Eleanor Kaufman - Böcker
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The laudatory essay, in which one author praises the work of another, is frequently characterized as an unimportant, even uncritical mode of writing. But as Eleanor Kaufman argues in The Delirium of Praise, this mode of exchange is serious and substantial enough to merit scholarly attention. By not conforming to standard practices of critical discourse, laudatory essays give new status to supposedly inferior forms of communication and states of being-including chatter, silence, sickness, imbalance, and absence of work-and emphasize affective states or emotions such as joy, friendship, and longing. The Delirium of Praise examines a group of five twentieth-century French intellectuals-Georges Bataille, Maurice Blanchot, Michel Foucault, Gilles Deleuze, and Pierre Klossowski-and their laudatory essays about each other. Structured as a circular series of exchanges, the book examines pairings of two thinkers with respect to a given theme.The exchange between Bataille and Blanchot takes up the themes of chatter and silence with regard to the novelist Louis-Rene des Forets; the Blanchot-Foucault exchange explores friendship and impersonality through the lens of Jacques Derrida; the Foucault-Deleuze exchange considers "absence of work" ( desoeuvrement) and the obscure French philosopher Jacques Martin; the Deleuze-Klossowski exchange revolves around the question of the sick body and the person of Nietzsche; and the final exchange between Klossowski and Bataille focuses on imbalanced economies and the writings of the Marquis de Sade. Where the praise is most excessive, approaching delirium, Kaufman locates a powerful thought-energy that pushes the laudatory essay to its limits. In her conclusion, she presents this unique mode of thought exchange as a form of intellectual hospitality. Kaufman uncovers a suspension of subjectivity, of personality, even of place and time, that is both articulated in the laudatory essays and enacted by them. Her examination of this neglected mode as practiced by five important French thinkers offers a unique perspective on twentieth-century intellectual history.
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The essays in this collection offer an approach to the work of Gilles Deleuze and Felix Guattari. With emphasis on Guattari, both in conjunction with Deleuze and independently, it features an essay by Deleuze and includes a bibliography of Guattari's and Deleuze's publications.
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Gilles Deleuze is considered one of the most important French philosophers of the twentieth century. Eleanor Kaufman situates Deleuze in relation to others of his generation, such as Jean-Paul Sartre, Pierre Klossowski, Maurice Blanchot, and Claude Levi-Strauss, and she engages the provocative readings of Deleuze by Alain Badiou and Slavoj Zizek. Deleuze, The Dark Precursor is organized around three themes that critically overlap: dialectic, structure, and being. Kaufman argues that Deleuze's work is deeply concerned with these concepts, even when he advocates for the seemingly opposite notions of univocity, nonsense, and becoming. By drawing on scholastic thought and reading somewhat against the grain, Kaufman suggests that these often-maligned themes allow for a nuanced, even positive reflection on apparently negative states of being, such as extreme inertia. This attention to the negative or minor category has implications that extend beyond philosophy and into feminist theory, film, American studies, anthropology, and architecture.