Eric Higgs – författare

Can we use technology in the pursuit of a good life, or are we doomed to having our lives organized and our priorities set by the demands of machines and systems? How can philosophy help us to make technology a servant rather than a master?Technology and the Good Life? uses a careful collective analysis of Albert Borgmann's controversial and influential ideas as a jumping-off point from which to address questions such as these about the role and significance of technology in our lives. Contributors both sympathetic and critical examine Borgmann's work, especially his "device paradigm"; apply his theories to new areas such as film, agriculture, design, and ecological restoration; and consider the place of his thought within philosophy and technology studies more generally.Because this collection carefully investigates the issues at the heart of how we can take charge of life with technology, it will be a landmark work not just for philosophers of technology but for students and scholars in the many disciplines concerned with science and technology studies.

Can we use technology in the pursuit of a good life, or are we doomed to having our lives organized and our priorities set by the demands of machines and systems? How can philosophy help us to make technology a servant rather than a master? Technology and the Good Life? uses a careful collective analysis of Albert Borgmann''s controversial and influential ideas as a jumping-off point from which to address questions such as these about the role and significance of technology in our lives. Contributors both sympathetic and critical examine Borgmann''s work, especially his "device paradigm"; apply his theories to new areas such as film, agriculture, design, and ecological restoration; and consider the place of his thought within philosophy and technology studies more generally. Because this collection carefully investigates the issues at the heart of how we can take charge of life with technology, it will be a landmark work not just for philosophers of technology but for students and scholars in the many disciplines concerned with science and technology studies.

The Canadian Mountain Assessment provides a first-of-its-kind look at what we know, do not know, and need to know about mountain systems in Canada. The assessment is based on insights from First Nations, Métis, and Inuit knowledges of mountains, as well as findings from an extensive assessment of pertinent academic literature. Its inclusive knowledge co-creation approach brings these multiple forms of evidence together in ways that enhance our collective understanding of mountains in Canada, while also respecting and maintaining the integrity of different knowledge systems.The Canadian Mountain Assessment is a text-based document, but also includes a variety of visual materials as well as access to video recordings of oral knowledges shared by Indigenous individuals from mountain areas in Canada. The assessment is the result of over three years of work, during which time the initiative played an important role in connecting and cultivating relationships between mountain knowledge holders from across Canada. It is the outcome of contributions from more than 80 Indigenous and non-Indigenous individuals and contains six chapters:IntroductionMountain EnvironmentsMountains as HomelandsGifts of the MountainsMountains Under PressureDesirable Mountain FuturesBy way of these chapters, the Canadian Mountain Assessment aims to enhance appreciation for the diversity and significance of mountains in Canada, to clarify challenges and opportunities for mountain systems in the country, and to motivate and inform new research, relationships, and actions that support the realization of desirable mountain futures. More broadly, the Canadian Mountain Assessment provides insights into applied reconciliation efforts in a knowledge assessment context and seeks to inspire similar knowledge co-creation efforts in and beyond Canada.

The Canadian Mountain Assessment provides a first-of-its-kind look at what we know, do not know, and need to know about mountain systems in Canada. The assessment is based on insights from First Nations, Métis, and Inuit knowledges of mountains, as well as findings from an extensive assessment of pertinent academic literature. Its inclusive knowledge co-creation approach brings these multiple forms of evidence together in ways that enhance our collective understanding of mountains in Canada, while also respecting and maintaining the integrity of different knowledge systems.The Canadian Mountain Assessment is a text-based document, but also includes a variety of visual materials as well as access to video recordings of oral knowledges shared by Indigenous individuals from mountain areas in Canada. The assessment is the result of over three years of work, during which time the initiative played an important role in connecting and cultivating relationships between mountain knowledge holders from across Canada. It is the outcome of contributions from more than 80 Indigenous and non-Indigenous individuals and contains six chapters:IntroductionMountain EnvironmentsMountains as HomelandsGifts of the MountainsMountains Under PressureDesirable Mountain FuturesBy way of these chapters, the Canadian Mountain Assessment aims to enhance appreciation for the diversity and significance of mountains in Canada, to clarify challenges and opportunities for mountain systems in the country, and to motivate and inform new research, relationships, and actions that support the realization of desirable mountain futures. More broadly, the Canadian Mountain Assessment provides insights into applied reconciliation efforts in a knowledge assessment context and seeks to inspire similar knowledge co-creation efforts in and beyond Canada.

