Dominika Laster – författare
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2 produkter
2 produkter
Häftad, Engelska, 2015
387 kr
Skickas inom 5-8 vardagar
An unprecedented anthology of contemporary Polish drama, Loose Screws brings together nine previously untranslated plays by prominent playwrights who have emerged in rapidly changing postcommunist landscapes. The plays expose ways in which individual and social violence impinge upon each other, disrupt notions of a monolithic Polish identity, and try to find meaning within the post-9/11 global context. This comprehensive collection offers an account of Polish history and politics though plays that range in subject from communism to mental illness, criminal and social violence, and working-class life and globalization. Serving as the cornerstone for the collection, Malgorzata Sikorska-Miszczuk's Loose Screws examines the ways in which various psychopathologies play themselves out in the private and public spheres in postcommunist Poland. The anthology includes a substantive introduction that situates each play within its historical, political, and theatrical context.
Häftad, Engelska, 2015
307 kr
Skickas inom 5-8 vardagar
One of Polish theater's great innovators is Jerzy Grotowski, well known for his lifelong research on the work of the self with and through the other. Taking various forms and undergoing multiple transformations, this single underlying proposition propelled Grotowski's career. In Grotowski's Bridge Made of Memory, Dominika Laster analyzes core aspects of Grotowski's work such as body-memory, vigilance, witnessing, verticality, and transmission, arguing that these performance praxes involve a deliberate blurring of the boundaries of the self and other. This comprehensive study traces key thematic threads across all phases of Grotowski's research, examining lesser-known aspects of his praxis such as performance compositions structured around African and Afro-Caribbean traditional songs and ritual movement, as well as textual material from the Christian Gnostic tradition. As an active process of research and questioning conducted through the "body-being" of the performer, the Grotowski work is a practical realization of the often highly theoretical and abstract discussions of one of the field's main preoccupations: embodied practice as a way of knowing.