Eric G. E. Zuelow - Böcker
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The Oxford Handbook of Tourism History provides an essential reference resource that consolidates innovative research into the history of tourism while mapping new trajectories that embrace scholars working in a variety of national contexts. The collection's original essays give advanced students, instructors, and researchers an overview of the field as it exists today and chart a course forward -- particularly as regards the nascent histories of various "niche" tourism practices, which have yet to receive adequate historical analysis. The handbook showcases what we now know and highlights what we do not, serving as a necessary starting point for those anxious to craft the future history of tourism. Moreover, it offers coherence to the exploration of tourism historiography by offering readers a resource in which a common set of axes of analysis -- specifically nationhood, sexuality, race, gender and class -- are systematically explored across a wide expanse of time and space in discrete engagements with core themes in tourism history.
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From the dark shadow of civil war to the pastel-painted tourist towns of today, ""Making Ireland Irish"" provides a sweeping account of the evolution of the Irish tourist industry over the twentieth century. Drawing on an extensive array of previously untapped or underused sources, Eric G. E. Zuelow examines how a small group of tourism advocates, inspired by tourist development movements in countries such as France and Spain, worked tirelessly to convince their Irish compatriots that tourism was the secret to Ireland's success. Over time, tourism went from being a national joke to a national interest. Men and women from across Irish society joined in, eager to help shape their country and culture for visitors' eyes. The result was Ireland as it is depicted today, a land of blue skies, smiling faces, pastel towns, natural beauty, ancient history, and timeless traditions. With lucid prose and vivid detail, Zuelow explains how careful planning transformed Irish towns and villages from grey and unattractive to bright and inviting, sanitized Irish history to avoid offending Ireland's largest tourist market, the English, and supplanted traditional rural fairs revolving around muddy animals and featuring sexually suggestive ceremonies with new family-friendly festivals and events filling the tourist calendar today. By challenging existing notions that the Irish tourist product is either timeless or the consequence of colonialism, Zuelow demonstrates that the development of tourist imagery and Irish national identity was not the result of a handful of elites or a postcolonial legacy, but rather the product of an extended discussion that ultimately involved a broad cross-section of society, both inside and outside Ireland. Tourism, he argues, played a vital role in 'making Ireland Irish.'