Faye Hammill – författare

As mass media burgeoned in the years between the first and second world wars, so did another phenomenon-celebrity. Beginning in Hollywood with the studio-orchestrated transformation of uncredited actors into brand-name stars, celebrity also spread to writers, whose personal appearances and private lives came to fascinate readers as much as their work. Women, Celebrity, and Literary Culture between the Wars profiles seven American, Canadian, and British women writers-Dorothy Parker, Anita Loos, Mae West, L. M. Montgomery, Margaret Kennedy, Stella Gibbons, and E. M. Delafield-who achieved literary celebrity in the 1920s and 1930s and whose work remains popular even today. Faye Hammill investigates how the fame and commercial success of these writers-as well as their gender-affected the literary reception of their work. She explores how women writers sought to fashion their own celebrity images through various kinds of public performance and how the media appropriated these writers for particular cultural discourses. She also reassesses the relationship between celebrity culture and literary culture, demonstrating how the commercial success of these writers caused literary elites to denigrate their writing as "middlebrow," despite the fact that their work often challenged middle-class ideals of marriage, home, and family and complicated class categories and lines of social discrimination. The first comparative study of North American and British literary celebrity, Women, Celebrity, and Literary Culture between the Wars offers a nuanced appreciation of the middlebrow in relation to modernism and popular culture.

An important critical study of Canadian literature, placing internationally successful anglophone Canadian authors in the context of their national literary history.While the focus of the book is on twentieth-century and contemporary writing, it also charts the historical development of Canadian literature and discusses important eighteenth- and nineteenth-century authors. The chapters focus on four central topics in Canadian culture: Ethnicity, Race, Colonisation; Wildernesses, Cities, Regions; Desire; and Histories and Stories. Each chapter combines case studies of five key texts with a broad discussion of concepts and approaches, including postcolonial and postmodern reading strategies and theories of space, place and desire. Authors chosen for close analysis include Margaret Atwood, Michael Ondaatje, Alice Munro, Leonard Cohen, Thomas King and Carol Shields.Key Features* The first critical guide to Canadian literature in English* Authors selected on the basis of their popularity on undergraduate courses* Combines historical and thematic approaches to Canadian writing* Links close reading of key texts with theoretical approaches to Canadian literature* Discusses in detail Obasan by Joy Kogawa, Anne of Green Gables by L. M. Montgomery, The Republic of Love by Carol Shields, 'Wilderness Tips' and The Journals of Susanna Moodie by Margaret Atwood, Wild Geese by Martha Ostenso, Fugitive Pieces by Anne Michaels, The Diviners by Margaret Laurence and In the Skin of a Lion by Michael Ondaatje

The print culture of the early twentieth century has become a major area of interest in contemporary Modernist Studies. Modernism’s Print Cultures surveys the explosion of scholarship in this field and provides an incisive, well-informed guide for students and scholars alike. Surveying the key critical work of recent decades, the book explores such topics as:- Periodical publishing – from ‘little magazines’ such as Rhythm to glossy publications such as Vanity Fair- The material aspects of early twentieth-century publishing – small presses, typography, illustration and book design- The circulation of modernist print artefacts through the book trade, libraries, book clubs and cafes- Educational and political print initiativesIncluding accounts of archival material available online, targeted lists of key further reading and a survey of new trends in the field, this is an essential guide to an important area in the study of modernist literature.

The print culture of the early twentieth century has become a major area of interest in contemporary Modernist Studies. Modernism’s Print Cultures surveys the explosion of scholarship in this field and provides an incisive, well-informed guide for students and scholars alike. Surveying the key critical work of recent decades, the book explores such topics as:- Periodical publishing – from ‘little magazines’ such as Rhythm to glossy publications such as Vanity Fair- The material aspects of early twentieth-century publishing – small presses, typography, illustration and book design- The circulation of modernist print artefacts through the book trade, libraries, book clubs and cafes- Educational and political print initiativesIncluding accounts of archival material available online, targeted lists of key further reading and a survey of new trends in the field, this is an essential guide to an important area in the study of modernist literature.

An Open Access edition will be available on publication on the Liverpool University Press website, thanks to funding from the Arts and Humanities Research Council (AHRC).Ocean liners fascinate writers and the public alike. As icons of modernity, mobility, glamour and national prestige, they are widespread in popular culture and, equally, in the canonical novels, plays and poems of the twentieth century. Yet in many literary narratives, darker stories appear, whether of forced migration, shipwreck, war or profiteering. Over the course of a century, ocean-going steamships carried millions of emigrants, refugees, troops, businesspeople, criminals, celebrities, convalescents, socialites, tourists and students. Some travelled in style; others in extreme discomfort. Liners also transported cargo, mail, animals, plants and (inadvertently) diseases. With the arrival of the jet age, the passenger liner suddenly lost its practical purpose. Yet its symbolic resonance was undiminished as it came to embody nostalgia for a lost age of elegant, leisurely travel by sea. This book explores the idea of the ocean liner in the literary imagination, asking how it transformed from an industrial machine into a potent symbol, and how it became a focus for dreams and terrors. It also investigates the role of the liner in print culture. Many stories about ocean travel were themselves read, lent, sold or even published at sea, and shipping lines were active agents of international literary exchange.