In Mountain Voices, alpinists, activists, artists, and mountain researchers share the ways Canadian mountains have impacted their lives. Each contributor brings a unique and fascinating perspective to the mountain landscape with short essays accompanied by a pair of photographs from the remarkable archive of the Mountain Legacy Project, illustrating the history, geography, and lasting inspiration of the mountains.Mountain Voices draws on the vast bank of historic and repeat photographs produced by the Mountain Legacy Project, the world's largest systematic and comprehensive collection of mountain photographs, spanning more than a century. From fragile glass plate negatives to modern, high-resolution photography, these images document a mountain landscape during times of drastic change.Mountain Voices features a diverse array of voices, including Indigenous activists, employees of Canada's national parks, interdisciplinary scientists dedicated to mountains, alpine adventurers, and historians captivated by tales of mountain pasts. Mountain Voices brings the landscape to life through the passion and devotion of those who love it deeply.With contributions by: Leanne Allison, Renellta Arluk, Rick Arthur, Catrin Brown, Bruce Cockburn, Alison Criscitiello, Joanna Croston, Jill Delaney, Winston Delorne, Julie Fortin, Paulette M. Fox, Will Gadd, Ben Gadd, Eric Higgs, David Hik, Aerin Jacob, David P. Jones, Gùdia (Mary Jane) Jonson, Michelle Koppes, Roger Laurilla, Nikita Lopoukhine, Bruce Mayer, Bernadette McDonald, Ella Molnar-Piché, Pat Morrow, Peter Murphy, Liza Piper, Graeme Pole, Martin F. Price, Sara Renner, Jeanine Rhemtulla, Chris Rhodes, Zac Robinson, Mary Sanseverino, Chic Scott, Rain Scott, Stephen Slemon, William Snow, Karen Sorensen, Ellie Stephenson, Robert D. Turner, Nancy J. Turner, Robert Vranich, Kristen Walsh, Meghan J. Ward, Rob Watt, Cliff White, Andy Williams, Carmen Wong, Ken Wylie

In Mountain Voices, alpinists, activists, artists, and mountain researchers share the ways Canadian mountains have impacted their lives. Each contributor brings a unique and fascinating perspective to the mountain landscape with short essays accompanied by a pair of photographs from the remarkable archive of the Mountain Legacy Project, illustrating the history, geography, and lasting inspiration of the mountains.Mountain Voices draws on the vast bank of historic and repeat photographs produced by the Mountain Legacy Project, the world's largest systematic and comprehensive collection of mountain photographs, spanning more than a century. From fragile glass plate negatives to modern, high-resolution photography, these images document a mountain landscape during times of drastic change.Mountain Voices features a diverse array of voices, including Indigenous activists, employees of Canada's national parks, interdisciplinary scientists dedicated to mountains, alpine adventurers, and historians captivated by tales of mountain pasts. Mountain Voices brings the landscape to life through the passion and devotion of those who love it deeply.With contributions by: Leanne Allison, Renellta Arluk, Rick Arthur, Catrin Brown, Bruce Cockburn, Alison Criscitiello, Joanna Croston, Jill Delaney, Winston Delorne, Julie Fortin, Paulette M. Fox, Will Gadd, Ben Gadd, Eric Higgs, David Hik, Aerin Jacob, David P. Jones, Gùdia (Mary Jane) Jonson, Michelle Koppes, Roger Laurilla, Nikita Lopoukhine, Bruce Mayer, Bernadette McDonald, Ella Molnar-Piché, Pat Morrow, Peter Murphy, Liza Piper, Graeme Pole, Martin F. Price, Sara Renner, Jeanine Rhemtulla, Chris Rhodes, Zac Robinson, Mary Sanseverino, Chic Scott, Rain Scott, Stephen Slemon, William Snow, Karen Sorensen, Ellie Stephenson, Robert D. Turner, Nancy J. Turner, Robert Vranich, Kristen Walsh, Meghan J. Ward, Rob Watt, Cliff White, Andy Williams, Carmen Wong, Ken Wylie

Can we use technology in the pursuit of a good life, or are we doomed to having our lives organized and our priorities set by the demands of machines and systems? How can philosophy help us to make technology a servant rather than a master?Technology and the Good Life? uses a careful collective analysis of Albert Borgmann's controversial and influential ideas as a jumping-off point from which to address questions such as these about the role and significance of technology in our lives. Contributors both sympathetic and critical examine Borgmann's work, especially his "device paradigm"; apply his theories to new areas such as film, agriculture, design, and ecological restoration; and consider the place of his thought within philosophy and technology studies more generally.Because this collection carefully investigates the issues at the heart of how we can take charge of life with technology, it will be a landmark work not just for philosophers of technology but for students and scholars in the many disciplines concerned with science and technology studies.