Donald L. Johnson – författare

Soon after 1900 in both North America and Europe the evolution from the tradition of Mediterranean and Gallic architectural styles to modernism began. This phenomenon was due, in part, to American industrial architecture and the work of Frank Lloyd Wright. Wright's building and architectural treatises of 1898-1908, with the additional help of Dutch propaganda on his behalf, significantly influenced European practitioners and theorists. European architecture within and outside of Holland reflects an adaptation of Wright's theories along with the structural determinism of American industrial buildings. With new evidence and fresh analysis culled from Dutch and American archives, personal correspondence, and professional material, this study examines the weight of Wright's works and words and those of the Dutchmen H.P. Berlage, Theo van Doesburg, Jan Wils, J.J.P. Oud, William Dudok, and Hendrik Theodor Wijdeveld.This new insight on the effects of Wright's architectural theories and designs, coupled with an extensive guide for further research, will attract art and architecture scholars and historians on both sides of the Atlantic and will also be of interest to social historians, artists, and architects. Events and new theories, including the assertion that Hendrik Theodor Wijdeveld was the catalytic source behind Wright's Taliesin Fellowship established in 1932, are presented in clear accessible language. Tied to the text are numerous visual presentations of significant designs and buildings.

The most influential 20th century architects espousing modernism are brought together in critical discussion and independent profiles. This is accomplished through a short but discriminating examination of each architect's design work, an essay outlining the historical course and events that confirms his or her vital position, and a substantial bibliography at the completion of each profile. This sourcebook examines the life and creative activities of such founding architects as Wright, Eisenman, Van der Rohe, and Kahn, as well as their disciples. This volume will be of interest to social and cultural historians, scholars, students of all ages, architects, and the appreciative lay audience.The architects and or firms chosen for the sourcebook were selected as a result of many years of research that required extensive reading of materials by respected experts. From such research, the editors were able to determine the individuals or groups who have been most influential in charting the course of a Westernized modern architecture. From evidence of their productive activities—proof in timber—there is a consensus that each made a unique contribution. The nature and measure of the contribution is discussed within each profile. Those whose reputations are based on paper only, with few buildings to prove their worth, are not included. The editors believe that architecture is an experiential art: all the senses must participate, and that requires the actual built product.

Soon after 1900 in both North America and Europe the evolution from the tradition of Mediterranean and Gallic architectural styles to modernism began. This phenomenon was due, in part, to American industrial architecture and the work of Frank Lloyd Wright. Wright's building and architectural treatises of 1898-1908, with the additional help of Dutch propaganda on his behalf, significantly influenced European practitioners and theorists. European architecture within and outside of Holland reflects an adaptation of Wright's theories along with the structural determinism of American industrial buildings. With new evidence and fresh analysis culled from Dutch and American archives, personal correspondence, and professional material, this study examines the weight of Wright's works and words and those of the Dutchmen H.P. Berlage, Theo van Doesburg, Jan Wils, J.J.P. Oud, William Dudok, and Hendrik Theodor Wijdeveld.This new insight on the effects of Wright's architectural theories and designs, coupled with an extensive guide for further research, will attract art and architecture scholars and historians on both sides of the Atlantic and will also be of interest to social historians, artists, and architects. Events and new theories, including the assertion that Hendrik Theodor Wijdeveld was the catalytic source behind Wright's Taliesin Fellowship established in 1932, are presented in clear accessible language. Tied to the text are numerous visual presentations of significant designs and buildings.