Eddie Muller – författare

Brand-new stories by: Nick Petrulakis, Kim Addonizio, Keenan Norris, Keri Miki-Lani Schroeder, Katie Gilmartin, Dorothy Lazard, Harry Louis Williams II, Carolyn Alexander, Phil Canalin, Judy Juanita, Jamie DeWolf, Nayomi Munaweera, Mahmud Rahman, Tom McElravey, Joe Loya, and Eddie Muller.

In the wake of San Francisco Noir, Los Angeles Noir, and Orange County Noir—all popular volumes in the Akashic Noir Series—comes the latest California installment, Oakland Noir. Masterfully curated by Jerry Thompson and Eddie Muller, the “Czar of Noir,” this volume will shock, titillate, provoke, and entertain. The diverse cast of talented contributors will not disappoint.

From the introduction:

Jerry Thompson: “Discovering the wang-dang-doodle jams of the Pointer Sisters shifted my entire focus. Stunning black women were scatting and bebopping all the way into my soul. I think what we’ve put together in Oakland Noir is a volume where this city is a character in every story. He’s a slick brother strutting over a bacon-grease bass line and tambourine duet. She’s a white chick with a bucket of hot muffins heading to farmer and flea markets, to sell crafts and get hooked up with some fine kat with dreadlocks and a criminal record. And it’s in the faces of young fearless muthafuckers pounding keyboards and snapping fingers, lips, Snapchats, and Facebook timelines. It’s the core of not only Black Lives Matter but all lives matter. We are the children of fantasy and of the funk.”

Eddie Muller: “These days, writers and readers aren’t denying the darker parts of our existence as much as they used to, especially in crime fiction. Some writers just do it for fun because it’s become the fashionable way to get published. You know, ‘gritty violence’ and all that bullshit. The genuine darkness in noir stories comes from two places—the cruelty of the world’s innate indifference and the cruelty that people foster within themselves. If you’re not seriously dealing with one, the other, or both, then you’re not really writing noir.”

“What a sense you have for finding trouble and entering into it.”

Veronica Lake remains one of Hollywood’s greatest icons, from movies like Sullivan’s Travels and The Blue Dahlia. Her trademark ‘peek-a-boo’ blonde hairstyle, partly hiding one eye, is a legend in its own right, but her blend of beauty, ice cool persona and dry comedic style makes the actress a timelessly magnetic screen personality.

The persona hid a tumultuous personal life, and this memoir holds nothing back. Born Connie Ockleman, the actress owed the soubriquet ‘Veronica Lake’ to a producer’s inspiration. She was a tough Brooklyn kid, with an ambitious stage mother calling the shots in her early life. After early successes in beauty pageants, the diminutive Connie headed to Hollywood, where, despite her headstrong nature, she became Hollywood’s biggest ‘it’ girl of the 1940’s.

But after brushes with the casting couch (she didn’t succumb), a string of doomed marriages, troubled relationships with her children, and remarkable stardom and fortune, Veronica Lake suffered a rapid fall from grace—ending up bankrupt and alcoholic in New York City. Happily she rediscovered her acting career in live theatre and enjoyed living in Miami for most of her final years, before she died aged only 50 in 1973.

This remarkable memoir (1969), a slalom of highs, lows, comedy and heartbreak, was co-written with Donald Bain. It has been out-of-print, rare and sought-after for many decades. Dean Street Press is proud to reissue it now, with a new introduction by broadcaster and writer Eddie Muller.