Elizabeth A. Fay – författare

Elizabeth Fay's invaluable book addresses the student in an immediate and direct manner to provide an unequalled introduction to the issues most important for feminist analyses of Romantic literature.

Fay examines the unacknowledged political uses of language in modern culture that engender and effectuate power imbalances among speakers and listeners. She locates six strategies in which women are particularly targeted by politicized rhetoric and shows how they are used in a variety of language-informed social arenas. Using bell hooks' pedagogy of talking back, Eminent Rhetoric argues that women need not only to learn how to recognize victimizing rhetoric, but also to start to challenge it and its rhetors. Women must be shown how the everyday language of politicians, educators, and newscasters is not natural but is marked--designed for manipulative purposes that put women at risk.

Romanticism: The Basics provides a concise overview of the study Romanticism and its global dimensions, covering the major aspects of romanticism, from the historical period (1780s – 1830s), to different national romanticisms.It examines the main topics of current scholarly debate with accessible surveys, highlighting both important literary works and exciting recent discoveries of works previously forgotten. Chapters cover different Romanticisms, revolution, empire, race, gender identity, the gothic, science and history, and the Regency. Each chapter uses specific writers to illustrate controversies or debates, as well as surveying a spread of writers, intellectuals, political actors, and innovators whose contributions were indispensable to the period. It also features a helpful timeline, end-of-chapter further reading suggestions, and a comprehensive glossary.This practical guide to Romanticism offers an expert overview and reveals exciting aspects of recent and current research in the field. It is an essential read for students, scholars, and critics of the Romantic era.

Romanticism: The Basics provides a concise overview of the study Romanticism and its global dimensions, covering the major aspects of romanticism, from the historical period (1780s – 1830s), to different national romanticisms.It examines the main topics of current scholarly debate with accessible surveys, highlighting both important literary works and exciting recent discoveries of works previously forgotten. Chapters cover different Romanticisms, revolution, empire, race, gender identity, the gothic, science and history, and the Regency. Each chapter uses specific writers to illustrate controversies or debates, as well as surveying a spread of writers, intellectuals, political actors, and innovators whose contributions were indispensable to the period. It also features a helpful timeline, end-of-chapter further reading suggestions, and a comprehensive glossary.This practical guide to Romanticism offers an expert overview and reveals exciting aspects of recent and current research in the field. It is an essential read for students, scholars, and critics of the Romantic era.

An exploration of the treatment of Mary Shelley's Frankenstein in popular art and culture, this book examines adaptations in film, comics, theatre, art, video-games and more, to illuminate how the novel's myth has evolved in the two centuries since its publication. Divided into four sections, The Afterlives of Frankenstein considers the cultural dialogues Mary Shelley’s novel has engaged with in specific historical moments; the extraordinary examples of how Frankenstein has suffused our cultural consciousness; and how the Frankenstein myth has become something to play with, a locus for reinvention and imaginative interpretation. In the final part, artists respond to the Frankenstein legacy today, reintroducing it into cultural circulation in ways that speak creatively to current anxieties and concerns.Bringing together popular interventions that riff off Shelley's major themes, chapters survey such works as Frankenstein in Baghdad, Bob Dylan’s recent “My Own Version of You”, the graphic novel series Destroyer with its Black cast of characters, Jane Louden’s The Mummy!, the first Japanese translation of Frankenstein, “The New Creator”, the iconic Frankenstein mask and Kenneth Brannagh’s Mary Shelley’s Frankenstein film. A deep-dive into the crevasses of Frankenstein adaptation and lore, this volume offers compelling new directions for scholarship surrounding the novel through dynamic critical and creative responses to Shelley's original.

An exploration of the treatment of Mary Shelley''s Frankenstein in popular art and culture, this book examines adaptations in film, comics, theatre, art, video-games and more, to illuminate how the novel''s myth has evolved in the two centuries since its publication. Divided into four sections, The Afterlives of Frankenstein considers the cultural dialogues Mary Shelley''s novel has engaged with in specific historical moments; the extraordinary examples of how Frankenstein has suffused our cultural consciousness; and how the Frankenstein myth has become something to play with, a locus for reinvention and imaginative interpretation. In the final part, artists respond to the Frankenstein legacy today, reintroducing it into cultural circulation in ways that speak creatively to current anxieties and concerns.Bringing together popular interventions that riff off Shelley''s major themes, chapters survey such works as Frankenstein in Baghdad, Bob Dylan''s recent “My Own Version of You”, the graphic novel series Destroyer with its Black cast of characters, Jane Louden''s The Mummy!, the first Japanese translation of Frankenstein, “The New Creator”, the iconic Frankenstein mask and Kenneth Brannagh''s Mary Shelley''s Frankenstein film. A deep-dive into the crevasses of Frankenstein adaptation and lore, this volume offers compelling new directions for scholarship surrounding the novel through dynamic critical and creative responses to Shelley''s original.

