship" (Vanity Fair)."An American master. . . . Cooper is the most important transgressive literary artist since Burroughs." —SalonIn secret passageways, hidden rooms, and the troubled mind of our narrator, a mystery perpetually takes shape—and the most compelling clue to its final nature is "the marbled swarm" itself, a complex amalgam of language passed down from father to son.Cooper ensnares the reader in a world of appearances, where the trappings of high art, old money, and haute cuisine obscure an unspeakable system of coercion and surrender. And as the narrator stalks an elusive truth, traveling from the French countryside to Paris and back again, the reader will be seduced by a voice only Dennis Cooper could create."Provocative . . . Cooper''s interest in the darkest corners of the human experience . . . has not dimmed with age. The novel''s contradictory narratives intentionally echo the secret passageways in which the narrator''s predatory activities take place, creating a baroque, voyeuristic effect." —New Yorker"The Marbled Swarm is concerned as much with language as it is with relationships and power. . . . His fantastical story of everyday cannibalism is told in such finely chiseled yet disorienting prose that you suspect you''re being led into a maze." —OUT Magazine"Lies somewhere in between Lolita and Dracula, mixing the gothic terror and disturbing subject of both, within a contemporary bi-sexual, skinny jeaned, iPhone-totting environment, and a much further push of the envelope." —The Coffin Factory

Physically beautiful and strangely passive, George Miles attracts his fellow students with a mysterious promise, like a wallet lying on the street. One after another, his teenage friends rifle through George, ransacking him for love or anything else they could trust in the mindlessness of middle America. What they find is a vision of nightmare intensity, in a novel that assaults the senses as it engages the mind.Closer follows the links of desire and value that drag George into the arms of men like John, an artist who drains his portraits of humanity in order to find what lies beneath; Alex, fascinated by splatter films and pornography; and Steve, an underground entrepreneur who turns his parents’ garage into a nightclub. These and others pass George from hand to hand, hoping to feel even one emotion clear and uncorrupted by society, but George remains a blurry ghost until he is picked up by two men in their forties. Tom and Philippe think they can find reality in the sharp outlines of bones and the bright red of blood; obsessed with the beauty of death, they find in George the perfect object for their passion.In brutally frank prose that exposes euphemism, cliché, and evasion, Dennis Cooper stares unflinchingly at the horror of a society without values, and his vision makes its enormity all too real. It is a world in which pain is an undeniable reality, the inevitable companion of truth, and a test of our commitment to life. Dennis Cooper explores the limits of experience, and while he sharpens our understanding of the life around us, he leaves no escape from what he finds.

For the last decade, Dennis Cooper has intrigued, shocked, and energized American writing. Whether described as the leading writer of the Blank Generation or the New Narrative or likened to Poe, Sade, and Genet, Cooper has consistently explored the boundaries of writing and the effect of literature on our imaginations and in our society. His stories have the shocking immediacy of newspaper headlines: grimy, splintered images illuminated by the city’s neon bloom. By daring to use death to look at life, Cooper gives us a new perspective on our deepest fears and needs. This first collection of his work provides an overview of his evolution and, as William T. Vollmann wrote in the New York Times Book Review, a portrait of “our soulless and decaying society.”

This title explores the psyches of four young gay men who are trying to alter their existance with drugs, violent erotic experiences, and love.

Among The Village Voices 25 Favorite Books of 2006Winner of the 2007 AAUP Book, Jacket, and Journal Show in the Trade Illustrated Book Design category.Sometime after Andy Warhol's heyday but before Soho became a tourist trap, a group of poets, punk rockers, guerilla journalists, graffiti artists, writers, and activists transformed lower Manhattan into an artistic scene so diverse it became known simply as "Downtown." Willfully unpolished and subversively intelligent, figures such as Spalding Gray, Kathy Acker, Richard Hell, David Wojnarowicz, Lynne Tillman, Miguel Piñero, and Eric Bogosian broke free from mainstream publishing to produce a flood of fiction, poetry, experimental theater, art, and music that breathed the life of the street.The first book to capture the spontaneity of the Downtown literary scene, Up Is Up, But So Is Down collects more than 125 images and over 80 texts that encompass the most vital work produced between 1974 and 1992. Reflecting the unconventional genres that marked this period, the book includes flyers, zines, newsprint weeklies, book covers, and photographs of people and the city, many of them here made available to readers outside the scene for the first time. The book's striking and quirky design—complete with 2-color interior—brings each of these unique documents and images to life.Brandon Stosuy arranges this hugely varied material chronologically to illustrate the dynamic views at play. He takes us from poetry readings in Alphabet City to happenings at Darinka, a Lower East Side apartment and performance space, to the St. Mark's Bookshop, unofficial crossroads of the counterculture, where home-printed copies of the latest zines were sold in Ziploc bags. Often attacking the bourgeois irony epitomized by the New Yorker's short fiction, Downtown writers played ebulliently with form and content, sex and language, producing work that depicted the underbelly of real life.With an afterword by Downtown icons Dennis Cooper and Eileen Myles, Up Is Up, But So Is Down gathers almost twenty years of New York City's smartest and most explosive—as well as hard to find—writing, providing an indispensable archive of one of the most exciting artistic scenes in U.S. history.

The information about the book is not available as of this time.

The Mechanics of Homosexual Intercourse, a radical map of shortcomings in our daily experiences in the form of a debut story collection, presents thematically related windows into serious emotional trouble and monstrous love. Lonely Christopher combines a striking emotional grammar, reminiscent of Gertrude Stein's Three Lives, with an unyielding imagination in the lovely/ugly architecture of his stories.Lonely Christopher is the author of several poetry chapbooks and is a contributor to the poetry volume Into (Seven Circles Press). His plays have been published, staged in New York City and internationally, and released in Mandarin translation. His fiction received Pratt Institute's 2009 Thesis Award. He is a founding member of the small press The Corresponding Society and an editor of its biannual journal Correspondence. He lives in Bed-Stuy, Brooklyn.

With an introduction by Lynne Tillman''The last literary outlaw in mainstream American fiction'' Bret Easton EllisPhysically beautiful and strangely passive, George Miles attracts his fellow students'' attention, like a wallet lying on the street. One after another, his teenage friends rifle through George, ransacking him for love, secrets or anything else they can plausibly extract.Closer follows the subterranean connections that drag George into the arms of men like John, an artist who drains his portraits of humanity in order to find what lies beneath; Alex, fascinated by splatter films and pornography; and Steve, an underground entrepreneur who turns his parents'' garage into a nightclub. Boys and men pass George from hand to hand, fascinated by the nightmarish intensity of his detachment, but soon he will be confronted by desires he may find harder to endure. Closer is an unflinching exploration of the very limits of experience. Still shocking after more than two decades, here is a provocative classic that assaults the senses as it engages the mind.