Eva Heubach – författare
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5 produkter
5 produkter
Inbunden, Engelska, 2021
1 608 kr
Skickas inom 10-15 vardagar
For a long time, analysis of the work of Samuel Beckett has been dominated by existentialist and post-structuralist interpretations. This new volume instead raises the question of how to understand Beckett via the dialectics underpinning his work. The different chapters explore how Beckett exposes and challenges essential dialectical concepts such as objectivity, subjectivity, exteriority, interiority, immanence, transcendence, and most crucially: negativity. With contributions from prominent scholars such as Alain Badiou, Mladen Dolar, and Rebecca Comay, Beckett and Dialectics not only sheds new light on how Beckett investigates the shapes, types, and forms of negation – as in the all-pervasive figures of ‘nothing’, ‘no’, ‘null’, and ‘not’ – but also examines how several phenomena that occur throughout Beckett’s work are structured in their use of negativity. These include the relationships between voice and silence, space and void, movement and stasis, the finite and the infinite and repetition and transformation. This original analysis lends an important new perspective to Beckett studies, and even more fundamentally, to dialectics itself.
E-bok
PDF, Engelska, 2021557 kr
Läs direkt efter köp
For a long time, analysis of the work of Samuel Beckett has been dominated by existentialist and post-structuralist interpretations. This new volume instead raises the question of how to understand Beckett via the dialectics underpinning his work. The different chapters explore how Beckett exposes and challenges essential dialectical concepts such as objectivity, subjectivity, exteriority, interiority, immanence, transcendence, and most crucially: negativity. With contributions from prominent scholars such as Alain Badiou, Mladen Dolar, and Rebecca Comay, Beckett and Dialectics not only sheds new light on how Beckett investigates the shapes, types, and forms of negation – as in the all-pervasive figures of ''nothing'', ''no'', ''null'', and ''not'' – but also examines how several phenomena that occur throughout Beckett''s work are structured in their use of negativity. These include the relationships between voice and silence, space and void, movement and stasis, the finite and the infinite and repetition and transformation. This original analysis lends an important new perspective to Beckett studies, and even more fundamentally, to dialectics itself.
E-bok
Engelska, 2021557 kr
Läs direkt efter köp
For a long time, analysis of the work of Samuel Beckett has been dominated by existentialist and post-structuralist interpretations. This new volume instead raises the question of how to understand Beckett via the dialectics underpinning his work. The different chapters explore how Beckett exposes and challenges essential dialectical concepts such as objectivity, subjectivity, exteriority, interiority, immanence, transcendence, and most crucially: negativity. With contributions from prominent scholars such as Alain Badiou, Mladen Dolar, and Rebecca Comay, Beckett and Dialectics not only sheds new light on how Beckett investigates the shapes, types, and forms of negation – as in the all-pervasive figures of ''nothing'', ''no'', ''null'', and ''not'' – but also examines how several phenomena that occur throughout Beckett''s work are structured in their use of negativity. These include the relationships between voice and silence, space and void, movement and stasis, the finite and the infinite and repetition and transformation. This original analysis lends an important new perspective to Beckett studies, and even more fundamentally, to dialectics itself.
Häftad, Engelska, 2022
520 kr
Skickas inom 10-15 vardagar
For a long time, analysis of the work of Samuel Beckett has been dominated by existentialist and post-structuralist interpretations. This new volume instead raises the question of how to understand Beckett via the dialectics underpinning his work. The different chapters explore how Beckett exposes and challenges essential dialectical concepts such as objectivity, subjectivity, exteriority, interiority, immanence, transcendence, and most crucially: negativity. With contributions from prominent scholars such as Alain Badiou, Mladen Dolar, and Rebecca Comay, Beckett and Dialectics not only sheds new light on how Beckett investigates the shapes, types, and forms of negation – as in the all-pervasive figures of ‘nothing’, ‘no’, ‘null’, and ‘not’ – but also examines how several phenomena that occur throughout Beckett’s work are structured in their use of negativity. These include the relationships between voice and silence, space and void, movement and stasis, the finite and the infinite and repetition and transformation. This original analysis lends an important new perspective to Beckett studies, and even more fundamentally, to dialectics itself.
E-bok
PDF, Tyska, 2013217 kr
Läs direkt efter köp
Im Nirgendwo beginnt die Desertion: Fatzer scheißt auf die Ordnung der Welt und seine Kameraden machen es ihm zunächst nach. Brechts Fragment, das vom Untergang des Egoisten Johann Fatzer berichtet, untersucht in immer neuen Ansätzen auch das Verhältnis von (Un-)Ordnung und (Ent-)Ortung sowie ihre Potentialität für die Verhandlung des Kollektiven. So steht der vermeintlichen Offenheit der Straße als eines Orts des Kollektivs und der Menge in Fatzers Rundgang durch Mülheim, mit dem er die Stadt vermisst, die Beengtheit der Kellerwohnung gegenüber, in der die Deserteure auf die Revolution warten und sich an die Gurgel gehen."Die Erkenntnis kann an einem anderen Ort gebraucht werden, als wo sie gefunden wurde." – diese Notiz aus dem Fatzer-Fragment nahm das Symposion der Zweiten Fatzer Tage im Juni 2012 als Einladung, gemeinsam der Verbindung von Räumen, Orten und Kollektiven nachzuforschen. Denn die Frage nach dem Raum und dem Ort ist im Fatzer-Fragment zugleich eine Frage nach dem Kollektiv, seinem Auftritt ebenso wie seiner Abwesenheit oder seiner Konstitution. Brechts Notiz folgend wurde zudem nach den Möglichkeitsräumen gefragt, die sich an der Schnittstelle von gegenwärtigen Aufführungsformen und Brechts vielleicht radikalstem Experiment öffnen. Wo und wie können die Widersprüche, Paradoxien und Spannungen, die Brecht in Fatzer festhält, heute gebraucht und produktiv gemacht werden? Welche Perspektive erlauben neuere theoretische wie praktische Ansätze für die Beschäftigung mit Brechts Text und welche Perspektiven eröffnet dieser für die Gegenwart?Der zweite Band der Mülheimer Fatzerbücher – Räume, Orte, Kollektive – gibt das Symposion der Fatzer Tage 2012 sowie weitergehende Überlegungen wieder und dokumentiert ausführlich die während des Festivals gezeigten Aufführungen: Kill Your Darlings! Streets of Berladelphia von René Pollesch, die norwegische Fatzer-Inszenierung von Tore Vagn Lid und Wessen Stadt ist die Stadt? Ein Aufstand von LIGNA.