An exploration of the treatment of Mary Shelley''s Frankenstein in popular art and culture, this book examines adaptations in film, comics, theatre, art, video-games and more, to illuminate how the novel''s myth has evolved in the two centuries since its publication. Divided into four sections, The Afterlives of Frankenstein considers the cultural dialogues Mary Shelley''s novel has engaged with in specific historical moments; the extraordinary examples of how Frankenstein has suffused our cultural consciousness; and how the Frankenstein myth has become something to play with, a locus for reinvention and imaginative interpretation. In the final part, artists respond to the Frankenstein legacy today, reintroducing it into cultural circulation in ways that speak creatively to current anxieties and concerns.Bringing together popular interventions that riff off Shelley''s major themes, chapters survey such works as Frankenstein in Baghdad, Bob Dylan''s recent “My Own Version of You”, the graphic novel series Destroyer with its Black cast of characters, Jane Louden''s The Mummy!, the first Japanese translation of Frankenstein, “The New Creator”, the iconic Frankenstein mask and Kenneth Brannagh''s Mary Shelley''s Frankenstein film. A deep-dive into the crevasses of Frankenstein adaptation and lore, this volume offers compelling new directions for scholarship surrounding the novel through dynamic critical and creative responses to Shelley''s original.

An exploration of the treatment of Mary Shelley's Frankenstein in popular art and culture, this book examines adaptations in film, comics, theatre, art, video-games and more, to illuminate how the novel's myth has evolved in the two centuries since its publication. Divided into four sections, The Afterlives of Frankenstein considers the cultural dialogues Mary Shelley’s novel has engaged with in specific historical moments; the extraordinary examples of how Frankenstein has suffused our cultural consciousness; and how the Frankenstein myth has become something to play with, a locus for reinvention and imaginative interpretation. In the final part, artists respond to the Frankenstein legacy today, reintroducing it into cultural circulation in ways that speak creatively to current anxieties and concerns.Bringing together popular interventions that riff off Shelley's major themes, chapters survey such works as Frankenstein in Baghdad, Bob Dylan’s recent “My Own Version of You”, the graphic novel series Destroyer with its Black cast of characters, Jane Louden’s The Mummy!, the first Japanese translation of Frankenstein, “The New Creator”, the iconic Frankenstein mask and Kenneth Brannagh’s Mary Shelley’s Frankenstein film. A deep-dive into the crevasses of Frankenstein adaptation and lore, this volume offers compelling new directions for scholarship surrounding the novel through dynamic critical and creative responses to Shelley's original.

Offers a new, Spinozist framework for understanding encounters with otherness in Romantic literature as experiences of immanence.Romantic Immanence examines literary examples of an alternative experience of otherness-an experience of alterity the Romantics understood as an embodied, immanent encounter with raw reality. The Romantics' enthusiasm for encounters in nature and the imagination that exceeded the limits of rational thought is well known. Yet these encounters have largely been interpreted in terms of the sublime or the Gothic. Drawing attention to the influence of Spinozist and Stoic philosophy on Romantic thought and aesthetics, Elizabeth A. Fay argues that immanence was another, perhaps even more important, form of alterity, particularly during this era of social and political upheaval. Investigating works such as Coleridge's Rime of the Ancient Mariner, Dorothy Wordsworth's Grasmere Journals, and Percy Shelley's Triumph of Life alongside Schelling's unfinished Ages of the World and Schlegel's Athenaeum Fragments, Fay demonstrates how Romantic immanence, despite going largely unrecognized with the loss of its initial context, remains vividly present in these works.

Offers a new, Spinozist framework for understanding encounters with otherness in Romantic literature as experiences of immanence.Romantic Immanence examines literary examples of an alternative experience of otherness-an experience of alterity the Romantics understood as an embodied, immanent encounter with raw reality. The Romantics' enthusiasm for encounters in nature and the imagination that exceeded the limits of rational thought is well known. Yet these encounters have largely been interpreted in terms of the sublime or the Gothic. Drawing attention to the influence of Spinozist and Stoic philosophy on Romantic thought and aesthetics, Elizabeth A. Fay argues that immanence was another, perhaps even more important, form of alterity, particularly during this era of social and political upheaval. Investigating works such as Coleridge's Rime of the Ancient Mariner, Dorothy Wordsworth's Grasmere Journals, and Percy Shelley's Triumph of Life alongside Schelling's unfinished Ages of the World and Schlegel's Athenaeum Fragments, Fay demonstrates how Romantic immanence, despite going largely unrecognized with the loss of its initial context, remains vividly present in these works.

Romantic Egypt: Abyssal Ground of British Romanticism traces the historical, cultural and intellectual affiliations between Ancient Egypt and Romantic-period Britain and Germany, including the influences contributed by European thought, politics, and interventions such as Napoleon’s 1799 Egyptian Campaign. Until the contributions of Napoleon’s expedition to scientific knowledge of Ancient Egyptian monuments and ruins, Egypt had been largely swathed in mystical explanations of its past, its achievements, its beliefs, and its cultural importance; however, the increased knowledge about Ancient Egypt competed with the allure of a more mythically imbued antiquity in the Romantic imagination. Romantic Egypt argues that this balance between knowing and not-knowing, between deciphering and imagining a golden-age Egypt, between enlightened thought and mysticism, was essential to the development of the Romantic imaginary because, for the Romantics, western philosophy and art had their birth in the all-but-lost wisdom of Ancient Egypt.