Donald Jackson – författare

A classic of Native American literature and US history, the autobiography of the Sauk warrior Black Hawk (Ma-Ka-Tai-Me-She-Kia-Kiak in the Sauk language) offers an eyewitness account of the conflict between Indigenous peoples and white colonists on the Illinois frontier. But it also provides one of the most vivid Native descriptions of Indigenous life and beliefs before and during colonization of the Mississippi Valley. The University of Illinois Press edition is the definitive 1833 text edited by Donald Jackson. A foundational document, Black Hawk: An Autobiography is both an unsparing record of America's genocide against Native American peoples and the moving self-portrait of an extraordinary man.

The white settlers had little interest in the semiarid land assigned to the Sioux under the Treaty of 1868 and, for a time, the Indians enjoyed their domain in relative peace. However, when rumors spread that the Black Hills of the Dakota Territory were rich in gold, miners and newspapers wanted to organize prospecting parties. At first the government discouraged attempts to trespass upon the Sioux land, but under the pressure of public opinion, the Army in 1874 sent the Seventh Cavalry Regiment, commanded by General George A. Custer, to explore the Hills. With reports that gold had indeed been found by Custer, all hope of preserving the Sioux treaty vanished. Miners flocked to the area despite attempts by the government to keep them out; by 1876, the Black Hills had been officially removed from Sioux control.The story of the expedition and its effect on relations with the Sioux is told from government documents, including much new material from the National Archives, and from newspaper correspondents' reports and previously unpublished journals. William Illingworth's original photographs of the expedition, reproduced here, were almost as influential as reports of the expedition in luring prospectors to the Black Hills.

In Pastoral and Monumental, Donald C. Jackson chronicles America's longtime fascination with dams as represented on picture postcards from the late nineteenth to the mid-twentieth century. Through over four hundred images, Jackson documents the remarkable transformation of dams and their significance to the environment and culture of America. Initially, dams were portrayed in pastoral settings on postcards that might jokingly proclaim them as "a dam pretty place." But scenes of flood damage, dam collapses, and other disasters also captured people's attention. Later, images of New Deal projects, such as the Hoover Dam, Grand Coulee Dam, and Norris Dam, symbolized America's rise from the Great Depression through monumental public works and technological innovation. Jackson relates the practical applications of dams, describing their use in irrigation, navigation, flood control, hydroelectric power, milling, mining, and manufacturing. He chronicles changing construction techniques, from small timber mill dams to those more massive and more critical to a society dependent on instant access to electricity and potable water. Concurrent to the evolution of dam technology, Jackson recounts the rise of a postcard culture that was fueled by advances in printing, photography, lowered postal rates, and America's fascination with visual imagery. In 1910, almost one billion postcards were mailed through the U.S. Postal Service, and for a period of over fifty years, postcards featuring dams were "all the rage." Whether displaying the charms of an old mill, the aftermath of a devastating flood, or the construction of a colossal gravity dam, these postcards were a testament to how people perceived dams as structures of both beauty and technological power.