Dominic Hibberd – författare

The definitive biography of the war poet - 'Dominic Hibberd has probably done more more than any other individual to illuminate Owen's life and work. His new Life is a triumph ... it is difficult to believe it will ever be superseded' Mark Bostridge, The Independent on SundayWhen Wilfred Owen died in 1918 aged 25, only five of his poems had been published. Yet he became one of the most popular poets of the 20th century. For decades his public image was controlled by family and friends, especially his brother Harold who was terrified anyone might think Wilfred was gay. In recent years much new material has become available. This book, based on over thirty years of wide-ranging research, brings new information to almost every part of Owen's life. Owen emerges as a complex, fascinating and often endearing character with an intense delight in being alive.

Wilfred Owen''s poetry is now very widely known as the finest that came out of the First World War. But much about the poet and his work has not been fully understood. This book, based on unrivalled research, is the first to study of Owen''s complete poetic achievement, revealing the uniqueness, strangeness and unity of what he called his ''poethood''. His war poems are shown to be a consistent development from his prewar verse and his unswerving allegiance to Romanticism; they grew out of a pattern of mythologised secret experience that took shape in some of his least-known manuscripts before he knew anything of the trenches. Owen lived for poetry; many unfamiliar aspects of that life are brought into focus, including his early discovery of Georgianism, his battle wirh Revivalist religion, his debt to the French Decadence, his alleged cowardice, the torment of his shellshock and the remarkable ''sociological'' treatment he received for it, his sexual nature and his friendship with Oscar Wilde''s beleaguered disciples in 1918, and his supreme courage in making poetry out of inner horrors deliberately ''recollected in tranquility''. Learning from Wordsworth and Shelley, Aesthetes and Decadents, Sassoon and the Georgians, Hardy, Barbusse, Russell, Edward Carpenter and many others, Owen realised his life''s ambition and became a profoundly origianal poet. Owen the Poet ends with chapters on two of his richest works: ''Strange Meeting'', his worst shellshock nightmare, and ''Spring Offensive'', the epilogue to all he wrote. Notes, appendixes and bibliography complete what is likely to be the most authoritative book on its subject for many years to come.

Wilfred Owen's poetry is now very widely known as the finest that came out of the First World War. But much about the poet and his work has not been fully understood. This book, based on unrivalled research, is the first to study of Owen's complete poetic achievement, revealing the uniqueness, strangeness and unity of what he called his 'poethood'. His war poems are shown to be a consistent development from his prewar verse and his unswerving allegiance to Romanticism; they grew out of a pattern of mythologised secret experience that took shape in some of his least-known manuscripts before he knew anything of the trenches. Owen lived for poetry; many unfamiliar aspects of that life are brought into focus, including his early discovery of Georgianism, his battle wirh Revivalist religion, his debt to the French Decadence, his alleged cowardice, the torment of his shellshock and the remarkable 'sociological' treatment he received for it, his sexual nature and his friendship with Oscar Wilde's beleaguered disciples in 1918, and his supreme courage in making poetry out of inner horrors deliberately 'recollected in tranquility'. Learning from Wordsworth and Shelley, Aesthetes and Decadents, Sassoon and the Georgians, Hardy, Barbusse, Russell, Edward Carpenter and many others, Owen realised his life's ambition and became a profoundly origianal poet. Owen the Poet ends with chapters on two of his richest works: 'Strange Meeting', his worst shellshock nightmare, and 'Spring Offensive', the epilogue to all he wrote. Notes, appendixes and bibliography complete what is likely to be the most authoritative book on its subject for many years to come.