Denise Allen – författare

In Managing Motherhood, Managing Risk, Denise Roth Allen persuasively argues that development interventions in the Third World often have unintended and unacknowledged consequences. Based on twenty-two months of fieldwork in the Shinyanga Region of west central Tanzania, this rich and engaging ethnography of women''s fertility-related experiences highlights the processes by which a set of seemingly well-intentioned international maternal health policy recommendations go awry when implemented at the local level.

An exploration of how threats to maternal health have been defined and addressed at the global, national, and local levels, Managing Motherhood, Managing Risk presents two contrasting, and oftentimes competing, definitions of risk: those that form the basis of international recommendations and national maternal health policies and those that do not. The effect that these contrasting definitions of risk have on women''s fertility-related experiences at the local level are explored throughout the book.

This study employs an innovative approach to the analysis of maternal health risk, one that situates rural Tanzanian women''s fertility-related experiences within a broader historical and sociocultural context. Beginning with an examination of how maternal health risk was defined and addressed during the early years of British colonial rule in Tanganyika and moving to a discussion of an internationally conceived maternal health initiative that was launched on the world stage in the late 1980s, the author explores the similarities in the language used and solutions proposed by health development experts over time.

This set of "official" maternal health risks is then compared to an alternative set of risks that emerge when attention is focused on women''s experiences of pregnancy and childbirth at the local level. Although some of these latter risks are often spoken about as deriving from spiritual or supernatural causes, the case studies presented throughout the second half of the book reveal that the concept of risk in the context of pregnancy and childbirth is much more complex, involving the interplay of spiritual, physical, and economic aspects of everyday life.

In Managing Motherhood, Managing Risk, Denise Roth Allen persuasively argues that development interventions in the Third World often have unintended and unacknowledged consequences. Based on twenty-two months of fieldwork in the Shinyanga Region of west central Tanzania, this rich and engaging ethnography of women's fertility-related experiences highlights the processes by which a set of seemingly well-intentioned international maternal health policy recommendations go awry when implemented at the local level.An exploration of how threats to maternal health have been defined and addressed at the global, national, and local levels, Managing Motherhood, Managing Risk presents two contrasting, and oftentimes competing, definitions of risk: those that form the basis of international recommendations and national maternal health policies and those that do not. The effect that these contrasting definitions of risk have on women's fertility-related experiences at the local level are explored throughout the book.This study employs an innovative approach to the analysis of maternal health risk, one that situates rural Tanzanian women's fertility-related experiences within a broader historical and sociocultural context. Beginning with an examination of how maternal health risk was defined and addressed during the early years of British colonial rule in Tanganyika and moving to a discussion of an internationally conceived maternal health initiative that was launched on the world stage in the late 1980s, the author explores the similarities in the language used and solutions proposed by health development experts over time.This set of "official" maternal health risks is then compared to an alternative set of risks that emerge when attention is focused on women's experiences of pregnancy and childbirth at the local level. Although some of these latter risks are often spoken about as deriving from spiritual or supernatural causes, the case studies presented throughout the second half of the book reveal that the concept of risk in the context of pregnancy and childbirth is much more complex, involving the interplay of spiritual, physical, and economic aspects of everyday life.

Glass is a wonderful material: malleable, durable, beautiful and recyclable. It was first manufactured from sand and soda two millennia before the Romans came to Britain, in areas of the Mediterranean where the raw ingredients were readily available. Coloured to produce a veritable rainbow of hues, it was used for inlays, jewellery and simple vessels. The revolutionary discovery that glass could be blown occurred later, as the Roman Empire was rapidly expanding. The invasion of Britain came at a time when glass vessels were being produced in great variety and number, arriving here as personal possessions and trade items. Some survive complete, others are represented only as fragments, which are nevertheless recognisable glimpses of great works of art, employing many decorative techniques. Glass was used extensively for containers, fine tableware and in buildings, the first glass windows appearing in Britain soon after the invasion.With a wealth of fascinating images, Denise Allen explores what is known about the Roman glass industry in relation to Britain, revealing where glass was made, how it was traded and how much it was recycled.

The Romans ruled Britannia for more than 350 years, leaving an indelible mark on our landscape. Town and countryside were transformed by innovations in comfort and culture ‒ albeit shot through with a uniquely British twist ‒ glimpses of which can still be seen at numerous splendid sites and museums in England, Wales and Scotland. Roman Britain and Where to Find It provides the history of the best Roman villas, forts, walls and bathhouses, as well as the hidden gems which the uninitiated might pass by. It also explains how these remnants of the past fit into the bigger story, pointing out details which have their own tale to tell, connecting us with the people who lived here 2,000 years ago.

This richly illustrated and beautifully produced scholarly catalog of the superlative collection of Renaissance and Baroque bronze figurative statuettes from the Hill Collection, accompanies an exhibition of the collection at The Frick Collection, New York opening late January 2014. Spanning the 15th through the 18th century, the sculptures presented are of exceptional quality and exemplify the bronze statue or statuette from its beginnings in Renaissance Italy to its dissemination across the artistic centers of Europe. The Hill Collection is distinguished by rare, autograph masterpieces by Italian sculptors such as Andrea Riccio and Giambologna, and has the most important collection of Baroque bronzes by Giuseppe Piamontini in the world. Its holding of works by the Giambologna school - the strongest found in any single collection, with the sole exception of the Museo Nazionale del Bargello, Florence - evokes the splendor of the late Renaissance courts, while the richness of the international Baroque is represented by religious sculptures by Alessandro Algardi, northern bronzes by Adriaen de Vries and Hubert Gerhard, and a remarkable assemblage of French 17th- and early 18th-century bronzes in the classical mode, by Barthelemy Prieur and from the circle of Ponce Jacquiot. The Hill Collection reveals the range of artistry, invention and technical refinement characteristic of sculptures created when the tradition of the European statuette was at its height. The catalog includes detailed biographies of each of the artists represented, and it introduced with essays by the distinguished authors. Patricia Wengraf is one of the world's leading dealers in bronzes, sculpture and works of art, and in her particular specialty, bronzes of the 15th-18th centuries, her knowledge and connoisseurship are if world repute. Denise Allen is Curator of Renaissance Paintings and Sculpture at the Frick Collection. Claudia Kryza-Gersch is Curator of Renaissance Sculpture at the Kunsthistorisches Museum, Vienna. Dimitrios Zikos is Curator at the Museo Nazionale del Bargello in Florence. Rupert Harris is the leading conservator of metalwork and sculpture in the UK.