The Routledge History of Love in World Literature and Culture offers a wide-ranging, global rethinking of romantic love. Bringing together scholars from across continents and disciplines, the volume shows how love is imagined, practiced, and contested in different cultural, historical, and political contexts, challenging the idea that love follows a single, universal script.The collection examines representations of eros across Africa, East Asia, the Middle East, South Asia, Europe, and the Americas, spanning medieval texts to contemporary novels, film, television, visual art, and theatre. Well-known case studies include So Long a Letter, The God of Small Things, The Arabian Nights, The Forty Rules of Love, as well as works by Olive Schreiner, Gabriel García Márquez, Louise Erdrich, and modern Chinese and Japanese fiction. Rather than treating love as timeless or purely personal, contributors show how it is shaped by gender, religion, colonial histories, nationalism, technology, ecology, and changing social norms. The volume explores transgressive, queer, feminist, posthuman, and more-than-human forms of love, revealing love as a powerful force that both sustains and unsettles communities.Designed as an accessible and digestible reference, the chapters broaden understanding of the cultural politics of emotions for scholars and students in literary and cultural studies, world literature, gender studies, film studies, posthumanism, and the humanities more broadly. It offers a landmark contribution to the study of emotions and global culture for research and teaching alike.

The Routledge History of Love in World Literature and Culture offers a wide-ranging, global rethinking of romantic love. Bringing together scholars from across continents and disciplines, the volume shows how love is imagined, practiced, and contested in different cultural, historical, and political contexts, challenging the idea that love follows a single, universal script.The collection examines representations of eros across Africa, East Asia, the Middle East, South Asia, Europe, and the Americas, spanning medieval texts to contemporary novels, film, television, visual art, and theatre. Well-known case studies include So Long a Letter, The God of Small Things, The Arabian Nights, The Forty Rules of Love, as well as works by Olive Schreiner, Gabriel Garcia Marquez, Louise Erdrich, and modern Chinese and Japanese fiction. Rather than treating love as timeless or purely personal, contributors show how it is shaped by gender, religion, colonial histories, nationalism, technology, ecology, and changing social norms. The volume explores transgressive, queer, feminist, posthuman, and more-than-human forms of love, revealing love as a powerful force that both sustains and unsettles communities.Designed as an accessible and digestible reference, the chapters broaden understanding of the cultural politics of emotions for scholars and students in literary and cultural studies, world literature, gender studies, film studies, posthumanism, and the humanities more broadly. It offers a landmark contribution to the study of emotions and global culture for research and teaching alike.

The Routledge History of Love in World Literature and Culture offers a wide-ranging, global rethinking of romantic love. Bringing together scholars from across continents and disciplines, the volume shows how love is imagined, practiced, and contested in different cultural, historical, and political contexts, challenging the idea that love follows a single, universal script.The collection examines representations of eros across Africa, East Asia, the Middle East, South Asia, Europe, and the Americas, spanning medieval texts to contemporary novels, film, television, visual art, and theatre. Well-known case studies include So Long a Letter, The God of Small Things, The Arabian Nights, The Forty Rules of Love, as well as works by Olive Schreiner, Gabriel Garcia Marquez, Louise Erdrich, and modern Chinese and Japanese fiction. Rather than treating love as timeless or purely personal, contributors show how it is shaped by gender, religion, colonial histories, nationalism, technology, ecology, and changing social norms. The volume explores transgressive, queer, feminist, posthuman, and more-than-human forms of love, revealing love as a powerful force that both sustains and unsettles communities.Designed as an accessible and digestible reference, the chapters broaden understanding of the cultural politics of emotions for scholars and students in literary and cultural studies, world literature, gender studies, film studies, posthumanism, and the humanities more broadly. It offers a landmark contribution to the study of emotions and global culture for research and teaching alike.

