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The margins of early modern bibles are filled with explanatory notes that have long been denounced as seditious, traitorous, and dangerous. Little attention has been paid to the actual use of these margins by their contemporary readership. Across chapters that attend to distinct demographics of readers ^—^editors, clerical, Catholic, literary ^—^ Horbury demonstrates the diverse reading practices of those who pursued the margins of the early modern Bible. From William Tyndale's New Testament to the impact of the King James, Reading the Margins of the Early Modern Bible reconceptualises our understanding of how the Bible was read in early modern England and presents a transformative investigation into the role that margins played in reading scripture.
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Examination of the motif of the prodigal son as treated in early modern drama, from Shakespeare to Beaumont and Fletcher.Why is it bad to spend too much money? In early modern England, the concept of prodigality governed all forms of financial excess and misuse, from gambling away your family estate to buying too much food. To be prodigal was not only to lack self-discipline but to be immorally excessive. Prodigals were foolish, reckless, and sinful, but their lives were also ones of excitement, lust, luxury, and intrigue. Ambivalently positioned between conservative financial ideals and increasingly popular economic indulgences, prodigals embodied a nation's anxieties about the advent of early capitalism.This book analyses the prodigal youth archetype in early modern drama, examining plays byShakespeare, Middleton, Jonson, Randolph, Chapman, Marston, Beaumont and Fletcher, Davenport, Gascoigne, Heywood, as well as anonymous works and morality plays. The theatres, which were so often criticised for financial excess, became the perfect setting for the rebellious exploits of prodigal youths, and their rises and falls were dramatised with increasing glamorisation between 1500 and 1642. By discussing humanist education practices, Aristotelian ethics, urban change, cuckoldry, usury, and sex work, the author offers the first examination of prodigality and the ways in which England at first condemned, then tolerated, and then eventually came to celebrate excessive spending.EZRA HORBURY is Lecturer in Renaissance/Early Modern Literature at the University of York.