Dimitrios Zikos - Böcker
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5 produkter
5 produkter
461 kr
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This volume brings together new research by some of the world's leading experts, exploring the artistic production and cultural context of Renaissance sculpture from Ghiberti's Gates of Paradise to the small bronzes of Giambologna and his followers. The essays cover a range of sculptural materials and forms to cast fresh light on the artists, their creative and collaborative processes, and those who commissioned, owned and responded to their work. The papers were originally presented at a conference at the V&A in 2010 as part of the Robert H. Smith Renaissance Sculpture Programme.
750 kr
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This richly illustrated and beautifully produced scholarly catalog of the superlative collection of Renaissance and Baroque bronze figurative statuettes from the Hill Collection, accompanies an exhibition of the collection at The Frick Collection, New York opening late January 2014. Spanning the 15th through the 18th century, the sculptures presented are of exceptional quality and exemplify the bronze statue or statuette from its beginnings in Renaissance Italy to its dissemination across the artistic centers of Europe. The Hill Collection is distinguished by rare, autograph masterpieces by Italian sculptors such as Andrea Riccio and Giambologna, and has the most important collection of Baroque bronzes by Giuseppe Piamontini in the world. Its holding of works by the Giambologna school - the strongest found in any single collection, with the sole exception of the Museo Nazionale del Bargello, Florence - evokes the splendor of the late Renaissance courts, while the richness of the international Baroque is represented by religious sculptures by Alessandro Algardi, northern bronzes by Adriaen de Vries and Hubert Gerhard, and a remarkable assemblage of French 17th- and early 18th-century bronzes in the classical mode, by Barthelemy Prieur and from the circle of Ponce Jacquiot. The Hill Collection reveals the range of artistry, invention and technical refinement characteristic of sculptures created when the tradition of the European statuette was at its height. The catalog includes detailed biographies of each of the artists represented, and it introduced with essays by the distinguished authors. Patricia Wengraf is one of the world's leading dealers in bronzes, sculpture and works of art, and in her particular specialty, bronzes of the 15th-18th centuries, her knowledge and connoisseurship are if world repute. Denise Allen is Curator of Renaissance Paintings and Sculpture at the Frick Collection. Claudia Kryza-Gersch is Curator of Renaissance Sculpture at the Kunsthistorisches Museum, Vienna. Dimitrios Zikos is Curator at the Museo Nazionale del Bargello in Florence. Rupert Harris is the leading conservator of metalwork and sculpture in the UK.
Del 63 - Information Systems Engineering and Management
Remote Monitoring and Wearable Devices in Healthcare
Inbunden, Engelska, 2025
1 854 kr
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In an age where digital transformation is redefining healthcare, this book offers a timely and comprehensive exploration of one of the field’s most dynamic frontiers. This interdisciplinary book brings together leading scholars, clinicians, engineers, and technologists from across the globe to examine how wearable devices and remote monitoring systems are revolutionizing patient care, clinical workflows, and health system performance.From economic and policy implications to machine learning applications, surgical robotics, and patient co-design, the chapters present groundbreaking research and real-world insights. Whether discussing intelligent IoT systems for surgical support or exploring the impact of wearables on healthcare providers’ well-being, this book offers a forward-thinking lens on both the promises and pitfalls of wearable health tech.Highlights include:• The policy and economic ramifications of wearable integration in healthcare systems.• Cutting-edge AI and machine learning approaches transforming real-time data into actionable insights.• The role of wearables in chronic disease management, workforce wellness, and digital co-design.• Implications for marginalized and disabled populations through inclusive tech innovation.• Global perspectives on the future of connected health and patient-centered technologies.Written for healthcare leaders, researchers, developers, and policymakers, this essential reference will inspire innovation and inform decision-making in a rapidly evolving digital health landscape.“Wearables are no longer a glimpse of the future—they are reshaping healthcare today.”
255 kr
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The porcelain of Doccia made its mark on the history of artistic manufactory with its refined production inspired by antique masterpieces. Rich with illustrations, the catalogue was published to accompany the exhibition staged by the Museo Nazionale del Bargello, providing useful tools for visitors and readers, enabling them to reconstruct and examine the development of the artefacts of this particular production technique, in general, and specifically to trace the history of the Doccia manufactory's success. The essays included are divided into two parts: the first reconstructs the history of the manufactory opened by the Marquis Ginori in 1735 and the art produced in studios of porcelain. The second provides a series of case studies dedicated to the more interesting themes regarding the reproduction in porcelain of great ancient sculptures, as well as some more significant works realised by the manufactory, like the Tempietto of Cortona or the great Fireplace. The book concludes with a series of entries elaborating on the 17 works that were featured in the exhibition. Essays by Alvar Gonzales Palacios, Tomaso Montanari, Cristina Gnoni, Dimitri Zikos, Marino Marini, Cristiano Giometti, Cristina Maritano; Entries by Daniele Lauri and Maria Persona.
332 kr
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This publication discusses a bronze Laocoön recently sold at Bonham’s. Its new owners attributed it to Giuseppe Piamontini (1663–1744) ‘because of its manufacture and its extremely close proximity to the Doccia model’, the model employed for a porcelain Laocoön produced in the factory set up by Carlo Ginori (1702–57) in 1737 at Doccia near Florence.Labelled as French and belatedly returned to Late Baroque Florence (but to the wrong artist), this magnificent group has finally revealed its identity. It is one of the incunabula of an ambitious young sculptor measuring himself with the sculptors of Ancient Greece and their great Renaissance followers of his native Florence. During the day he copied them in the Galleria degli Uffizi and in the streets of the city. At night he gathered together with other pupils of Foggini in the Borgo Pinti studio to study together. The prominent career to which Della Valle obviously aspired prompted his move to Rome. Della Valle helped us interpret the bronze correctly, interpret correctly its attribution in the Doccia models’ inventory and by extension understand better that document itself. But most important, our understanding of Florentine Late Baroque sculpture and of Della Valle’s art has acquired another firm point of reference.