Eliot Deutsch – författare

This outstanding volume offers students, teachers and general readers a complete introductory survey of the major non-western philosophical traditions.

This book is the only comprehensive introduction to Advaita Vedanta that traces the history of this tradition by means of primary sources. The sources (in translation) are drawn from Sanskrit texts by some of the most important Advaitic thinkers. The editors have filled in the appropriate background materials to make this a book through which readers can understand Advaita Vedanta both in terms of cultural history and philosophy. The book reveals the classical form of this great tradition of thought showing how it actually functioned in Indian culture and demonstrates its distinctive philosophical achievements. Most often associated with the great 9th century sage Sankara, Advaita Vedanta is the most important and influential school of philosophy in India. However, unlike Western philosophy, the goal of this Indian wisdom tradition is spiritual liberation in life. The translations in THE ESSENTIAL VEDANTA are representative of the major traditional Sanskrit writings on this ancient but vibrant system of thought.

This volume is a "state-of-the-art" assessment of comparative philosophy written by some of the leading practitioners of the field. While its primary focus is on gaining methodological clarity regarding the comparative enterprise of "interpreting across boundaries," the book also contains new substantive essays on Indian, Chinese, Japanese, and European thought. The contributors are Roger T. Ames, William Theodore de Bary, Wing-tsit Chan, A. S. Cua, Eliot Deutsch, Charles Hartshorne, Daya Krishna, Gerald James Larson, Sengaku Mayeda, Hajime Nakamura, Raimundo Panikkar, Karl H. Potter, Henry Rosemont, Jr., Ben-Ami Scharfstein, Ninian Smart, Fritz Staal, and Frederick J. Streng. Comparative or cross-cultural philosophy can be seen as a relative newcomer to the field of philosophy. It has its antecedents in the emergence of comparative studies in nineteenth-century European intellectual history, as well as in the sequence of East-West Philosophers' Conferences at the University of Hawaii, which began in 1939.This book will prove to be of great significance in helping to define a field that is only now becoming fully self-conscious, methodologically and substantively, about its role and function in the larger enterprises of philosophy and comparative studies. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This volume is a "state-of-the-art" assessment of comparative philosophy written by some of the leading practitioners of the field. While its primary focus is on gaining methodological clarity regarding the comparative enterprise of "interpreting across boundaries," the book also contains new substantive essays on Indian, Chinese, Japanese, and European thought. The contributors are Roger T. Ames, William Theodore de Bary, Wing-tsit Chan, A. S. Cua, Eliot Deutsch, Charles Hartshorne, Daya Krishna, Gerald James Larson, Sengaku Mayeda, Hajime Nakamura, Raimundo Panikkar, Karl H. Potter, Henry Rosemont, Jr., Ben-Ami Scharfstein, Ninian Smart, Fritz Staal, and Frederick J. Streng. Comparative or cross-cultural philosophy can be seen as a relative newcomer to the field of philosophy. It has its antecedents in the emergence of comparative studies in nineteenth-century European intellectual history, as well as in the sequence of East-West Philosophers' Conferences at the University of Hawaii, which began in 1939.This book will prove to be of great significance in helping to define a field that is only now becoming fully self-conscious, methodologically and substantively, about its role and function in the larger enterprises of philosophy and comparative studies. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Persons and Valuable Worlds argues for pluralistic ethics, philosophical anthropology, and epistemology in a cross-cultural context. It provides an account of what it means to be a genuine social and spiritual being—what it means to be a person in the diverse worlds of which we are a part, and to which we contribute in significant ways. It further strives to reintegrate moral and value considerations into philosophy throughout the range of its inquiries.The work is organized into four parts. Part I deals precisely with personhood and includes areas of inquiry such as the performance of emotions and the nature of the body and of consciousness/mind. The following section focuses on questions of rationality and discusses various forms of rationality and rational practices that integrate value considerations at their core. In Part III, Deutsch analyzes the ontological or metaphysical problems of time and space causality, creativity, and freedom. The final section sets forth the conditions for a creative morality and creative anarchism, concluding with a discussion of human destiny and death.

Presents a theory of art which is at once universal in its general conception and historically-grounded in its attention to aesthetic practices in diverse cultures. Argues that art, especially today, enjoys a special kind of autonomy but that it has, nevertheless, important social and political responsibilities.In this newest book, the author presents a theory of art which is at once universal in its general conception and historically-grounded in its attention to aesthetic practices in diverse cultures. The author argues that especially today art not only enjoys a special kind of autonomy but also has important social and political responsibilities.Deutsch posits that an art work has as its intentionality the striving to be aesthetically forceful, meaningful, and beautiful, with each of these dimensions culturally situated. Working from traditional imitation and expression theories, he argues that the manner of an artwork's coming into being and one's experience of it constitutes an integral whole.Selected aspects of painting, poetry, dance, architecture, films, and music are offered to deepen an understanding of the concepts presented. Also included are several inter-connected themes focusing on the difficult and controversial issues of interpreting art, truth in art, and the relations between art and morality, and art and religion.

This book will be of great interest to all students of Hinduism, students of both Eastern and Western philosophy, and spiritual seekers who wish to better understand this ancient Indian tradition of non-dualist thought.

Through the skillful use of a great variety of literary genres, this book explores the intimate relation and tension between religion and spirituality, evoking a wide range of responses that may awaken one to various possibilities of spiritual experience.

Through the skillful use of a great variety of literary genres, this book explores the intimate relation and tension between religion and spirituality, evoking a wide range of responses that may awaken one to various possibilities of spiritual experience.

Presents a theory of art which is at once universal in its general conception and historically-grounded in its attention to aesthetic practices in diverse cultures. Argues that art, especially today, enjoys a special kind of autonomy but that it has, nevertheless, important social and political responsibilities.In this newest book, the author presents a theory of art which is at once universal in its general conception and historically-grounded in its attention to aesthetic practices in diverse cultures. The author argues that especially today art not only enjoys a special kind of autonomy but also has important social and political responsibilities.Deutsch posits that an art work has as its intentionality the striving to be aesthetically forceful, meaningful, and beautiful, with each of these dimensions culturally situated. Working from traditional imitation and expression theories, he argues that the manner of an artwork's coming into being and one's experience of it constitutes an integral whole.Selected aspects of painting, poetry, dance, architecture, films, and music are offered to deepen an understanding of the concepts presented. Also included are several inter-connected themes focusing on the difficult and controversial issues of interpreting art, truth in art, and the relations between art and morality, and art and religion.