A close analysis of Farah's novels is used to track the contradictions implicit in the notion of the modern, disengaged self and how transformations of the novel in literary history attempt to negotiate this founding contradiction.The Somali novelist, Nuruddin Farah, is one of the most important African writers today. The central question that this book investigates is the relationship between modern identity and the novel as a genre. Nuruddin Farah's novels are shown by Moolla to encompass the history of the novel: from the 'proto-realism' of the acclaimed From a Crooked Rib to the modernism of A Naked Needle and the postmodernism of, most notably, Maps, returning almost full circle with his most recent novel Crossbones.Moolla examines his writing within the framework of Somali society and culture, Islamic traditions and political contexts, all of which are central themesin his work. She also addresses Farah's engagement with women's lives - his female characters and identities being at the heart of, rather than peripheral, to his stories - something that has distinguished him from many other male African writers.The book finally suggests that through his literary negotiation of the central contradiction of modern identity, Farah comes close to constituting a subject who no longer is transcendentally 'homeless', butfinds a home 'everywhere' - a fitting project for a writer who has been in exile for the greater part of his life.F. Fiona Moolla is a Senior Lecturer in the Faculty of Arts at the University of the Western Cape in South Africa as well as a freelance writer and published author of short stories.South Africa and Zimbabwe (pb only): Blue Weaver

One of the first edited volumes to encompass transdisciplinary approaches to a number of cultural forms, including fiction, non-fiction, oral expression and digital media. Environmental and animal studies are rapidly growing areas of interest across a number of disciplines. Natures of Africa is one of the first edited volumes which encompasses transdisciplinary approaches to a number of cultural forms, including fiction, non-fiction, oral expression and digital media. The volume features new research from East Africa and Zimbabwe, as well as the ecocritical and eco-activist 'powerhouses' of Nigeria and South Africa. The chapters engage one another conceptually and epistemologically without an enforced consensus of approach. In their conversation with dominant ideas about nature and animals, they reveal unexpected insights into forms of cultural expression of local communities in Africa. The analyses explore different apprehensions of the connections between humans, animals and the environment, and suggest alternative ways of addressing the challenges facing the continent. These include the problems of global warming, desertification, floods, animal extinctions and environmental destruction attendant upon fossil fuel extraction. There are few books that show how nature in Africa is represented, celebrated, mourned or commoditised. Natures of Africa weaves together studies of narratives - from folklore, travel writing, novels and popular songs - with the insights of poetry and contemporary reflections of Africa on the worldwide web. The chapters test disciplinary and conceptual boundaries, highlighting the ways in which the environmental concerns of African communities cannot be disentangled from social, cultural and political questions. This volume draws on and will appeal to scholars and teachers of oral tradition and indigenous cultures, literature, religion, sociology and anthropology, environmental and animal studies, as well as media and digital cultures in an African context.

Environmental and animal studies are rapidly growing areas of interest across a number of disciplines. Natures of Africa is one of the first edited volumes which encompasses transdisciplinary approaches to a number of cultural forms, including fiction, non-fiction, oral expression and digital media. The volume features new research from East Africa and Zimbabwe, as well as the ecocritical and eco-activist ‘powerhouses’ of Nigeria and South Africa. The chapters engage one another conceptually and epistemologically without an enforced consensus of approach. In their conversation with dominant ideas about nature and animals, they reveal unexpected insights into forms of cultural expression of local communities in Africa. The analyses explore different apprehensions of the connections between humans, animals and the environment, and suggest alternative ways of addressing the challenges facing the continent. These include the problems of global warming, desertification, floods, animal extinctions and environmental destruction attendant upon fossil fuel extraction. There are few books that show how nature in Africa is represented, celebrated, mourned or commoditised. Natures of Africa weaves together studies of narratives – from folklore, travel writing, novels and popular songs – with the insights of poetry and contemporary reflections of Africa on the worldwide web. The chapters test disciplinary and conceptual boundaries, highlighting the ways in which the environmental concerns of African communities cannot be disentangled from social, cultural and political questions. This volume draws on and will appeal to scholars and teachers of oral tradition and indigenous cultures, literature, religion, sociology and anthropology, environmental and animal studies, as well as media and digital cultures in an African context.

The Routledge History of Love in World Literature and Culture offers a wide-ranging, global rethinking of romantic love. Bringing together scholars from across continents and disciplines, the volume shows how love is imagined, practiced, and contested in different cultural, historical, and political contexts, challenging the idea that love follows a single, universal script.The collection examines representations of eros across Africa, East Asia, the Middle East, South Asia, Europe, and the Americas, spanning medieval texts to contemporary novels, film, television, visual art, and theatre. Well-known case studies include So Long a Letter, The God of Small Things, The Arabian Nights, The Forty Rules of Love, as well as works by Olive Schreiner, Gabriel García Márquez, Louise Erdrich, and modern Chinese and Japanese fiction. Rather than treating love as timeless or purely personal, contributors show how it is shaped by gender, religion, colonial histories, nationalism, technology, ecology, and changing social norms. The volume explores transgressive, queer, feminist, posthuman, and more-than-human forms of love, revealing love as a powerful force that both sustains and unsettles communities.Designed as an accessible and digestible reference, the chapters broaden understanding of the cultural politics of emotions for scholars and students in literary and cultural studies, world literature, gender studies, film studies, posthumanism, and the humanities more broadly. It offers a landmark contribution to the study of emotions and global culture for research and teaching alike.

The Routledge History of Love in World Literature and Culture offers a wide-ranging, global rethinking of romantic love. Bringing together scholars from across continents and disciplines, the volume shows how love is imagined, practiced, and contested in different cultural, historical, and political contexts, challenging the idea that love follows a single, universal script.The collection examines representations of eros across Africa, East Asia, the Middle East, South Asia, Europe, and the Americas, spanning medieval texts to contemporary novels, film, television, visual art, and theatre. Well-known case studies include So Long a Letter, The God of Small Things, The Arabian Nights, The Forty Rules of Love, as well as works by Olive Schreiner, Gabriel Garcia Marquez, Louise Erdrich, and modern Chinese and Japanese fiction. Rather than treating love as timeless or purely personal, contributors show how it is shaped by gender, religion, colonial histories, nationalism, technology, ecology, and changing social norms. The volume explores transgressive, queer, feminist, posthuman, and more-than-human forms of love, revealing love as a powerful force that both sustains and unsettles communities.Designed as an accessible and digestible reference, the chapters broaden understanding of the cultural politics of emotions for scholars and students in literary and cultural studies, world literature, gender studies, film studies, posthumanism, and the humanities more broadly. It offers a landmark contribution to the study of emotions and global culture for research and teaching alike.

The Routledge History of Love in World Literature and Culture offers a wide-ranging, global rethinking of romantic love. Bringing together scholars from across continents and disciplines, the volume shows how love is imagined, practiced, and contested in different cultural, historical, and political contexts, challenging the idea that love follows a single, universal script.The collection examines representations of eros across Africa, East Asia, the Middle East, South Asia, Europe, and the Americas, spanning medieval texts to contemporary novels, film, television, visual art, and theatre. Well-known case studies include So Long a Letter, The God of Small Things, The Arabian Nights, The Forty Rules of Love, as well as works by Olive Schreiner, Gabriel Garcia Marquez, Louise Erdrich, and modern Chinese and Japanese fiction. Rather than treating love as timeless or purely personal, contributors show how it is shaped by gender, religion, colonial histories, nationalism, technology, ecology, and changing social norms. The volume explores transgressive, queer, feminist, posthuman, and more-than-human forms of love, revealing love as a powerful force that both sustains and unsettles communities.Designed as an accessible and digestible reference, the chapters broaden understanding of the cultural politics of emotions for scholars and students in literary and cultural studies, world literature, gender studies, film studies, posthumanism, and the humanities more broadly. It offers a landmark contribution to the study of emotions and global culture for research and teaching alike.

A close analysis of Farah's novels is used to track the contradictions implicit in the notion of the modern, disengaged self and how transformations of the novel in literary history attempt to negotiate this founding contradiction.The Somali novelist, Nuruddin Farah, is one of the most important African writers today. The central question that this book investigates is the relationship between modern identity and the novel as a genre. Nuruddin Farah's novels are shown by Moolla to encompass the history of the novel: from the 'proto-realism' of the acclaimed From a Crooked Rib to the modernism of A Naked Needle and the postmodernism of, most notably, Maps, returning almost full circle with his most recent novel Crossbones.Moolla examines his writing within the framework of Somali society and culture, Islamic traditions and political contexts, all of which are central themesin his work. She also addresses Farah's engagement with women's lives - his female characters and identities being at the heart of, rather than peripheral, to his stories - something that has distinguished him from many other male African writers.The book finally suggests that through his literary negotiation of the central contradiction of modern identity, Farah comes close to constituting a subject who no longer is transcendentally 'homeless', butfinds a home 'everywhere' - a fitting project for a writer who has been in exile for the greater part of his life.F. Fiona Moolla is a Senior Lecturer in the Faculty of Arts at the University of the Western Cape in South Africa as well as a freelance writer and published author of short stories.South Africa and Zimbabwe (pb only): Blue Weaver

One of the first edited volumes to encompass transdisciplinary approaches to a number of cultural forms, including fiction, non-fiction, oral expression and digital media. Environmental and animal studies are rapidly growing areas of interest across a number of disciplines. Natures of Africa is one of the first edited volumes which encompasses transdisciplinary approaches to a number of cultural forms, including fiction, non-fiction, oral expression and digital media. The volume features new research from East Africa and Zimbabwe, as well as the ecocritical and eco-activist 'powerhouses' of Nigeria and South Africa. The chapters engage one another conceptually and epistemologically without an enforced consensus of approach. In their conversation with dominant ideas about nature and animals, they reveal unexpected insights into forms of cultural expression of local communities in Africa. The analyses explore different apprehensions of the connections between humans, animals and the environment, and suggest alternative ways of addressing the challenges facing the continent. These include the problems of global warming, desertification, floods, animal extinctions and environmental destruction attendant upon fossil fuel extraction. There are few books that show how nature in Africa is represented, celebrated, mourned or commoditised. Natures of Africa weaves together studies of narratives - from folklore, travel writing, novels and popular songs - with the insights of poetry and contemporary reflections of Africa on the worldwide web. The chapters test disciplinary and conceptual boundaries, highlighting the ways in which the environmental concerns of African communities cannot be disentangled from social, cultural and political questions. This volume draws on and will appeal to scholars and teachers of oral tradition and indigenous cultures, literature, religion, sociology and anthropology, environmental and animal studies, as well as media and digital cultures in an African context.

Environmental and animal studies are rapidly growing areas of interest across a number of disciplines. Natures of Africa is one of the first edited volumes which encompasses transdisciplinary approaches to a number of cultural forms, including fiction, non-fiction, oral expression and digital media. The volume features new research from East Africa and Zimbabwe, as well as the ecocritical and eco-activist ‘powerhouses’ of Nigeria and South Africa. The chapters engage one another conceptually and epistemologically without an enforced consensus of approach. In their conversation with dominant ideas about nature and animals, they reveal unexpected insights into forms of cultural expression of local communities in Africa. The analyses explore different apprehensions of the connections between humans, animals and the environment, and suggest alternative ways of addressing the challenges facing the continent. These include the problems of global warming, desertification, floods, animal extinctions and environmental destruction attendant upon fossil fuel extraction. There are few books that show how nature in Africa is represented, celebrated, mourned or commoditised. Natures of Africa weaves together studies of narratives – from folklore, travel writing, novels and popular songs – with the insights of poetry and contemporary reflections of Africa on the worldwide web. The chapters test disciplinary and conceptual boundaries, highlighting the ways in which the environmental concerns of African communities cannot be disentangled from social, cultural and political questions. This volume draws on and will appeal to scholars and teachers of oral tradition and indigenous cultures, literature, religion, sociology and anthropology, environmental and animal studies, as well as media and digital cultures in an African context.